This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.
Who Monitors the Birds? is a phenomenal piece of television.
Space: Above and Beyond is a show that only ran one season, languishing on Sunday nights before Fox decided to just scrap the idea of consistently scheduling it and just bounced it around the network timetable. It was not a breakout hit. It did not inspire a revival or resurrection in the way that other science-fiction properties have done. It has a very devoted and strong cult following, but its name is more likely to evoke a vague remembrance than anything more concrete.

And yet, despite that, Space: Above and Beyond was still a massively influential piece of television. Despite the fact that it was structured as a throwback to classic war movies, it was also a very progressive piece of television. The influence of Space: Above and Beyond can be keenly felt on Ronald D. Moore’s Battlestar Galactica, even though the show seldom gets any real credit for that influence. In some respects, Space: Above and Beyond was well ahead of its time.
Who Monitors the Birds? is put together with incredible skill and confidence. It is an episode that holds up fantastically, and which serves as a demonstration of the series’ lost potential.

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Filed under: Space: Above & Beyond | Tagged: cooper hawkes, dialogue, full metal jacket, Glen Morgan, high-concept, hush, James Wong, joss whedon, rodney rowland, sci-fi, science fiction, Shirley Walker, silent, space, space: above and beyond, the deer hunter, themes, vietnam, war, who monitors the birds? | Leave a comment »