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319. Whiplash (#42)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Richard Drumm, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Damian Chazelle’s Whiplash.

Andrew Neiman is a young music student at the prestigious Shaffer Conservatory in New York City. A jazz drummer, Andrew dreams of great things, of becoming a legend like Miles Davis or John Coltrane. However, he falls under the influence of band leader Terence Fletcher. Fletcher sees potential in Andrew, and draws the young musician into his orbit. The two find themselves trapped in a toxic push-and-pull relationship, with the stakes escalating quickly.

At time of recording, it was ranked 42nd on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: Whiplash

The joy of Whiplash is in how the film subverts so many of the conventions of the “unconventional teacher pushes promising young student” subgenre. A one-sentence plot summary for the film suggest an inspirational and life-affirming tale. Andrew heads to a prestigious music school to hone his skills on the drums, and encounters an obnoxious and confrontational teacher who pushed him to his limits. One can already hear the applause, see the inevitable hug, feel the radiating mutual respect.

Whiplash carefully and meticulously subverts these expectations, avoiding many of the familiar plot beats that one might expect from a story like this. There’s a raw, gruelling honesty to the story – Whiplash is not a story calibrated or tailored to make the audience feel particularly comfortable or happy. Indeed, it addresses its central themes with a refreshing candidness. It asks some very tough questions about honing talent and the responsibilities of a teacher. It doesn’t offer any easy answers.

Anchored in two compelling central performances and a beautiful soundtrack, Whiplash builds to a beautifully cathartic climax, one that refuses to wrap too tight a bow around an intriguing little film.

Stick around...

Stick around…

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Non-Review Review: Spider-Man

It’s hard to believe in retrospect, but the movie that kick started the whole superhero movie subgenre is nothing but a gigantic, big budget B-movie. And, trust me, that’s a compliment.

I guess this is a web review (geddit?)...

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