Tomorrowland encapsulates a number of recurring themes in American mainstream science-fiction,
In many respects, it harks to sixties utopianism. Tomorrowland positions itself as a spiritual companion piece to films like Star Trek or X-Men: First Class or Interstellar. Although most of the film is set in the present day, its retro futurism is firmly anchored fifty years in the past. An early flashback takes place in the 1964 World’s Fair. Space flight is explicitly described as the “new frontier”, recalling Kennedy’s famous speech. Tomorrowland is absolutely fascinated with the idea of organised space flight as a beacon calling mankind forward.
Field of dreams…
It almost seems like, to paraphrase George W. Bush, “The future was better yesterday.” There is a paradoxical nostalgia to Tomorrowland, which feels like a desperate plea for the modern generation to abandon their own visions of the future and embrace those of their predecessors. It is a fascinating conflict at the heart of the film, and not necessarily one that writer Brad Bird and Damon Lindelof comfortably resolve. There are aspects of Tomorrowland that do feel distinctly uncomfortable and contradictory.
At the same time, it feels like a genuine and heartfelt criticism of the tendency towards the apocalyptic in mainstream fiction – an impassioned and aggressive urge to embrace a more hopeful and optimistic future. Tomorrowland has its heart in the right place, but it occasionally gets a little lost.
Going against the grain…
Filed under: Non-Review Reviews | Tagged: ayn rand, Brad Bird, film, Movie, Movies, non-review review, objectivism, review, the incredibles, tomorrowland | Leave a comment »
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