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New Escapist Column! On How “Mythic Quest” Understands the Creation as a Collaborative Process…

I published a new In the Frame piece at The Escapist this evening. With Mythic Quest wrapping up its second season next week, it seemed like a good time to take a look at what is quietly one of the best shows on television.

Mythic Quest is a workplace sitcom about a video game studio. It is also one of the most insightful studies of the creative process ever made. A large part of this is down to the fact that Mythic Quest understands that creation is an inherently collaborative process, that it does not happen in a vacuum and that it involves lots of people working together towards the same ends. It’s a very mature reflection on how creativity works.

You can read the piece here, or click the picture below.

New Escapist Video! “A Marvelous Escape” – Loki – “The Variant”…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series

This week, I join KC Nwosu and Amy Campbell to talk about the second episode of Loki, streaming on Disney+.

 

New Escapist Column! On “WandaVision” and “Loki”, and the Challenges to the MCU Canon…

I published a new In the Frame piece at The Escapist earlier this week. With Loki delving into the continuity of the Marvel Cinematic Universe, it’s interesting to wonder why the modern stage of the MCU seems so preoccupied with its own history and continuity.

Black Widow will be a prequel. The Eternals will chart the secret history of a corner of the larger universe. Shang-Chi and the Legend of the Ten Rings will potentially retcon Iron Man 3. On top of that, Spider-Man: Far From Home teased the possibility of a multiverse, while WandaVision warped reality. As such, it seems like the franchise is building towards something – but what could that be and what does it mean for the shared universe’s canon?

You can read the piece here, or click the picture below.

New Escapist Column! On “Sweet Tooth” as a Fairy Tale About Fatherhood…

I published a new In the Frame piece at The Escapist this evening. Sweet Tooth premiered on Netflix last week, and it seemed like a good idea to take a look at the streaming series.

Sweet Tooth is a post-apocalyptic fairy tale, the story of a little boy who wanders off into the wilderness to have an adventure. However, it’s also a fairy tale that understands the purpose of such stories, how these fantastical narratives allow audiences to deal with complex fears and anxieties. However, what makes Sweet Tooth so interesting is that it reflects paternal anxieties as much as childish ones. It is a story about the fears of a parent watching their child try to navigate a chaotic and hostile world, knowing that there is only so much that they can do to keep them safe. It’s a beautiful, moving approach.

You can read the piece here, or click the picture below.

 

New Escapist Video! “A Marvelous Escape” – Loki – “Glorious Purpose”…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series

This week, with Loki launching on Disney+, I join KC Nwosu and Amy Campbell to talk about the first episode of the new streaming series.

New Escapist Column! Reviewing “Loki”…

I published a new column at The Escapist yesterday. I took a look at the opening two episodes of Loki.

Loki arrives as the third and final of the first wave of live-action Marvel Cinematic Universe shows on Disney+. The opening episode suggests that it is burdened with “glorious purpose”, featuring one of the cinematic universe’s breakout characters while also introducing the Time Variance Authority to the cinematic continuity. The result is an interesting mix, something with a great deal of potential that also feels curiously cautious and overly familiar in places. Still, there’s a lot to like in the show.

You can read the piece here, or click the picture below.

New Escapist Video! “Loki – Predicting the Direction of the Series”…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series

This week, with Loki launching next Wednesday, I join KC Nwosu and Amy Campbell to talk about our expectations and our predictions for the last of this wave of big three live action Marvel shows on Disney+.

New Escapist Column! On “M.O.D.O.K” as a Breath of Fresh Air…

I published a new In the Frame piece at The Escapist on Friday evening. With the release of M.O.D.O.K. on Hulu, it seemed like a good opportunity to take a look at this unusual addition to the Marvel television canon.

M.O.D.O.K. is not a perfect show, but it is a breath of fresh air. In particular, it arrives in a cultural landscape that is becoming increasingly homogeneous and consolidated, existing as one of the last projects produced by Marvel Television before it was swallowed by Marvel Studios. As such, it is a Marvel adaptation with a distinct aesthetic. More than that, it is a comic book adaptation that is completely and utterly unashamed of its comic book roots. It is a show that revels in the inherent absurdity of comic books in a way that puts many higher profile adaptations to shame.

You can read the piece here, or click the picture below.

New Escapist Video! “A Marvelous Escape” – “M.O.D.O.K. Full Series Review”…

With a slew of Marvel Studios productions coming to Disney+ over the next six months, The Escapist has launched a weekly show discussing these series

This week, in the gap between The Falcon and the Winter Soldier and Loki, KC Nwosu and I take a look at a rather unconventional entry in the Marvel television canon: M.O.D.O.K., the half-hour sitcom from Patton Oswalt and Jordan Blum about the maniacal supervillain trying to strike a work/life balance.

New Escapist Column! On The Underappreciated Appeal of “Superman: The Animated Series”…

I published a new In the Frame piece at The Escapist yesterday evening. With the release of Superman: The Animated Series in high-definition on HBO Max in March, it seemed like an opportunity to take a look back at the underappreciated entry in the DC Animated Universe.

Superman: The Animated Series tends to get overshadowed in discussions of the DCAU by the two shows either side of it, by the earlier Batman: The Animated Series and by the two later Justice League series. However, Superman: The Animated Series is an interesting bridge between the two, eschewing the “villain of the week” structure of Batman: The Animated Series to instead focus on long-form storytelling that developed character and built the world in ways that would pay off in the later spin-offs. It remains one of the best takes on the Man of Steel.

You can read the piece here, or click the picture below.