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New Escapist Video! On How James Cameron is Corny as F&!k…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will typically be separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, with Avatar: The Way of Water continuing to dominate the global box office, it seemed as good a time as any to look at the life and career of director James Cameron. In particular, what is it that drives Cameron? What’s the glue that holds this director’s filmography together? It’s a fascinating deep dive on one of the most successful filmmakers of all-time.

New Escapist Video! “Avatar: The Way of Water is Visually Stunning, Narratively Fine”

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review Avatar: The Way of Water, which was released in cinemas this weekend.

New Escapist Column! On How “Avatar: The Way of Water” is an Archetypal James Cameron Movie…

I published a new In the Frame piece at The Escapist this evening. With the looming release of Avatar: The Way of Water, it seemed like a good time to take a look at Cameron’s aquatic, which might be his most personal and intimate movie ever.

Cameron’s filmography is interesting and varied, working in a number of genres and registers across his career. However, he has a set of familiar preoccupations: water, industrialisation, militarism, environmentalist, parenthood, feminism and so on. However, it’s fascinating that one of the most consistent threads across Cameron’s filmography is an evolving idea of family. Cameron’s epics are often stories of families pulling themselves together in the face of crisis. The Way of Water is no different.

You can read the piece here, or click the picture below.

New Irish Independent Column! On James Cameron’s Big Bet on “Avatar: The Way of the Water”…

I published a new piece at The Irish Independent this evening. With the looming release of Avatar: The Way of Water, it seemed worth taking a look at James Cameron’s approach to the sequel.

Over the past few years, it has become quite common for critics to argue that Avatar has no cultural footprint, that nobody can remember the names of its leads or it villains. This is interesting, because it offers a very modern conception of a “cultural footprint”, one that makes sense after decades of comic book movies have imprinted characters like Thanos and Doctor Strange on the public consciousness. Cameron isn’t releasing a blockbuster to compete with these films. Instead, he’s hoping that his sequel can make money by appealing to an older ideal of the cinematic experience.

You can read the piece here, or click the picture below.

New Escapist Column! On Modern Hollywood’s Daliance with Decadence…

I published a new In the Frame piece at The Escapist this evening. The year’s awards season has a whiff of decadence about it. Movies seem to be getting longer. Directors are making autobiographical movies about their own childhoods. There’s a fascination with tearing down old Hollywood myths.

Perhaps the most obvious example of this is the re-emergence of water tank movies, of expensive blockbusters set in and around water. After all, water is expensive and dangerous. More than that, there’s no real evidence that audiences are particularly enthused or excited by water, it’s simply something that costs a lot of money to do. Throughout Hollywood’s history, whenever the blockbuster industry drives itself into a heated frenzy, movies embrace the water. James Cameron has always been riding te crest of that particular wave.

You can read the piece here, or click the picture below.

New Podcast! The Spookies Podcast – “Fanboy Industrial Complex II: With Darren Mooney”

I was thrilled to be invited to join the wonderful Michael and Stephanie Little for an episode of their new podcast, The Spookies Podcast.

It was a fun conversation, if a little bit chaotic. We got to talk about everything from Aquaman, Black Panther: Wakanda Forever and Avatar: Way of Water, through to the state of the Star Wars brand, and even to the differences between Breaking Bad and Better Call Saul.

You can listen directly to the episode below or by clicking here.

New Escapist Video! On How “Aliens” Responds to “Alien”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This month, with Aliens celebrating its thirty-fifth anniversary, it seemed like a good opportunity to take a look at the film. In particular, how James Cameron designed one of the great sequels by refusing to simply repeat what worked about the original Alien. Instead, Aliens works in large part because it actively responds to and engages with Alien, in a way that enriches both films.

New Escapist Column! On James Cameron’s “Aliens” as a Challenge to Ridley Scott’s “Alien”…

I published a new In the Frame piece at The Escapist this evening. James Cameron’s Aliens is thirty-five years old this July, so it seemed like a good opportunity to take a look back at one of the best sequels ever made.

Aliens works in large part because it’s smart enough to avoid directly challenging Alien, in that it avoids simply recycling the original formula with a shift in location or with a new cast. Instead, it offers a very different approach to the core material. More than that, James Cameron positions Aliens as a direct challenge to Alien, deliberately and pointedly inverting some of the core themes of the original film. This choice enriches both films, turning Alien and Aliens into a conversation.

You can read the piece here, or click the picture below.

New Escapist Column! On the “Avatar” as a PG-13 “Aliens”…

I published a new column at The Escapist this evening. With the re-release of Avatar in China this weekend, it seemed like an opportunity to take a look at Jameson Cameron’s blockbuster.

Avatar is often discussed in terms of its relationship to nineties films like Dances With Wolves, Pocahontas and even Fern Gully. However, Avatar is also notable in its similarities to James Cameron’s first proper blockbuster. Avatar often feels like a reworking of Aliens, albeit one aimed at a much broader audience. This is interesting, positioning Avatar as part of a wave of similarly four-quadrant-pleasing reboots and remakes of classic R-rated eighties properties.

You can read the piece here, or click the picture below.

196. The Terminator (#245)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Joe Griffin and Emmet Kirwan, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, James Cameron’s The Terminator.

In 2029, Los Angeles is a burning hellhole. In 1984, it is not much better. In the dead of night, two soldiers from an apocalyptic future escape into the urban landscape. These mysterious veterans of a coming war make their way across the City of Angels, with only one name on their minds: Sarah Connor.

At time of recording, it was ranked 245th on the list of the best movies of all time on the Internet Movie Database.

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