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Non-Review Review: Whiplash

The joy of Whiplash is in how the film subverts so many of the conventions of the “unconventional teacher pushes promising young student” subgenre. A one-sentence plot summary for the film suggest an inspirational and life-affirming tale. Andrew heads to a prestigious music school to hone his skills on the drums, and encounters an obnoxious and confrontational teacher who pushed him to his limits. One can already hear the applause, see the inevitable hug, feel the radiating mutual respect.

Whiplash carefully and meticulously subverts these expectations, avoiding many of the familiar plot beats that one might expect from a story like this. There’s a raw, gruelling honesty to the story – Whiplash is not a story calibrated or tailored to make the audience feel particularly comfortable or happy. Indeed, it addresses its central themes with a refreshing candidness. It asks some very tough questions about honing talent and the responsibilities of a teacher. It doesn’t offer any easy answers.

Anchored in two compelling central performances and a beautiful soundtrack, Whiplash builds to a beautifully cathartic climax, one that refuses to wrap too tight a bow around an intriguing little film.

Stick around...

Stick around…

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Non-Review Review: Iron Man 2

Legacy. It’s all about legacy. What we leave for our children and what we inherit from our parents. Sometimes it’s bitterness and hatred, sometimes it’s more than we think. Iron Man as a concept is inherently linked to the Cold War and American foreign policy, so it’s a fitting theme for the sequel to tackle. Fathers and sons dominate the film, as does the simple and haunting fact that the now is shaped by the then. Some of us get to change the world, some of us simply leave big smoking craters behind us. Even the bad guy, a Russian, consciously evokes conflicts fading from memory that shaped our modern world.

Sometimes you just need to slow down and take a break...

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Backlash to Mickey Rourke’s Whiplash…

I’m on a bit of a comic book binge this week (it helps that Hollywood is churning out so many of the damned movies), and I couldn’t help but not with a wry smile on my face the internet response to the first pictures of Mickey Rourke as the villain (or “a” villian, given the ambiguous roles played by Sam Rockwell and Scarlett Johansson as a business rival and catsuit-wearing spy) in the new Iron Man film. There had been a lot of gossip about whether the loud-mouthed Oscar-nominated actor would be playing Whiplash or Crimson Dynamo. From what fans are saying about the image (appearing below), it appears he’s playing a weird amalgamation of both… and a few more to boot. Though most of fandom appears to have taken this pastiche in their stride, there are a few cynical souls remaining out there who are a little ticked off to see these characters revamped in such a strange way. However, mixing and matching and distorting is by no means anew thing when it comes to adapting iconic characters to the big screen.

It looks like someone has finally tamed Mickey Rourke's wild streak by making him wear an over-sized shock collar

It looks like someone has finally tamed Mickey Rourke's wild streak by making him wear an over-sized shock collar

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