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367. Star Trek: Generations (#—)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, David Carson’s Star Trek: Generations.

Disaster strikes during the maiden cruise of the USS Enterprise-B: James T. Kirk is killed in a freak accident, an encounter with a cosmic force beyond all reckoning. Nearly a century later, Jean-Luc Picard commands another Enterprise. Grappling with horrific news from home, Picard finds himself drawn into the sinister machinations of the mysterious Tolias Soran. A survivor of that fateful tragedy that killed Kirk, Soran is pursuing something beyond even Picard’s deepest imaginings.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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364. Star Trek V: The Final Frontier (#—)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, William Shatner’s Star Trek V: The Final Frontier.

The planet Nimbus III was supposed to be “the Planet of Galactic Peace”, but it has descended into a wretched hive of scum and villainy. From the desert comes a stranger, a mysterious Vulcan named Sybok with an incredible gift for recruiting followers. Sybok has a divine mission. He plans to journey to the centre of the galaxy and speak to God. He just needs a starship to do so. And, to get that, Sybok will be reunited with his estranged half-brother: Spock.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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357. Halloween (2007) – All-o’-Ween (#—)

Hosted by Andrew Quinn, Darren Mooney and Joey Keogh, this week with special guest Doctor Bernice Murphy, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This year, we are running a season looking at the films in the Halloween franchise. So this week, Rob Zombie’s Halloween.

One October, the small town of Haddenfield is shocked by the brutal murder of young Judith Myers. The culprit? Her younger brother Michael. Committed to a psychiatric institution under the care of Doctor Samuel Loomis, Michael escapes fifteen years later to continue his reign of terror. This time, he has got young babysitter Laurie Strode in his sights.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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Doctor Who: The Star Beast (Review)

“There’s just this… gap.”

“It’s no great mystery. You had a bit of a breakdown, sweetheart. And then you got better.”

“Sometimes I think there’s something missing. Like I had something lovely, and it’s gone.”

Doctor Who is back.

Who’s back.

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344. Lady Bird – Leaving Cert 2023 (#—)

Hosted by Andrew Quinn, Darren Mooney and Conor Murphy, this week with special guest Aoife Barry, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This September, we are running a season looking at the films on the Irish Leaving Cert English Curriculum. So this week, Greta Gerwig’s Lady Bird.

Going by the name “Lady Bird”, Christine McPherson begins her final year of high school in Sacramento, California. Caught in a tense love-hate relationship with her mother, Marion, Christine dreams of escaping her surroundings to go to college. However, over the course of that turbulent year, Christine becomes more aware of life outside herself.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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339. Indiana Jones and the Dial of Destiny – Indy-pendence Day 2023 (#—)

Hosted by Andrew Quinn, Tony Black and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, a postscript for our Indiana Summer, celebrating Indy-pendence Day, James Mangold’s Indiana Jones and the Dial of Destiny.

Veteran archeologist Indiana Jones finds himself adrift in 1969, estranged from his wife and worried that his best days are behind him. However, the daughter of an old friend sweeps into his life in search of a legendary artefact, with Nazis hot on her trail. All of a sudden, the intrepid adventurer finds himself embarking on a globe-trotting chase that has a deeper connection to his past than even he realises.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Strange New Worlds” Performs “Star Trek”…

I published a new piece at The Escapist earlier this week. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. So we thought we’d take a look at the second season premiere.

There is a fascinating recurring emphasis on the idea of performance within Strange New Worlds. In particular, the idea of performing Star Trek. It is not enough for Strange New Worlds to be Star Trek, or even to engage in the familiar Star Trek tropes. The show has to constantly remind and reassure viewers that it is Star Trek. This is distracting and ultimately undermines the series, which seems to spend more time asserting that it is Star Trek than it does actually being Star Trek.

You can read the piece here, or click the picture below.

New Escapist Column! On the Trump Era Paranoia of “Star Trek: Picard”…

I am doing weekly reviews of Star Trek: Picard at The Escapist. They’ll be dropping every Thursday morning while the show is on, looking at the third season as the show progresses. This week, the season’s fifth episode.

The third season of Picard is fascinating, in large part because it’s so narratively and thematically empty. So much of the show is given over to empty nostalgia, that there’s little sense of what this story is supposed to be about, beyond a loose assemblage of familiar clichés into a recognisable pattern. There’s none of the urgency of the immigration and xenophobia metaphors that informed the first two seasons, as clumsy as those were. Instead, Picard falls back on a set of unfortunate science-fiction clichés that speak to the worst impulses of the current moment, a paranoia that feels tied to the worst of the American zeitgeist.

You can read the piece here, or click the picture below.

New Escapist Column! On the Colonial Fears of “Shazam!”

I published a new In the Frame piece at The Escapist this evening. With the release of Shazam! Fury of the Gods this weekend, it seemed as good a time as any to take a look at the superhero sequel.

One of the interesting things about Fury of the Gods is the way in which it seems like it is in conversation with the earlier films in the DCEU, lifting several cues directly from films like Man of Steel, Wonder Woman, Batman v. Superman and Zack Snyder’s Justice League. In particular, it’s a film in which the existential threat is inherently nostalgic, the fear of an imagined past intruding into the modern world and overwriting it.

You can read the piece here, or click the picture below.

New Escapist Column! On the Complicated Seventies Nostalgia of “Poker Face”…

We’re launching a new column at The Escapist, called Out of Focus. It will publish every Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. With the end of the first season of Poker Face last week, it seemed like a good opportunity to take a look back at the show.

Poker Face is obviously designed as something of a seventies throwback. The show is very obviously a hybrid of classic seventies television like Columbo and Kung-Fu. However, there’s more than simple nostalgia at play within the series. Poker Face is a show about grappling with the memory and legacy of the seventies, of understanding why these stories resonate in the modern world. It has a nuanced and complicated relationship with the era from which it draws, which makes for compelling television.

You can read the piece here, or click the picture below.