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312. The Incredibles – Bird Watching 2022 (#230)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Deirdre Molumby and Graham Day, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, we’re continuing a season focusing on the work of one particular director: Brad Bird’s The Incredibles.

Bob Parr was living an exciting life as the superhero Mr. Incredible, until a change in public opinion forced him to hang up his tights for good. Settling down to start a family with Helen, Bob still yearns for the adventure and excitement of his youth. Out of nowhere, a mysterious woman appears with an offer that seems too good to be true, drawing Bob back into a life that he never fully abandoned.

At time of recording, it was ranked 230th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Video! “Lightyear is a Solid Sub-Orbital Adventure”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Lightyear, which is in theatres on Friday.

New Escapist Column! On the Quiet Revolution of Disney’s Modern Princess Movies…

I published a new In the Frame piece at The Escapist this evening. With the release of Encanto this weekend, it seemed like a good opportunity to talk about the animated “princess” movies being produced by Disney.

Disney has always been associated with these movies, dating back to the breakout success of Snow White and the Seven Dwarves. However, the company has also long had a complicated relationship to them, and in particular the way in which they are perceived as movies aimed at young girls. However, the past decade has seen the studio clever and consistently reinventing this archetypal “fairy tale” sort of story for the twenty-first century, to the point that it’s arguably that the run of movies from Tangled onwards has been the most consistent of the studio’s output.

You can read the piece here, or click the picture below.

New Podcast! Rarely Going – “Star Trek: Prodigy 1×05 – Terror Firma”

Rarely Going is a podcast looking at the animated corner of the Star Trek franchise. I was thrilled to be invited to join guest host Tony Black for a discussion of the fifth episode of Star Trek: Prodigy, the latest animated spin-off.

I had not had a chance to watch Prodigy before Tony invited me on the show, so it was fun to catch up with the series. Tony and I have a broad discussion about animated Star Trek, about the current state of the larger Star Trek franchise, about whether Star Trek could be seen as “children’s television for grown-ups.” We talk about the importance of serving multiple audiences, and the nostalgic affection for Star Trek: Voyager within modern fandom, and what that might mean for the future of modern iterations.

You can listen to the episode here, or click the link below.

251. Up (#123)

Hosted by Andrew Quinn and Darren Mooney, this week with special guests Deirdre Molumby and Brian Lloyd, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, marking the passing of Ed Asner, Pete Docter’s Up.

Carl Fredricksen is a widower who finds himself facing the end of a modest life in the small house that he once shared with the love of his life. When it looks like what little remains of that life migth be disturbed and destroyed, Carl decides to embark on the one last adventure that he never got to take with his beloved life: a trip to mysterious “Paradise Falls”, without leaving his home.

At time of recording, it was ranked 123rd on the list of the best movies of all time on the Internet Movie Database.

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241. Kimetsu no Yaiba: Mugen Ressha-Hen (Demon Slayer – Kimetsu no Yaiba – The Movie: Mugen Train) – This Just In (#238)

Hosted by Andrew Quinn and Darren Mooney, with special guests Graham Day and Bríd Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Haruo Sotozaki’s Demon Slayer – The Movie: Mugen Train.

Following a series of mysterious disappearances on a train from Tokyo to Mugen, three young demon slayers are dispatched to investigate possible supernatural influences. The three quickly team up with a veteran soldier in the battle against evil, and discover just how quickly their mission can go off the rails.

At time of recording, it was ranked 238th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On The Underappreciated Appeal of “Superman: The Animated Series”…

I published a new In the Frame piece at The Escapist yesterday evening. With the release of Superman: The Animated Series in high-definition on HBO Max in March, it seemed like an opportunity to take a look back at the underappreciated entry in the DC Animated Universe.

Superman: The Animated Series tends to get overshadowed in discussions of the DCAU by the two shows either side of it, by the earlier Batman: The Animated Series and by the two later Justice League series. However, Superman: The Animated Series is an interesting bridge between the two, eschewing the “villain of the week” structure of Batman: The Animated Series to instead focus on long-form storytelling that developed character and built the world in ways that would pay off in the later spin-offs. It remains one of the best takes on the Man of Steel.

You can read the piece here, or click the picture below.

234. Mononoke-hime (Princess Mononoke) – Ani-May 2021 (#69)

Hosted by Andrew Quinn and Darren Mooney and with special guests Deirdre Molumby, Graham Day and Bríd Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This year, we are proud to continue the tradition of Anime May, a fortnight looking at two of the animated Japanese films on the list. This year, we watched a double feature of the last two anime movies on the list, Hayao Miyazaki’s Mononoke-hime and Sen to Chihiro no Kamikakushi.

This week, the first part of the double bill, Mononoke-hime, the last film before Miyazaki’s first announced retirement.

A freak demon attack disturbs the peace of a remote village, and places a curse on a young prince. The hero must venture into the larger world in search of a cure, and quickly finds himself embroiled in a struggle between industrialisation and nature, between city and forest, between man and god.

At time of recording, it was ranked 69th on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: Wolfwalkers

Wolfwalkers is a stunningly beautiful piece of animation.

Of course, that almost goes without saying. Cartoon Saloon remain one of the most consistent animation houses in the world today, steadily building a reputation among animation aficionados that might invite comparisons to other artisanal studios like Ghibli or even Pixar; their previous three feature films all received Oscar nominations, and Wolfwalkers itself seems sure to earn its place among this year’s nominees.

Packed full of excitement.

Still, there’s an admirable ambition to Wolfwalkers, a sense that the studio is not merely resting on its laurels and is instead pushing itself forward. Wolfwalkers is perhaps the most technically accomplished animation that Cartoon Saloon have produced to date, applying all of the studio’s key strengths and throwing some playful experimental elements into the mix. Wolfwalkers retains the stylised Celtic aesthetic that informed both The Secret of Kells and Song of the Sea, but also throws in elements with a more international flavour. The results are breathtaking.

While the film suffers slightly in narrative terms, particularly in contrast to the studio’s work on The Breadwinner, it is a consistently and breathtakingly beautiful work.

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New Escapist Column! On the Future of “Star Wars” on Streaming…

I published a new piece at The Escapist yesterday. With the announcement that Star Wars is launching a Bad Batch television series off the back of The Clone Wars, it seemed like a good opportunity to take a look at why the franchise’s future might lie on streaming.

To a certain extent, Star Wars has suffered because it is no longer a pop cultural monolith. It arguably hasn’t been a monolith since the release of The Empire Strikes Back in 1980. Since then, Star Wars has built a fanbase populated by different audiences who want different things from the franchise. There are a lot of problems with The Rise of Skywalker, but at least part of the problem comes down to the fact that the film tried to avoid offending anybody and so satisfied nobody. Streaming offers a chance for Star Wars to be multiple things, to multiple people.

On streaming, freed from the burden of being a box-office-record-smashing success, Star Wars has the opportunity to be more experimental and more bold. It can also specifically target particular segments of its diverse fanbase, offering a little something for everybody while still potentially offering room to grow and expand. If managed wisely, Star Wars is in prime position to make the jump from big screen to small screen.

You can read the piece here, or click the picture below.