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193. Gigli (-#19)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Louise Bruton and Jenn Gannon, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Martin Brest’s Gigli.

Larry Gigli is a low-level Los Angeles gangster who finds himself assigned the seemingly menial task of kidnapping and holding the brother of a district attorney hostage in the hopes of helping notorious criminal Starkman avoid prosecution. However, this seemingly simple assignment goes awry when a mysterious woman calling herself Ricki shows up, and Gigli finds himself warming to the young developmentally impaired man that he has taken under his wing.

At time of recording, it was ranked 19th on the list of the worst movies of all time on the Internet Movie Database.

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“You Understand Me Now, Don’t You?” Guy Ritchie’s “Snatch” and the Chaos of Miscommunication…

This Saturday, I’ll be discussing Snatch on The 250, the weekly podcast that I co-host discussing the IMDb’s Top 250 Movies of All-Time. However, I had some thoughts on the film that I wanted to jot down first.

“Have I made myself clear, boys?”

“Yeah, that’s perfectly clear, Mickey. Yeah… just give me one minute to confer with my colleague.

“… did you understand a single word of what he just said?”

Guy Ritchie is an interesting director, in large part because there seems to be very little that actively defines “a Guy Ritchie film” outside of a few stylistic quirks.

Films like Lock, Stock and Two Smoking Barrels, Snatch, Revolver, RocknRolla and The Gentlemen suggest a director fascinated with “hard men”, and some of this sensibility undoubtedly carries over into his blockbuster filmography, most obviously in the rambunctious stylings of Sherlock Holmes and most painfully in the attempts at grit in King Arthur. However, Ritchie has also spent a lot of time working as a director-for-hire on mainstream blockbusters worlds apart from that hypermasculinity, such as Swept Away, The Man From U.N.C.L.E. or Aladdin.

More than that, Ritchie’s work is more often recognised for its visual flourish rather than its thematic coherance, the director adopting a high-energy approach to camera movements and editing. Ritchie’s emerged from British independent cinema in the late nineties, and his work shares more than a few passing similarities to the work of young and hungry filmmakers working on the contemporary American scene. It is perhaps too much to describe Ritchie as “the British answer to Quentin Tarantino”, but it’s not entirely unfair either.

This is what makes Snatch such an interesting film. It is Ritchie’s second film, one that notably added some transatlantic flavour to the sensibilities of Lock, Stock and Two Smoking Barrels. Indeed, it’s tempting to write Snatch as an inferior copy of that earlier film, as a reiteration of that striking cinematic debut with extra Brad Pitt thrown in for marketability. After all, this was a particularly common line of criticism when the film was released. While there’s certainly some substance to this accusation, it overlooks the way in which Snatch makes its arguments much more clearly.

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177. Portrait de la jeune fille en feu (Portrait of a Lady On Fire) – This Just In/World Tour 2020 (#226)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Aoife Barry, Rioghnach Ní Ghrioghair and Charlene Lydon, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Céline Sciamma’s Portrait de la jeune fille en feu.

Marianne is a portrait artist who is summoned to a remote island and assigned a strange task. The Contessa would task Marianne with preparing a portrait of her daughter Héloïse, which might be sent to a waiting suitor in Milan. There is just one complication; Héloïse has refused to sit for any portrait painter, and so Marianne must paint the young woman without her knowledge. However, as Marianne studies her subject more intensely, she finds herself more and more drawn to this isolated and lonely soul.

At time of recording, it was ranked 226th on the list of the best movies of all time on the Internet Movie Database.

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171. Knives Out – This Just In (#—)

Hosted by Andrew Quinn and Darren Mooney, and this week with guests Alex Towers and Luke Dunne, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Rian Johnson’s Knives Out.

The apparent suicide of noted mystery author Harlan Thrombley attracts the attention of consulting gentleman detective Benoit Blanc. Interviewing the deceased man’s family, Blanc finds a nest of vipers hiding in plain sight and comes to suspect that Harlan has been victim of murder most foul.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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170. Before Sunset – “Two Guys Die Alone 2020” (#236)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Jay Coyle, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, a Valentine’s treat. Richard Linklater’s Before Sunset.

Finishing up his book tour in Paris, Jessie crosses paths once again with Celine. With a little over an hour before Jessie has to catch a flight back to the United States, the pair take a stroll through Paris. As they do, the nine years since their last encounter fades away, allowing them to reminisce about what might have been and consider what might yet be.

At time of recording, it was ranked the 236th best movie of all time on the Internet Movie Database.

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167. Marriage Story – This Just In (#225)

Hosted by Andrew Quinn and Darren Mooney, and this week with guests Tara Brady and Donald Clarke, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Noah Baumbach’s Marriage Story.

Charlie and Nicole had an ideal marriage, until they didn’t. Unsatisfied with her marriage, Nicole decides to separate from her husband Charlie. The couple agree to keep things amicable, but the situation quickly escalates as Charlie finds him completely unprepared for the process that will follow.

At time of recording, it was ranked the 225th best movie of all time on the Internet Movie Database.

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161. The Irishman – This Just In (#158)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Phil Bagnall and Jay Coyle, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Martin Scorsese’s The Irishman.

Sitting alone in an older retirement home, former gangster Frank Sheeran recounts a life story that spans the second half of the twentieth century, charting a life lived on the margins of greatness but also at the outskirts of decency.

At time of recording, it was ranked the 158th best movie of all time on the Internet Movie Database.

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152. Capernaum – This Just In (#118)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Jay Coyle and Ronan Doyle, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This week, Nadine Labaki’s Capernaum.

In a Lebanese court room, a young boy takes his parents to court. He accuses them of a horrendous crime, blaming them for giving him life. As Zain reflects on a childhood shaped by trauma and suffering, the court wrestles with questions of responsibility and accountability.

At time of recording, it was ranked 118th on the Internet Movie Database’s list of the best movies of all-time.

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149. American Beauty – Summer of ’99 (#73)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Charlene Lydon, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, continuing our Summer of ’99 season, Sam Mendes’ American Beauty.

1999 was a great year for movies, with a host of massively successful (and cult) hits that would define cinema for a next generation: Being John Malkovich, Magnolia, Fight Club, The Green MileThe Insider, Run, Lola, Run. The Summer of ’99 season offers a trip through the year in film on the IMDb‘s 250.

Trapped in a loveless marriage and father to a daughter who wants him dead, Lester Burnham finds himself going through a midlife crisis. In the year leading up to his death, Lester attempts to reconnect with his youth and rediscover the man that he once was before the embers die out for good.

At time of recording, it was ranked 73rd on the Internet Movie Database‘s list of the best movies of all-time.

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118. The Kid – Virgin Media Dublin International Film Festival 2019 (#99)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT. This week, the pair are joined by Sarah Ahern, the programmer of the Fantastic Flix slate at the Virgin Media Dublin International Film Festival.

This time, Charlie Chaplin’s The Kid.

When a wandering tramp discovers an abandoned baby in an alleyway, he takes the young child into his care. The pair forge an unlikely familial bond, living at the margins of society, but it all threatens to unravel when the authorities become involved.

At time of recording, it was ranked the 99th best movie of all time on the Internet Movie Database.

The Kid is being shown as part of the Virgin Media Dublin International Film Festival. It will be shown in the Lighthouse Cinema, next Saturday 23rd February 2019. Tickets are available online. Any Irish listeners of the podcast interested in watching the film are more than welcome; the film is introduced in broad terms at the start of the podcast.

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