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New Escapist Column! On How “Strange New Worlds” Became Unconvincing “Star Trek” Karaoke…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The first season finale broadcast today, and so it seemed like a good opportunity to look at the culmination of these ten episodes.

Strange New Worlds has spent most of its first season riffing on familiar Star Trek narratives, offering retreads of classic templates. A Quality of Mercy takes the concept to its logical conclusion, and throws the cast of Strange New Worlds into a remake of Balance of Terror. Unfortunately, this becomes an extended argument about why Strange New Worlds is inherently inferior to Star Trek, with the show making a very literal and very aggressive argument for its own irrelevance while treating the larger franchise as a fetish object.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Strange New Worlds” Offers “Star Trek” by Way of “Alien”…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The ninth and penultimate episode of the first season released this week, and it seemed like a good opportunity to take a look at the series.

All Those Who Wander is an interesting genre experiment, effectively providing an intersection between Star Trek and Alien. It’s an interesting approach, and very much in keeping with how the franchise has approached other iconic works of science-fiction. However, it also demonstrates the limitations of the approach taken by Strange New Worlds, which seems frustratingly uninterested in what it means to juxtapose the humanism of the Star Trek franchise with the bleak nihilism of the Alien franchise.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Strange New Worlds” Reaches the Limits of Allegory…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The seventh episode released this week, and it seemed like a good opportunity to take a look at the series.

The Serene Squall is an episode that demonstrates the limits of the old-fashioned allegorical-driven approach to Star Trek, particularly when it comes to treating aspects like race and gender as metaphor or allegory rather than simply as facets of existence. Recent spin-offs like Star Trek: Discovery and Star Trek: Picard might have been uneven, but they made huge steps forward for the franchsie by acknowledging queer leads. In its attempt to nostalgically evoke nineties Star Trek, Strange New Worlds effectively pushes all of that back into the closet.

You can read the piece here, or click the picture below.

 

New Escapist Column! On How “Strange New Worlds” Walks Away From Omelas…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The sixth episode released this week, and it seemed like a good opportunity to take a look at the series.

Lift Us Where Suffering Cannot Reach is basically the most obvious sort of disaster that Strange New Worlds could blindly stumble into. It is an adaptation of a classic Ursula Le Guin story, but it is filter through the show’s uncanny valley of Star Trek storytelling as what might be best described as “a Prime Directive episode”, albeit such an episode written by a writer operating on the unspoken assumption that the Prime Directive was an unequivocal and unimpeachable good. The result is a horrifyingly cynical episode of television about how hard but necessary it is for innocent children to suffer as our characters look on.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Strange New Worlds” Embracing a Familiar “Star Trek” Staple: The Unfunny Comedy Episode…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The fifth episode released this week, and it seemed like a good opportunity to take a look at the series.

Spock Amok is a transparent attempt at a comedy episode, a genre that has always posed a bit of a challenge for the Star Trek franchise. The various spin-offs and sequels have a fairly even hit-and-miss ratio when it comes to delivering high concept laughs within the franchise’s science-fiction framework. Spock Amok returns to the goofy concept of body transformation and swapping that drove earlier franchise attempts at comedy, from Rascals to Body and Soul. The results are mixed, but that feels very true to the franchise’s roots.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Strange New Worlds” Takes Small Steps Towards Improvement…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The third episode released this week, and it seemed like a good opportunity to take a look at the series.

Like both Strange New Worlds and Children of the Comet, Ghosts of Illyria is drawing on a familiar stock Star Trek plot. This is the traditional early-season viral infection plot, recalling The Naked Time, The Naked Now, Babel or Dramatis Personae. It’s a tried and tested formula. That said, there’s a good reason for a young show to try an episode like this, primarily as it invites the cast to push themselves outside of their character templates, so the production team can recognise and develop interesting new facets of these characters. It’s not the worst idea for a first season episode.

You can read the piece here, or click the picture below.

New Escapist Column! On How “Strange New Worlds” Feels Like a Photocopy of a Photocopy of a Photocopy…

I published a new piece at The Escapist this evening. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The second episode released this week, and it seemed like a good opportunity to take a look at the series.

The problem with Strange New Worlds, and it is a problem that runs through each of the five episodes released to the press, is that it is essentially writing Star Trek as if nothing had changed since 1989. This is the approach that ultimately ran the franchise into the ground, as Star Trek: Voyager and the first two seasons of Star Trek: Enterprise exhausted a formula that had been run through every possible permutation after more than a decade in use. Strange New Worlds returns to that format, but it is a faded copy of a faded copy, a pale imitation of episodes that were just about functional two decades earlier.

You can read the piece here, or click the picture below.

New Escapist Column! On “Star Trek: Strange New Worlds” and Old Trek Tropes…

I published a new piece at The Escapist yesterday. We’re doing a series of recaps and reviews of Star Trek: Strange New Worlds, which is streaming weekly on Paramount+. The premiere released this week, and it seemed like a good opportunity to take a look at the series.

Strange New Worlds is very much a blast from the franchise’s past, essentially serving as a spin-off series from the original and unaired pilot The Cage. That feels somewhat appropriate, given that Strange New Worlds has little interest beyond nostalgically chasing the feeling of old Star Trek, trying to recapture the vague memory of the older franchise. The result is an episode that offers a shallow but efficient riff on classic stories like Let That Be Your Last Battlefield, and which ends with the suggestion that the key to world peace is that we should all become Star Trek fans.

You can read the piece here, or click the picture below.