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304. Speed 2: Cruise Control (-#97)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Jason Coyle and Richard Drumm, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Jan de Bont’s Speed 2: Cruise Control.

SWAT team member Alex Shaw decides to take his girlfriend Annie on a luxurious ocean cruise, planning to propose to her. Fate has other plans, in the form of mysterious terrorist John Geiger, who has a score to settle and a score to pull, hijacking the liner and setting it on a collision course for disaster. Soon enough, it isn’t just Alex and Annie’s relationship that finds itself careening out of control.

At time of recording, it was ranked 97th on the list of the worst movies of all time on the Internet Movie Database.

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298. The Sound of Music (#243)

Hosted by Andrew Quinn and Darren Mooney, this time with special guest Síomha McQuinn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, Robert Wise’s The Sound of Music.

Maria is a young woman lacking purpose and direction in her life. Exiled from a convent, Maria is assigned to work as governess for the von Trapp family, caring for seven children who recently lost their mother and are struggling to connect with their emotionally distant father. Maria strikes up an unlikely connection with Captain von Trapp, but the family soon finds their idyllic existence threatened as historical realities come to bear on Austria.

At time of recording, it was ranked 243rd on the list of the best movies of all time on the Internet Movie Database.

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290. Network (#219)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Ciara Moloney and Dean Buckley, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Sidney Lumet and Paddy Chayefsky’s Network.

Howard Beale is a veteran newscaster on a struggling network. When he is given his two weeks’ notice, Beale threatens to shoot himself live on the air as his final broadcast. The television journeyman becomes a media storm and ratings sensation, as the network eagerly seeks to capitalise on what could be a once-in-a-generation phenomenon.

At time of recording, it was ranked 219th on the list of the best movies of all time on the Internet Movie Database.

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New Podcast! The X-Cast – Season 8, Episode 2 (“Without”)

The X-Cast is covering the eighth season of The X-Files. This is one of my favourite seasons of television ever, in large part because it’s a season that manages to build a convincing narrative and character arc around a very challenging production reality, and in doing so forced the show itself to evolve and change. I’m thrilled to join Sarah L. Blair for a discussion of the second half of the season premiere.

Without is a very meditative piece of television, which is a bold and interesting choice for the second half of a season premiere. It is essentially an episode about absences, about the lack of resolution or even meaningful linear progress. It’s an episode that is about confronting the reality that The X-Files no longer has one of its two leading characters available to it. What does that version of The X-Files look like? Without is essentially a story about wandering through the desert.

You can listen to the episode here, or click the link below.

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262. Sunrise: A Song of Two Humans (#250)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, F.W. Murnau’s Sunrise: A Song of Two Humans.

In the countryside, a married man finds himself tempted by a visitor from the city. Deciding to murder his wife and escape from his mundane life, the man has a last minute change of heart. Their passion reignited, the married couple embark on an adventure to the big city, where they might get lost in the crowds and perhaps find each other once again.

At time of recording, it was ranked 250th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On James Cameron’s “Aliens” as a Challenge to Ridley Scott’s “Alien”…

I published a new In the Frame piece at The Escapist this evening. James Cameron’s Aliens is thirty-five years old this July, so it seemed like a good opportunity to take a look back at one of the best sequels ever made.

Aliens works in large part because it’s smart enough to avoid directly challenging Alien, in that it avoids simply recycling the original formula with a shift in location or with a new cast. Instead, it offers a very different approach to the core material. More than that, James Cameron positions Aliens as a direct challenge to Alien, deliberately and pointedly inverting some of the core themes of the original film. This choice enriches both films, turning Alien and Aliens into a conversation.

You can read the piece here, or click the picture below.

New Escapist Column! On James McAvoy’s Complex and Compelling Charles Xavier…

I published a new In the Frame piece at The Escapist this evening. With New Mutants releasing on streaming this week, effectively drawing the shutters down on Fox’s “X-Men Cinematic Universe”, it seemed an appropriate time to take a look back at one of the franchise’s unsung highlights: its portrayal of Charles Xavier.

Charles Xavier is a challenging character. He was essentially introduced as a plot function, the adult in the room for a teenage superhero team. However, over the years, Xavier has come to embody more. However, he has typically been portrayed as a saint or an icon. As played by James McAvoy, Xavier becomes a much more complex and compelling character, one who raises important questions about the X-Men as a metaphor for minority groups and about the best way of advancing ideas like social change and equality.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Avatar’s” Lack of a Cultural Footprint Might Be Its Best Feature…

I published an In the Frame piece at Escapist Magazine earlier this week, given the release of new concept art for the Avatar sequels.

Much as been made of the extent to which Avatar left no tangible pop cultural footprint, despite its massive financial success. It’s a fascinating conundrum, and almost impossible to imagine in this age of fractured fandoms and hot takes. Indeed, that lack of a strong cultural footprint might even be the best thing about it. For better or worse, Avatar was a film that millions and millions of people saw and enjoyed, before getting on with their lives. And in an era where films increasingly feel like religious events, there’s something vaguely comforting in that.

You can read the piece here, or click the picture below.

Non-Review Review: Ford v. Ferrari (Le Mans ’66)

Ford v. Ferrari very much the Ford model of mid-budget adult-skewing awards fare.

It’s sturdy and reliable. It handles well. It also doesn’t have too many surprises under the hood. Ford v. Ferrari knows exactly what the audience wants from a film like this, and it often delivers right down to the shot. The camera is exactly where it needs to be, when it needs to be there – whether capturing the concerned expressions on a family nervously leaning in close to a radio or flying by the team manager as he watches his car cross the finish line on one of the last laps.

Food for thought.

It is easy to be cynical about all of this. Were somebody to approach Ford v. Ferrari cynically, they could argue that it is the product of a factory floor that is just as much a conveyor belt as those operated by Ford. However, there is a reason that this model of awards fare became an industry standard. Ford v. Ferrari constantly reminds its audience of the appeal underpinning this factory-built American craftsmanship. This sort of film was a staple of awards seasons for decades, and Ford v. Ferrari demonstrates just why that was.

Ford v. Ferrari is good, old-fashioned, crowd-pleasing awards fare.

Miles to go.

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New Podcast! Scannain Podcast (2019) #13!

It’s time for the Scannain podcast!

This week, I join Grace Duffy, Ronan Doyle and Jay Coyle to discuss the week in film. There’s a lot to cover this week, most obviously the passing of Agnès Varda, who was something of a patron saint of the podcast. However, the film news also covers the United States Justice Department’s intervention in the row between Netflix and the Academy, big announcements from Cinema Con, news about Disney’s purchase of Fox, the Newport Beach Film Festival, and the Celtic Media Awards.

All of this plus the top ten and the new releases.

The top ten:

  1. How to Train Your Dragon III: The Hidden World
  2. Die Walkure – Met Opera 2019
  3. The Lego Movie 2: The Second Part
  4. Green Book
  5. Instant Family
  6. Lucifer
  7. What Men Want
  8. Captain Marvel
  9. Us
  10. Dumbo

New releases: