The most appealing aspect of the original Guardians of the Galaxy was its awareness of its arrested development.
James Gunn and Nicole Perlman crafted an ode to juvenile nostalgia, anchored in a protagonist who found himself drifting away from Earth following the loss of his mother. Superhero movies work best as extended metaphors or homages, as a vehicle to render the human experience in operatic terms. Guardians of the Galaxy was the tale of a young man who had lost touch with reality in the moment that he lost his mother, and who had escaped into an acid dream of eighties space opera tropes.
Guardians of the Galaxy, Vol. 2 works best when it remembers this. If the first film explored Peter’s retreat from the death of his mother, then the second explores his relationship with his absentee father. Once again, the film is saturated with eighties iconography. Early in the film, Peter confesses that he used to pretend that David Hasselhoff was his father. It is hard to tell whether he is trading up or trading down when he meets a bearded Kurt Russell.
Guardians of the Galaxy, Vol. 2 has a very straightforward set of character and thematic arcs. The movie maintains a clear throughline, focusing on the relationship between fathers and sons. The film is not subtle, even working in Cat Stevens’ Father and Son. Of course, that archetypal relationship has been explored repeatedly and thoroughly within mainstream pop culture and particularly superhero cinema. Nevertheless, it provides a clear focus to Guardians of the Galaxy, Vol. 2, a sense of momentum and direction.
This throughline is essential, because Guardians of the Galaxy, Vol. 2 suffers from significant bloat. The second act of the film is a mess, one compounded by a number of questionable creative decisions that seem to have been made because these beats are expected from the second film in a blockbuster franchise. Guardians of the Galaxy, Vol. 2 follows the science-fiction sequel playbook just a little too well, occasionally losing sight of its characters and the chemistry between them.
Guardians of the Galaxy, Vol. 2 does not work as well as Guardians of the Galaxy. In large part, this is because it feels like a self-conscious sequel rather than an organic extension of the original film. James Gunn never forgets what worked about the original film, but he also cannot resist the urge to go larger with it.
Filed under: Non-Review Reviews | Tagged: comic books, daddy issues, ego the living planet, film, GUARDIANS OF THE GALAXY, Guardians of the Galaxy Vol. 2, James Gunn, non-review review, peter quill, review | Leave a comment »