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New Escapist Column! On How Netflix Failed the Punisher…

I published a new In the Frame piece at The Escapist yesterday. With WandaVision launching this weekend, it seemed like a good time to take a look back at Marvel’s first foray into streaming, their Netflix series.

The Punisher was the last entry into the shared Netflix Marvel Universe, starring Jon Bernthal as Frank Castle. However, what’s interesting about The Punisher on Netflix is the extent to which the series is reluctant to let Frank Castle… be Frank Castle, to wallow in what makes the Punisher such a challenging and unsettled character. In contrast, the series reframes Frank as a much mroe generic streaming hero, stripping out anything that makes the character particularly compelling or engaging.

You can read the piece here, or click the picture below.

New Escapist Column! A Look Back at The First Season of “Daredevil”…

I published a new In the Frame piece at The Escapist this evening. With WandaVision launching this weekend, it seemed like a good time to take a look back at Marvel’s first foray into streaming.

The series produced by Netflix are largely forgotten and overlooked in histories of the shared universe, which makes sense given that they operated at a remove from contemporaneous features like Avengers: Age of Ultron or Captain America: Civil War. However, when it originally premiered, the first season of Daredevil was jaw-dropping. It was bold and ambitious in a way that stood apart from the rest of the live action content associated with the studio. Marvel Studios could learn a lot from it as they return to the medium.

You can read the piece here, or click the picture below.

New Escapist Column! On How “The Girl With The Dragon Tattoo” Cast Daniel Craig as a Bond Girl…

I published a new piece at The Escapist this evening. Because The Girl With the Dragon Tattoo is now on American Netflix, it seemed like a good time to take a look back at David Fincher’s underrated adaptation.

Daniel Craig has always had a challenging relationship with his most iconic role, that of super-suave super-spy James Bond. Many of his roles play off that tension, juxtaposing Craig with the audience’s expectations of him. The Girl With the Dragon Tattoo is no exception, essentially casting Craig in the role of the Bond Girl to Lisbeth Salander. Craig is repeatedly presented as vulnerable and distressed, often requiring rescuing and often existing as an extension of the women around him. It’s a clever, self-aware piece of casting.

You can read the piece here, or click the picture below.

 

New Escapist Column! On How “Doctor Who” Is Less “Woke” Than It’s Been In Decades…

I published a new In the Frame piece at The Escapist this evening. With rumours that Jodie Whittaker may be departing Doctor Who, it seems an appropriate time to look back her time on the show. In particular, the weird political furore around it.

Under producer Chris Chibnall, Doctor Who has been criticised for being “too woke” and “too politically correct.” This is interesting, because – if anything – the show is more conservative than it has been at any point since the mid-eighties. Under Chibnall, Doctor Who believes that “the systems aren’t the problem” and is openly deferential to authority. It frequently rejects the idea of radical systemic change, instead suggesting that the status quo is something to be preserved rather than disturbed.

You can read the piece here, or click the picture below.

New Escapist Video! On “Die Hard” as a Christmas Movie…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

It’s not the 8th of January yet, so it still seems like an appropriate time for Christmas movie discussion. As such, I took a look at one of the great film debates of our time: whether Die Hard is a Christmas movie.

New Escapist Feature! Interviewing the Cast and Crew of “Vikings”…

I published a new piece at The Escapist today.

This is something of a new departure for me. With the television show Vikings winding down and releasing its final season on Amazon Prime, I had a chance to sit down with the cast and crew to talk about the show and its history, about what it was like working on a series with that scale and scope. It was a fun and broad discussion, and also the first time I’ve conducted an interview like this.

You can read the piece here, or click the picture below.

New Escapist Video! “Soul – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute feature film review to the channel, discussing Soul, the Pixar film that is now streaming on Disney+.

New Podcast! The Escapist Movie Podcast – “The Great Die Hard Debate”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for a special Christmas episode, and our last episode of the year. The idea developed once it became clear that Jack and I were separately looking at this concept from two very different angles. So we decided to tackle the big question: is Die Hard a Christmas movie?

You can listen to the episode here, back episodes of the podcast here, click the link below or even listen directly.

New Escapist Column! On “Batman Returns” as the Most Unconventional Christmas Movie…

I published a new In the Frame piece at The Escapist this evening. It’s Christmas, so it seemed like a good time to take a look back at one of the most underappreciated Christmas movies ever: Batman Returns.

Batman Returns is a decidedly unconventional Christmas movie, packed with weirdos and freaks, commercialism run amok and climaxing with the aborted mass murder of an entire city’s firstborn sons. However, it is this weirdness that makes Batman Returns such a delightful Christmas movie, and one that is arguably perfectly suited to this most strange and surreal Christmas. At its core, Batman Returns is a mood piece built around what it feels like to be lonely at Christmas.

You can read the piece here, or click the picture below.

New Escapist Video! “Ma Rainey’s Black Bottom – Review in 3 Minutes”

I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute feature film review to the channel, discussing Ma Rainey’s Black Bottom, which features the last major live-action performance from Chadwick Boseman.