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New Escapist Video! “Shazam! Fury of the Gods Proves that Lightning Doesn’t Always Strike Twice”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Shazam! Fury of the Gods, which was released in cinemas this weekend.

New Escapist Column! On How “The Last of Us” Finds a Fresh Angle on Familiar Clichés…

I am doing weekly reviews of The Last of Us at The Escapist. They’ll be dropping every Sunday evening while the show is on, looking at the video game adaptation as the show progresses. This week, the show’s penultimate episode.

The Last of Us belongs to a genre that has been well-explored over the past few years, the post-apocalyptic horror. It’s a narrative template that has been thorough excavated and interrogated across a wealth of media. Audiences are familiar with the language and the logic of these kinds of stories, and there are perhaps only so many variations upon the archetypal theme. This what makes the season’s penultimate episode so compelling. The Last of Us wades into a familiar post-apocalyptic set-up, but finds a way to explore it that plays uniquely to the show’s strengths.

You can read the piece here, or click the picture below.

New Escapist Video! “Scream VI is a Safe but Sturdy Slasher”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Scream VI, which was released in cinemas this weekend.

New Escapist Video! “Ant-Man and the Wasp: Quantumania is a Buggy Start to Phase 5”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Ant-Man and the Wasp: Quantumania, which was released in cinemas this weekend.

New Escapist Column! On the Thrills and Disappointments of “Knock at the Cabin”…

I published a new piece at The Escapist during the week. With the release of Knock at the Cabin this weekend, it seemed worth taking a look at the latest movie from M. Night Shyamalan.

Knock at the Cabin is by turns fascinating and frustrating. It is a movie that works really well as a claustrophic and ambiguous thriller, a home invasion movie that is essentially a battle of wills over belief. However, it suffers somewhat from the fact that Shyamalan can’t stay within the cabin. At various points, the narrative has to become bigger and more epic, and in doing so, it unravels the tension that makes the best scenes in the movie so compelling.

You can read the piece here, or click the picture below.

New Escapist Video! “Avatar: The Way of Water is Visually Stunning, Narratively Fine”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review Avatar: The Way of Water, which was released in cinemas this weekend.

New Escapist Video! “Andor is the Best Star Wars in a Long Time”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute review of the first season of Andor, which can now be streamed on Disney+.

New Escapist Column! On “1899” and the Problems of Abstraction…

I published a new piece at The Escapist over the weekend. Last week saw the release of Netflix’s 1899, a surreal mystery thriller from the creative minds behind Dark.

1899 is an impressive show in many ways, a multilingual series with a diverse cast, that is also the most expensive television show ever made in Germany. It is packed with big ideas, and grapples with heady themes, without ever stopping to apologise for itself or condescend to its audience. There’s undoubtedly something appealing in that. However, there’s a strange coldness to the show, a detachment that makes it very hard to emotionally invest in the series as anything more than an intellectual exercise.

You can read the piece here, or click the picture below.

New Escapist Video! “Black Panther: Wakanda Forever is a Loving Tribute and a So-So Film”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review Black Panther: Wakanda Forever, which is releasing in cinemas this weekend.

New Escapist Column! On “The English” as a Love Letter to Sergio Leone…

I published a new piece at The Escapist yesterday. This week marks the premiere of The English, a co-production between the BBC and Amazon.

The English is effectively a spaghetti western with a very British sensibility. It is written and directed by Hugo Blick. It stars Emily Blunt, and its supporting cast is populated with British and Irish character actors like Ciarán Hinds, Toby Jones, Rafe Spall and Stephen Rea. However, it is a thoughtful exploration of the genre, and an obvious love letter to the exploitation movies of the sixties and seventies. The show is occasionally a little to reverent to its inspirations, but it is beautifully shot and deeply moving, anchored in two great central performances from Chaske Spencer and Emily Blunt.

You can read the piece here, or click the picture below.