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Star Trek: The Next Generation – The Measure of a Man (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Ah, The Measure of a Man.

It’s the first point in the run of Star Trek: The Next Generation where we’ve reached an episode that could legitimately be ranked as one of the best that the show would ever produce. Even today, the episode remains a favourite of Star Trek fans around the world, and a superb demonstration of what the series is capable of. Almost half-way into the second season, we get a glimpse of what The Next Generation could be, and how it balance its own identity against the proud philosophical traditions of its parent series.

It’s also quite brilliant.

A Data with destiny...

A Data with destiny…

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My 12 for ’13: Star Trek Into Darkness & Fighting for the Future…

This is my annual countdown of the 12 movies that really stuck with me this year. It only counts the movies released in Ireland in 2013, so quite a few of this year’s Oscar contenders aren’t eligible, though some of last year’s are.

This is number 6…

Star Trek Into Darkness won’t win any awards for scripting or plotting. It’s very hard to succinctly explain the various overlapping evil plans directed by the movie’s two competing villains – who knows what at which point, and how that makes sense in the context of their objectives. Star Trek Into Darkness is a bit of a hot mess when it comes to storytelling – an overly convoluted plot that spends far too much time homaging what come before, when it should be boldly going somewhere new.

And yet, despite that, there is an ambition to Star Trek Into Darkness, a willingness to embrace big ideas and questions about cynicism and optimism, about hope and fear, about the attitude that people adopt towards the future. At the most basic level, that’s what Star Trek is. Into Darkness doesn’t have the same space as a television show to delve into those questions, nor to offer the same degree of nuance.

However, it’s a willingness to ask them that is quite endearing.


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The Death of the Author: The Impact of Off-Screen Behaviour on On-Screen Antics…

The rather convolutedly-titled Alfred Hitchcock and the Making of Psycho will be arriving soon, the director’s Vertigo was recently named by Sight & Sound as the best film of all time and the British Film Institute is running a season of the director’s films. (There’s even a nice blu ray box set being released in October.) However, this focus on Alfred Hitchcock has, naturally, brought some focus on to the less pleasant aspects of his character. October, for example, will also see HBO airing The Girl, a documentary exploring his relationship with Tippi Hedren. She has some choice words on his character.

“I think he was an extremely sad character,” she said during a panel discussion of HBO’s upcoming The Girl, which recounts her troubled relationship with the director. “We are dealing with a brain here that was an unusual genius, and evil, and deviant, almost to the point of dangerous, because of the effect that he could have on people that were totally unsuspecting.”

Of course, such accusations and allegations are by no means new, but it does raise an interesting question about those masters of cinema. Even for those of us who resist the supermarket tabloid gossip about engagements and break-ups and cute-sounding-couple-nicknames, is it ever possible to divorce filmmaking from the person either in front or behind the camera?

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