film | the m0vie blog

334. John Wick: Chapter 4 (#181)

Posted on April 29, 2023 by Darren

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Chad Stahelski’s John Wick: Chapter 4.

Still exiled and alone, John Wick wanders through the global criminal underworld. As his friends fall around him and the knives of the High Table close in around him, the assassin finds himself contemplating an uncomfortable question. What does he actually want? What can he actually accomplish?

At time of recording, it was ranked 181st on the list of the best movies of all time on the Internet Movie Database.

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Filed under: This Just In | Tagged: action, commentary, donnie yen, film, franchise fatigue, hiruyuki sanada, john wick, john wick: chapter 4, just the two of us, Keanu Reeves, martial arts, morality, Movie, nobody, podcast, rules, society, The 250, This Just In | Leave a comment »

280. Apocalypse Now (#53)

Posted on March 18, 2023 by Darren

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Alex Towers and Brian Lloyd, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Francis Ford Coppola’s Apocalypse Now.

In the midst of the Vietnam War, Benjamin Willard is given a special assignment. He is tasked with taking a patrol boat up the Nung River in pursuit of Colonel Walter Kurtz. Kurtz has apparently gone completely rogue, no longer responding to directives from command. Willard is instructed to terminate Kurtz’s command, by any means necessary. However, as Willard journeys deeper into the country, he finds himself drifting further and further from reality, embracing some sort of primal insanity.

At time of recording, it was ranked 53rd on the list of the best movies of all time on the Internet Movie Database.

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Filed under: The 250 | Tagged: alex towers, america, apocalypse now, Audio, brian lloyd, film, Filmmaking, francis ford coppola, marlon brando, martin sheen, Movie, podcast, psychedelia, season, trip, vietnam, Vietnam War | Leave a comment »

New Escapist Column! On the Pre-Packaged Cult Appeal of “Cocaine Bear”…

Posted on March 1, 2023 by Darren

We’re launching a new column at The Escapist, called Out of Focus. It will publish every Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. This week, we took a look at the release of Cocaine Bear, which is an obvious attempt to manufacture a cult hit.

On one level, it seems like a fool’s errand to try to build a movie with the express purpose of making a cult hit. After all, cult hits only grow organically, often over years and through home media or television. However, changes to the industry – including the collapse of home media and the decline of linear television – make it very difficult for movies to find that sort of niche. Cocaine Bear feels like a movie designed with that understanding in mind, a film very consciously pitched towards streaming virality as much as theatrical box office.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: cocaine bear, cult, cult hit, cult movie, film, home media, Movie, rental, streaming, Television, universal, video stores | Leave a comment »

New Escapist Column! On Hitting “Peak Marvel”…

Posted on February 24, 2023 by Darren

I published a new In the Frame piece at The Escapist this evening. With the reports that Disney+ will only be streaming two Marvel shows this year and the decision to move The Marvels out of summer and into November, it’s interesting to contemplate whether we’re already past “Peak Marvel.”

“Peak Marvel” is a reference to “peak oil”, referring to the point at which production reaches its apotheosis, where there is so much content being produced that it is unsustainable for any number of reasons. The Marvel Cinematic Universe remains one of the most successful multimedia franchises ever, but it has been flooding the market for the better part of two years. There are signs, both in the wider industry and within the brand itself, that this model is not sustainable. The question is what comes next.

You can read the piece here, or click the picture below.

Filed under: Movies, Television | Tagged: ant-man and the wasp: quantumania, blockbuster, Content, film, in the frame, loki, marvel, Marvel Studios, mcu, peak, peak marvel, the escapist, the marvels, volume | Leave a comment »

New Escapist Video! “Ant-Man and the Wasp: Quantumania is a Buggy Start to Phase 5”

Posted on February 16, 2023 by Darren

I’m thrilled to be launching movie and television reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Ant-Man and the Wasp: Quantumania, which was released in cinemas this weekend.

Filed under: Movies | Tagged: ant-man and the wasp: quantumania, film, mcu, Movie, review, the escapist | Leave a comment »

New Escapist Column! On “The Witcher: Blood Origin”, “The Rings of Power”, and the Limits of Fidelity…

Posted on January 5, 2023 by Darren

I published a new piece at The Escapist this week. With the recent release of The Witcher: Blood Origin on Netflix and the ongoing arguments about the perceived “faithfulness” around The Rings of Power, it seemed like a good time to explore how the quality of a work relates to its alleged faithfulness.

To put it simply, quality and fidelity are completely different metrics. It is entirely possible for a fiathful adaptation of source material to be terrible, for example the shot-for-shot remake of Psycho. It’s also possible for an adaptation that has nothing to do with even the tone and genre of the original property, such as 21 Jump Street, to be brilliant. Ultimately, The Witcher: Blood Origin and The Rings of Power are adaptations that fail on their own measure.

You can read the piece here, or click the picture below.

Filed under: Television | Tagged: comedy, escapist, faithfulness, fidelity, film, genre, new, Psycho, Television, the escapist, the lion king | Leave a comment »

New Escapist Column! On How Film Culture Became Online Culture…

Posted on December 5, 2022 by Darren

I published a new In the Frame piece at The Escapist this evening. With the publication of the once-in-a-decade Sight & Sound poll last week, it seemed like a good opportunity to dig into the results and consider what they say about modern film culture.

The list has provoked some response online for being too modern and too recent, including films like Portrait of a Lady on Fire, Get Out, Moonlight and Parasite. However, it’s part of a rich tradition of updating and modernising the cinematic canon. The most interesting aspect of the list is the way in which it demonstrates how film culture is online, how so many of the films to appear and climb on the list did so by becoming more readily and available, and by being embraced by an internet-literate generation of film critics.

You can read the piece here, or click the picture below.

Filed under: Movies | Tagged: canon, cinema, criterion, film, in the frame, internet, modernity, Online, sight & sound, the escapist, twitter | Leave a comment »

New Escapist Video! “Morbius Was Bad, Black Adam is Worse”

Posted on October 21, 2022 by Darren

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a five-minute film review of Black Adam, which is in cinemas now.

Filed under: Movies | Tagged: Black Adam, Dwayne Johnson, film, Movie, review, superheroes, the escapist, the rock | Leave a comment »

308. feardotcom (-#67)

Posted on October 17, 2022 by Darren

Hosted by Andrew Quinn and Darren Mooney, with special guest Diamanda Hagan, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, William Malone’s feardotcom.

Detective Mike Reilly has spent the past few years in pursuit of the online serial killer who goes by the name of “the Doctor”, a murderer who streams his crimes on the internet for all to watch. Reassigned after failure to show any results, Reilly finds himself investigating a seemingly unrelated case of contagion that is spreading through New York City. However, Reilly soon discovers that the two cases are more closely linked than he could have imagined.

At time of recording, it was ranked 67th on the list of the worst movies of all time on the Internet Movie Database.

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Filed under: The Bottom 100 | Tagged: diamanda hagan, feardotcom, film, Found footage, franchsie pictures, frankenstein, halloween, horror, internet, Jeffrey Combs, luxemberg, Moral panic, Movie, Natascha McElhone, podcast, prurient, puritanical, review, se7en, serial killer, stephen dorff, Stephen Rea, The 250, The Bottom 100, torture porn, Udo Kier, william malone | Leave a comment »

New Escapist Video! On What the Cancellation of “Batgirl” Means for the Future of Streaming…

Posted on August 22, 2022 by Darren

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will be completely separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at the recent cancellation of Batgirl, following the merger of Warner Bros. and Discovery Media. There has been a lot of noise and shouting about the decision from various angry corners of the internet, but what does it actually mean? And what does that cancellation mean in the context of the larger streaming landscape, which has become an incredibly volatile space within the last six months?