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New Podcast! Enterprising Individuals – “Star Trek Into Darkness, Part 2”

I am always thrilled to get a chance to talk about Star Trek with other fans, so I was thrilled at the invitation to join the wonderful Aaron Coker on Enterprising Individuals to talk about Star Trek Into Darkness. We split the discussion into two parts, and this is the second.

It seems safe to describe Star Trek Into Darkness as perhaps the most polarising and divisive of the Star Trek movies. However, it’s also the most interesting. It represents the culmination of efforts to turn Star Trek into a populist and accessible blockbuster franchise, but it also remains true to the spirit of the franchise. Star Trek Into Darkness is undeniably a blockbuster of the late Obama era, one preoccupied with the legacy of the War on Terror and fascinated by the loss of utopian innocence that seemed promised with the election of Obama. It’s also just a thrilling action spectacle with a broad appeal.

You can listen to the episode here, the first part of the discussion here, back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On How “She-Hulk” Relates To Its Audience…

I published a new In the Frame piece at The Escapist yesterday. With the show wrapping up its first season this week, it seemed like a good opportunity to talk about She-Hulk, and the show’s interesting and provocative relationship with its audience.

Setting aside the fact that big villains of She-Hulk are arguably a bunch of internet trolls, She-Hulk is engaged in a literal and constant ongoing conversation with its audience. However, what’s fascinating about that dynamic is the tone of it. Jen often seems to feel trapped by the expectations of the audience for fan service and continuity references, and the need to shape her show in such a way as to hit all of the beats expected of a Marvel Studios project.

You can read the piece here, or click the picture below.

New Escapist Video! On “Andor” as a Show About Loving “Star Wars”…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will typically be separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at Andor, the new Star Wars streaming show. There are a lot of interesting things about Andor, including how good it is. However, the show also feels like a meditation on Star Wars as a cultural phenomenon. Showrunner Tony Gilroy has talked candidly about how he was never a particular fan of Star Wars, and ended up working on the franchise almost by accident. As such, Andor feels like it is, in some small way, about learning to love Star Wars and to understand what Star Wars is capable of.

New Escapist Column! On the Appealing Fandom of “Star Trek: Lower Decks”…

I published a new piece at The Escapist last week. We’re doing a series of recaps and reviews of Star Trek: Lower Decks, which is streaming weekly on Paramount+ in the States and on Amazon Prime in the United Kingdom. The second episode of the third season released last week, and it seemed like a good opportunity to take a look at the series.

It’s very obvious that Lower Decks is being written by Star Trek fans, andthe show operates in a fairly comfortable register of trusting that its writers and audience know (and care) enough about the franchise that it can effectively race through familiar Star Trek tropes, turning the standard conventions of the franchise into a loving joyride. The Least Dangerous Game is a light episode, but a fun one. It is fast on its feet, and moves with enough charm that it never collapses under its own weight.

You can read the piece here, or click the picture below.

New Escapist Video! On How Streaming and the Algorithm are Shaping Modern Franchises…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will be completely separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at a broader cultural trend: the way in which streaming services and the algorithms that drive them are reshaping modern franchise media in a way that makes them more aesthetically conservative. When the algorithm drives studios to push towards recycling familiar ideas and iconography, it discourages any attempt to do something new or interesting with these long-lasting properties. As a result, many of the larger franchises have become hollowed versions of their past glories.

New Escapist Column! On the “The Book of Boba Fett”, “Now Way Home” and Nostalgia For Things That We Hate…

I published a new In the Frame piece at The Escapist this evening. With the most recent episode of The Book of Boba Fett leaning heard into nostalgia for Star Wars: Episode I – The Phantom Menace, and with Spider-Man: No Way Home bringing back Andrew Garfield from the Amazing Spider-Man movies, I tackled a question that has been bothering me for a while: why are fans nostalgic for things they hate?

Of course, there are fans out there who love The Phantom Menace and The Amazing Spider-Man movies, and more power to them. However, there is something interesting in how these nostalgic properties couch their nostalgia for these objects, layering it with distance and approaching it often indirectly – evoking not so much the object itself, but the faint fandom memory of the object. In many cases, it feels like such nostalgia is driven more by a sense of ownership and obligation than by any meaningful affection or appreciation.

You can read the piece here, or click the picture below.

271. Superman IV: The Quest for Peace (-#86)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guests Graham Day and Niall Glynn, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Sidney J. Furie’s Superman IV: The Quest for Peace.

It is a turbulant time in the life of Clark Kent. He finds himself considering selling the family farm. The Daily Planet has been brought out by an aggressive media conglomerate. A young boy has begun to question his faith in Superman, asking whether the Man of Steel can truly protect the world from the threat of nuclear annihilation. Tired of standing by as a passive observer, Superman decides to finally take action. However, an old enemy is lurking in the shadows, waiting to spring a trap of his own.

At time of recording, it was ranked 86th on the list of the worst movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Scream” is a Cutting Commentary on the Noise Around the “Star Wars” Sequels…

I published a new In the Frame piece at The Escapist this evening. With the release of Scream this weekend, it seemed like a good opportunity to delve into the latest entry in the beloved horror franchise.

What is most interesting about the latest Scream is the extent to which it feels largely divorced and separated from the horror genre, particularly compared to the earlier films in the franchise. Instead, Scream seems much more engaged with the modern Star Wars films, borrowing key plot points and background lore from recent entries in the franchise. More than that, it’s a film that is very aggressively engaged with the fandom discussion around those films.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Star Trek: Deep Space Nine” Challenged “The Next Generation”…

I published a new In the Frame piece at The Escapist on Friday. This week marked the 29th anniversary of Star Trek: Deep Space Nine, so it seemed like a good opportunity to take a look back at the show. In particular, the show’s relationship to its elder sibling, Star Trek: The Next Generation.

Deep Space Nine had a surprisingly contentious relationship with The Next Generation, often positioning itself as directly adversarial to the more popular and more beloved Star Trek spin-off. There were points at which Deep Space Nine seemed positively iconoclastic, particularly in its establishing of a fraught relationship between Sisko and Picard. This approach would be controversial today, if it were even allowed within the framework of a modern franchise, but it allowed Deep Space Nine to boldly push itself in striking new directions.

You can read the piece here, or click the picture below.

New Escapist Column! On Making Sense of “For the Fans”…

I published a new column at The Escapist earlier this week. With the recent releases of Star Wars: Episode IX – The Rise of SkywalkerGhostbusters: Afterlife and Spider-Man: No Way Home, it seemed like a good opportunity to reflect on the argument that franchise brand extensions exist “for the fans.” What does that even mean?

As a fan myself, I find myself unsettled and disturbed by the idea that these sorts of properties should exist primarily for the satisfaction and consumption of the existing fanbase, not least because it means validating certain kinds of fans above others and pushes franchises towards an aesthetic conservativism that often strangles them. Perhaps the best thing to do “for the fans” is simply to make media as good as possible and let history sort the rest out.

You can read the piece here, or click the picture below.