I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Scream VI, which was released in cinemas this weekend.
Filed under: Movies | Tagged: escapist, franchise, high-concept, horror, Randy, review, Scream, scream vi, sequel, slasher, the escapist | Leave a comment »
We’re launching a new column at The Escapist, called Out of Focus. It will publish every Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. With the upcoming release of Scream VI, it seemed like a good opportunity to take a look back at the criminally underrated Scream 4.
The last film in the franchise to be written by Kevin Williamson or directed by Wes Craven, Scream 4 exists in a weird space. It is separated from the two film either side of it by more than a decade, the only point in time where the franchise wasn’t coming out on a regular basis. However, it’s a movie that feels very firmly ahead of its time. It was released years before Star Wars: Episode VII – The Force Awakens and David Gordon Green’s Halloween, but it feels in conversation with a wider culture caught in a feedback loop of Gen X nostalgia.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: 1990s, Emma Roberts, franchise, gen x, horror, Kevin Williamson, meta, nineties, nostalgia, out of focus, Scream, self-awareness, slasher, wes craven | Leave a comment »
I published a new In the Frame piece at The Escapist this evening. With the release of Black Panther: Wakanda Forever on Disney+, it seemed like a good opportunity to talk about the movie with spoilers, given that now everybody who might want to see the movie has had the chance to see it.
Even though it was a foregone conclusion, the identity of the new Black Panther was treated as something of a spoiler in certain fandom circles. Still, four months after the movie’s release, it seems fair to concede that the film made the worst possible choice. Shuri was the logical choice to assume the role based on comic book continuity, but she has the least compelling arc of any of the major characters in the superhero sequel. Wakanda Forever would be a much stronger movie if it made a bolder choice.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: antivax, Black Panther, controversy, disney, franchise, legacy, legacy character, letitia wright, scandal, shuri, wakanda forever | Leave a comment »
I published a new In the Frame piece at The Escapist this evening. With the looming release of Scream VI, it seemed like as good a time as any to consider the state of the modern horror franchise.
When Scream premiered, it was a radical deconstruction of classic slasher movie tropes that breathed new life into the genre. It even helped to resurrect troubled slasher franchises like Halloween or Child’s Play. So it’s interesting that, as the series has progressed, it has become more and more like the kinds of movies that it was originally a reaction against. It’s a fascinating illustration of how these franchises evolve over the decades since their original release.
You can read the piece here, or click the picture below.
Filed under: Movies | Tagged: deconstruction, franchise, horror, in the frame, Movie, Scream, scream 6, slasher, trailer | Leave a comment »
I published a new piece at The Escapist over the weekend. With Andor winding down its first season, it seemed like as good an opportunity to take a look at what Disney could and should learn from the best of their franchise streaming show.
While there is some suggestion that Andor might be less popular on initial release than other Star Wars streaming shows like The Mandalorian or The Book of Boba Fett, there is some sense that Disney recognises that they have created something very special and unique. So what is it that makes Andor so compelling? More than that, what can Disney do to capitalise on that success and replicate it?
You can read the piece here, or click the picture below.
Filed under: Television | Tagged: andor, artistry, auteur, creativity, disney, franchise, freedom, streaming, the last jedi, Tony Gilroy | Leave a comment »
I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Picard, which is streaming weekly on Paramount+. The seventh episode of the second season released this week, and it seemed like a good opportunity to take a look at the series.
One of the big problems with modern Star Trek has been the extent to which the franchise finds itself caught between the past and the future, between a nostalgic impluse that pulls it back to the plotting that defined the franchise’s long history and something more ambitious that pushes it towards prestige television. The recent shows have never quite managed to square that particular circle, and this problem comes to the fore as Picard tries to delve inside the head of its protagonist.
You can read the piece here, or click the picture below.
Filed under: Star Trek | Tagged: franchise, mad men, picard, prestige television, sopranos, star trek, star trek: picard, Television, the next generation | Leave a comment »
I published a new In the Frame piece at The Escapist this evening. With the upcoming release of Fantastic Beasts: Secrets of Dumbledore, it seemed like a good opportunity to take a look back at one of the more inert major franchises of the past decade or so.
The success of the Harry Potter movies made the extension of the franchise inevitable; and the intellectual property has expanded into theme parks and stage shows. However, the attempts to expand the world into feature films has met with frustrating results. So far, the Fantastic Beasts franchise has felt a little lifeless and inert, a blockbuster franchise driven by exposition and apocalyptic spectacle, rather than allowing the audience to really immerse themselves in the world as they did with the earlier stories.
You can read the piece here, or click the picture below.
Filed under: On Second Thought | Tagged: brand extension, fantastic beasts, franchise, harry potter, intellectual property, JK Rowling, wizarding world, wizards | 2 Comments »
I published a new In the Frame piece at The Escapist this evening. I’ve been watching the Child’s Play and Chucky franchise, and so it seemed like a good opportunity to delve into one of the more distinctive major horror franchises.
There’s an interesting tension to the Chucky franchise, one that plays out across the various entries. This is a horror series about a mass-produced piece of children’s entertainment, controlled by the demented soul of a monstrous serial killer. Much of the franchise is about the contrast between those two ideas: the factory-assembled doll and the distinctive spirit inside of it. It works well as a metaphor for the larger Chucky franchise as a whole, which has changed form repeatedly across its various incarnations, but somehow managed to retain a unique and consistent identity.
You can read the piece here, or click the picture below.
Filed under: On Second Thought | Tagged: Brad Dourif, child's play, chucky, fiona dourif, franchise, horror, jennifer tilly, postmodern, self-aware, slasher | Leave a comment »
I published a new In the Frame piece at The Escapist on Friday. With the release of The Matrix Resurrections on HBO Max and in theatres, it seemed like a good opportunity to take a look at the film and its themes, in particular its relationship with the earlier films in the franchise.
The Matrix Resurrections exists as part of a larger wave of long-delayed nostalgic sequels to older franchises, from Space Jam: A New Legacy to Ghostbusters: Afterlife to Spider-Man: No Way Home. However, what distinguishes The Matrix Resurrections from these other examples is the way in which it uses nostalgia to a very specific purpose. It’s a film that is aware of both the passage of time since the original film and very engaged with the debate over the reason for its own existence. The result is a movie that has something meaningful to say about the modern movie landscape… and much beyond.
You can read the piece here, or click the picture below.
Filed under: On Second Thought | Tagged: auteurs, authorship, directors, escapist magazine, franchise, Keanu Reeves, Lana Wachowski, ownership, sequels, the escapist, the matrix resurrections, the wachowskis, trinity, Vision | 3 Comments »
I published a new In the Frame piece at The Escapist this evening. Given that this month marks the 35th anniversary of Star Trek IV: The Voyage Home and the 25th anniversary of Star Trek: First Contact, it seemed like a good opportunity to take a look at their relationship within the Star Trek franchise – and how they connect to Star Trek II: The Wrath of Khan.
For many Star Trek fans, The Wrath of Khan remains the most beloved and most brilliant entire in the franchise’s cinematic canon. However, it’s notable that The Voyage Home was a much more populist hit, resonating with general audiences. For a decade following the release of The Voyage Home, it provided a template for the franchise for a decade. However, with the release of First Contact, the balance of power shifted. Suddenly, the franchise found itself caught in the gravity of The Wrath of Khan, which exerted a powerful gravity on the franchise’s direction and development.
You can read the piece here, or click the picture below.
Filed under: On Second Thought | Tagged: continuity, fandom, film, franchise, Movie, star trek, Star Trek II: The Wrath of Khan, Star Trek Into Darkness, star trek iv the voyage home, star trek: first contact, the voyage home, the wrath of khan | Leave a comment »
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