If A Time to Stand and Rocks and Shoals demonstrate the raw potential and ambition of the sixth season of Star Trek: Deep Space Nine, then Sons and Daughters demonstrate its shortcomings.
The fourth and fifth seasons of Deep Space Nine rank among the very best seasons of Star Trek every produced. These two seasons demonstrated a striking level of consistency. There were undoubtedly terrible episodes, like Shattered Mirror and The Muse in the fourth season or The Assignment and Let He Who Is Without Sin… However, these episodes tended to be quite concentrated. Even other episodes that didn’t quite work, like The Sword of Kahless, Sons of Mogh, A Simple Investigation or Ferengi Love Songs, were more bland than outright bad.
Let me be your father figure…
The sixth and seventh seasons of Deep Space Nine lack that consistency. They are even more ambitious than the two seasons directly prior, pushing harder in bolder new directions and resulting in brilliant television like Waltz, Far Beyond the Stars, In the Pale Moonlight, Treachery, Faith, and the Great River, The Siege of AR-558, It’s Only a Paper Moon, Chimera, Inter Arma Enim Silent Leges and Tacking Into the Wind. The sixth and seventh seasons of Deep Space Nine were breathtaking and highly enjoyable on their own terms.
In fact, there is a very credible argument for ranking the sixth and seventh seasons of Deep Space Nine among the best seasons of the franchise. They represent the last great narrative leap forward until the third season of Star Trek: Enterprise. These two seasons are driven by a desire to take risks and try new things, to make ambitious gambles knowing that they might not pay off. These are certainly virtues to be encouraged, even without that laundry list of spectacular television.
The lost art of parenting.
However, with that level of ambition, the sixth and seventh seasons were also much more variable in terms of quality. They contained a lot more misfires than the previous two seasons. This is not just the obvious high-profile failures like Profit and Lace or The Emperor’s New Cloak, but also a lot more episodes that disappoint without hitting quite that level of awfulness; One Little Ship, The Reckoning, Time’s Orphan, Prodigal Daughter, Field of Fire, Extreme Measures. There is a sense that the number of bad episodes increases noticeably.
Sons and Daughters is perhaps the first example of this trend. It is an episode that is not soul-destroying terrible, but it simply does not work in the way that it is intended to work. Sons and Daughters is not only the weakest episode of the six-episode opening arc, it is also the first episode to be written by David Weddle and Bradley Thompson as members of the series’ writing staff. The two facts might not be unrelated.
All (Mar)tok tok tok.
Filed under: Movies | Tagged: alexander, bradley thompson, Bryan Fuller, david weddle, serialisation, sons and daughters, star trek, star trek: deep space nine, Television, Worf | 10 Comments »