We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “cyber noir” – the unlikely combination of sci-fi and film noir to make an oh-so-tasty film.
A man jolts awake in a bathtub in a strange motel, and seems somewhat surprised by his surroundings. As seems to be mandatory in all good sleazy establishments, the light bulb on the ceiling swings back and forth – teasing illumination around the otherwise dark tiled room, but never showing everything. Confused, the resident stumbles to his feet, and searches frantically for what must be his clothes. However, there’s an unpleasant surprising waiting for him inside the anonymous cheap room: a dead body of a beautiful woman, carved and cut up in a mysterious spiral pattern. Our protagonist recoils, horrified by the discovery, and leaves the seedy dive as soon as possible. He assures himself, repeatedly, that it isn’t what it looked like. He isn’t a killer, he’s a good man.
However, it would be much easier to make that argument if he could remember anything before waking up in the water. Even his own name.
One to watch...
Filed under: Non-Review Reviews | Tagged: alexis proyas, Dark City, Film noir, films, For the Love of Film Noir, For the Love of Film Noir blogathon, For the Love of Film Noir: The Film Preservation Blogathon, German Expressionism, kiefer sutherland, Movies, non-review review, review, Richard O'Brien, roger ebert, Rufus Sewell, Science fiction film, Sound of Fury | 10 Comments »
