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New Podcast! Scannain Podcast (2019) #17!

It’s time for the Scannain podcast!

This week, I join Jay Coyle, Grace Duffy and Ronan Doyle to discuss the week in film. Ronan has been away for a few weeks at the Irish Film Institute’s “Our Battle in Images” season, looking at (largely outside) perspectives of the Troubles and curated by Donal Foreman, and so discusses a few films that he saw as part of the season. Jay has been watching more Columbian noir on the Criterion Channel and took in the latest Liam Neeson action joint Hard Powder Cold Pursuit. Grace watched Colossal and took in her first Agnés Varda film. I watched The Dig, and took in a couple of classic Marvel Cinematic Universe films.

In film news, there’s a lot to cover, including the passing of director John Singleton. There is also the IFI Spotlight coming in early May, and the announcement of the latest batch of W.R.A.P. funding. As ever, we also cover the top ten and the new releases in a crowded week under the shadow of Avengers: Endgame.

The top ten:

  1. Five Feet Apart
  2. Little
  3. Missing Link
  4. Peppa Pig: Festival of Fun
  5. Wild Rose
  6. Greta
  7. Shazam!
  8. Wonder Park
  9. Dumbo
  10. Avengers: Endgame

New releases:

You can listen to the podcast directly here.

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New Podcast! Scannain Podcast (2019) #16!

It’s time for the Scannain podcast!

This week, I join Jay Coyle and Grace Duffy to discuss the week in film. There’s a lot to discuss. As one might expect given the big release of the week, there’s a lot of Marvel Cinematic Universe talk; The Incredible Hulk, Avengers: Infinity War, Thor: Ragnarok and Guardians of the Galaxy. There’s also time to discuss Tropic Thunder, Catch Me If You Can and The Shallows. In terms of film news, Lorcan Finnegan’s Vivarium is screening at Cannes and the IFI is hosting a Trish McAdam season in May.

The top ten:

  1. Hellboy
  2. Five Feet Apart
  3. Little
  4. Pet Sematary
  5. Captain Marvel
  6. Wonder Park
  7. Greta
  8. Wild Rose
  9. Shazam!
  10. Dumbo

New releases:

You can listen to the podcast directly here.

That’s “Entertainer”-ment: “The Sting” in the Tale, and the Art of Movie-Making…

Last Sunday, I discussed The Sting on The 250, the weekly podcast that I co-host discussing the IMDb’s Top 250 Movies of All-Time. However, I had some thoughts on the film that I wanted to jot down first. You can listen to the podcast here.

The Sting is a remarkable movie in a number of ways.

The film is somewhat overlooked in the annals of Best Picture winners, its victory in the category nestled between The Godfather and The Godfather, Part II. More than that, the film feels positively old-fashioned when compared to many of the Best Picture winners of the decade; The French Connection, One Flew Over the Cuckoo’s Nest, Annie Hall, The Deer Hunter, Kramer vs. Kramer and even Rocky. Many of those Best Picture winners offered a sketch of America as it existed in the seventies, a more grounded and realistic approach to cinema reflecting a broader range of experiences and perspectives than had otherwise bubbled through mainstream popular film.

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New Podcast! Scannain Podcast (2019) #4!

It’s time for the latest Scannain podcast!

This week, I join Jay Coyle and Graham Day from Speakin’ Geek to discuss the week in film news. It’s a fun and wide-ranging discussion, covering everything from the growth of Dreamworks as an animation studio to the extended cut of Terrence Malick’s Tree of Life. There’s also discussion of Dragonball Z and Destroyer. In film news, we mark the passing of Dick Miller, the coverage of Sundance, February at the Irish Film Institute and the thirtieth anniversary of the Cork French Film Festival.

The top ten:

  1. The Favourite
  2. Wreck-It Ralph 2: Ralph Breaks the Internet
  3. Stan and Ollie
  4. Second Act
  5. Mary Poppins Returns
  6. The Mule
  7. Vice
  8. Mary Queen of Scots
  9. Glass
  10. A Dog’s Way Home

New releases:

You can download the episode here, or listen to it below.

113. Once Upon a Time In America (#70)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Sergio Leone’s Once Upon a Time in America.

Drawn back to New York City from a decades-long exile, retired gangster David “Noodles” Aaronson discovers that the past is not buried nearly as well as he might like. Navigating a complex web of secrets and betrayals, “Noodles” is forced to confront sins past; both his own and those dearest to him.

At time of recording, it was ranked the 70th best movie of all time on the Internet Movie Database.

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Dublin Film Critics Circle Awards, 2018

It’s the most wonderful time of the year!

Snow! Christmas! Terrible but enjoyable (and apparently, this year, controversial!) music! End of year “best of” lists!

I’m a member of a couple of critics’ organisations, so we’ll be releasing a couple of these lists upon which I voted. I’ll also hopefully be releasing my own top ten as part of a Scannain end-of-year podcast some time this week.

In the meantime, the Dublin Film Critics Circle have released their end of year awards. Thrilled to be a part of the group, who are voting on films released in Ireland during the calendar year of 2018. As such, it will be a different pool of films than the Online Film Critics Society awards.

A massive thanks to the wonderful Tara Brady for organising the awards this year, balloting members and collating results.

Anyway, without further ado…

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Non-Review Review: Spider-Man – Into the Spider-Verse

Spider-Man: Into the Spider-Verse is an amazing Spider-man movie.

There is no other way to describe it. Into the Spider-Verse is a clean lock for the best superhero film of the year, neatly leapfrogging the superlative Black Panther. Into the Spider-Verse is also the best animated film of the year, placing comfortably ahead of The Breadwinner or Incredibles 2. In fact, it seems fairly safe to describe Into the Spider-Verse as the best feature film starring Spider-Man since Spider-Man II. Even that feels like hedging, and would be a very closely run race.

Just dive on in.

Into the Spider-Verse is a creative triumph. It is a fantastically constructed movie, in virtually every way. The film’s unique approach to animation will inevitably dominate discussions, and understandably so. Into the Spider-Verse is a visually sumptuous piece of cinema that looks unlike anything ever committed to film. However, the film’s storytelling is just as impressive if decidedly (and consciously) less showy in its construction. Adding a phenomenal cast, Into the Spider-Verse is just a film that works in an incredibly infectious and engaging way.

Into the Spider-Verse does whatever a Spider-Man movie can. And then some.

Suits him.

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