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131. Neon Genesis Evangelion: The End of Evangelion – This Just In (#201)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Graham Day and Bríd Martin, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Hideaki Anno’s Neon Genesis Evangelion: The End of Evangelion.

At time of recording, it was ranked 201st on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: Missing Link

Missing Link is yeti ‘nother triumph for stop motion animation studio Laika.

To be fair, Missing Link is a different beast than Kubo and the Two Strings, the last major release from the studio and one of the most striking (and under-appreciated) animated films of the last decade. Kubo and the Two Strings was a lyrical and powerful fairy tale, a surprisingly weighty meditation on big ideas like the stories that people tell and the losses that they carry around with them. Missing Link is a much lighter film than that, a piece of film that is much less consciously mature in the story that it is telling. This is not to suggest that Missing Link is shallow or superficial, or that it ignores big ideas in favour of small delights. However, Missing Link is a film that foregrounds its visceral thrills over its central themes, and there isn’t anything inherently wrong with that.

Armed and dangerous.

Although Missing Link director Chris Butler co-wrote the script for Kubo and the Two Strings, it is probably more accurate to treat Missing Link as a more mature extension of Butler’s last work for the studio. Missing Link might be seen as a more reflective and introspective take on some of the core ideas of ParaNorman, a similar high-energy romp that meditated upon the relationship that exists between mankind and those things which exist beyond mortal comprehension. Missing Link is sturdily constructed from a narrative perspective, with well-defined characters who are given strong arc and a script that understands both what it is trying to say and how best to say it without tripping over itself. However, the script also understands that it is not the primary draw to Missing Link.

Whereas Kubo and the Two Strings felt like an intricate portrait drawn from the deepest pools of the animators’ imagination, Missing Link is a much more kinetic and dynamic piece. Missing Link is a globe-trotting adventure that spans from the deep blue-green forests of Washington State to the snowy plains of the Hindu Kush. It is the sort of rollicking old-fashioned adventure populated by heroes who spend a lot of time charting train lines and ferry lanes on maps, where obligatory back story is delivered against mesmerising backdrops, and where a variety of energised and imaginative action scenes arrive to a tightly-calculated schedule. Missing Link might lack the complexity of Kubo and the Two Strings, but there’s an infectious dynamism to Missing Link that neatly compensates.

Following their train of thought.

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111. Beauty and the Beast (#248)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Andy Melhuish, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Gary Trousdale & Kirk Wise’s Beauty and the Beast.

Once upon a time, a tired traveller came upon an isolated castle. Imprisoned by a foul-humoured beast, the man’s daughter was forced to trade her father’s freedom for her own. However, over time, the young woman comes to realise that there may something human lurking beneath the creature’s monstrous exterior.

At time of recording, it was ranked the 248th best movie of all time on the Internet Movie Database.

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90. Incredibles 2 – This Just In (#183)

Hosted by Andrew Quinn and Darren Mooney, and with special guests Graham Day and Marianne Cassidy, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Brad Bird’s Incredibles 2.

At time of recording, it was ranked the 183rd best movie of all time on the Internet Movie Database.

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Non-Review Review: Beauty and the Beast (2017)

The best and worst thing that can be said for Beauty and the Beast is that it beautifully recreates the animated source material.

A lot of love and affection went into Beauty and the Beast. The production design is amazing, a truly stylish blend of physical objects and computer-generated imagery to create something that feels like a hybrid between live action and animation. It is a very skillful blending of two different approaches to film making. On a purely technical level, judged as a mechanical adaptation, Beauty and the Beast succeeds triumphantly. It is a live action fantasia recreation of a beloved animated film.

More than that, Beauty and the Beast works largely because it is so effective an adaptation. Beauty and the Beast scores phenomenally well because it so carefully and precisely translates material that has incredible emotional power. There is a case to be made that the original Disney adaptation is one of the best films in the company’s canon, with some of the best songs and the most memorable set pieces. The live action adaptation ensures that very few of these moments get lost in translation, which lends the movie a compelling weight.

Unfortunately, it is also a reminder that a nigh-perfect adaptation of this version of the story already exists. Beauty and the Beast runs a muscular two-hours-and-six minutes to the animated film’s eighty-two minutes, but that statistic is misleading. The additions are pointless at best and distracting at worst. As a whole, Beauty and the Beast makes the animated original look like a more streamlined take on this tale that cuts a lot of the fat, telling the same story in a way that is at once more concentrated and more concise.

Mirror, mirror.

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Non-Review Review: Zootropolis (aka Zootopia)

This film was seen as part of the Audi Dublin International Film Festival 2016.

Zootropolis is a solidly entertaining family film that strains under the weight of its core premise.

There is a great idea in here, a detective film set in an anthropomorphised world featuring a rabbit and fox who must team up to solve a number of mysterious disappearances. Along the way, writers Jared Bush and Phil Johnston fashion the story into an allegory rich with social commentary about race and class issues in American cities. It helps that the script is light on its feet and packed with enough fast gags that it breezes along without ever getting stuck in the same place for too long.

zootopia4

However, this becomes a problem in and of itself. There is a sense that Zootropolis struggles to do too much in the space afforded to it. The plot covers quite a lot of ground as our plucky heroes embark on their investigation, including extended (and overt) riffs on pop culture standards like The Godfather and Breaking Bad. There are points at which it feels like Zootropolis might be a much stronger film if it slowed down a bit, instead of hopping from one set-up to the next in the style of its rabbit protagonist.

Zootropolis largely works, but it never comes together in the way that the best Disney outings do. There are points at which Zootropolis feels more like a turducken than a chimera.

zootopia5

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Doctor Who: Scream of the Shalka (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Scream of the Shalka originally streamed in 2003.

Doctor Who survived its cancellation across a variety of media. There were unofficial videos starring Colin Baker and Sylvester McCoy. There were audio plays. There were mountains of books. The BBC even came up with the clever idea of offering on-line content, with a series of illustrated audio plays, including the Seventh Doctor story Death Comes to Time and the Sixth Doctor adventure Real Time, as well as an adaptation of the aborted Douglas Adams serial Shada. Most of these were little more than powerpoints with sound playing over them. However, for the show’s fortieth anniversary, the BBC came up with an altogether more ambitious idea – a brand new fully animated adventure starring a new Doctor and promising a wave of new adventures, striving boldly forward into the new century.

The Doctor is in…

You can hear the serial, free, here.

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