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113. Once Upon a Time In America (#70)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Sergio Leone’s Once Upon a Time in America.

Drawn back to New York City from a decades-long exile, retired gangster David “Noodles” Aaronson discovers that the past is not buried nearly as well as he might like. Navigating a complex web of secrets and betrayals, “Noodles” is forced to confront sins past; both his own and those dearest to him.

At time of recording, it was ranked the 70th best movie of all time on the Internet Movie Database.

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111. Beauty and the Beast (#248)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Andy Melhuish, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Gary Trousdale & Kirk Wise’s Beauty and the Beast.

Once upon a time, a tired traveller came upon an isolated castle. Imprisoned by a foul-humoured beast, the man’s daughter was forced to trade her father’s freedom for her own. However, over time, the young woman comes to realise that there may something human lurking beneath the creature’s monstrous exterior.

At time of recording, it was ranked the 248th best movie of all time on the Internet Movie Database.

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107. Cidade de Deus (City of God) (#20)

Hosted by Andrew Quinn and Darren Mooney and this week with special guest Aine O’Connor, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturday at 6pm GMT.

This time, Fernando Meirelles and Kátia Lund’s Cidade de Deus.

Over three decades in the eponymous Brazilian slum, lives intersect and collide amid poverty and criminality. A young by named “Rocket” tries to navigate – and account for – the fickle winds of chance in a turbulent urban environment.

At time of recording, it was ranked the 20th best movie of all time on the Internet Movie Database.

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105. Bohemian Rhapsody – This Just In (#123)

Hosted by Andrew Quinn and Darren Mooney, and with special guests Marianne Cassidy and Luke Dunne, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Bryan Singer and Dexter Fletcher’s Bohemian Rhapsody.

At time of recording, it was ranked the 123rd best movie of all time on the Internet Movie Database.

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104. Double Indemnity – w/ The Movie Palace (#88)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, a special crossover episode with The Movie Palace Podcast, a film podcast hosted by Carl Sweeney taking a look at the classics of Hollywood’s golden age. Carl suggested a crossover episode taking a look at the list, and particularly some of the classic movies listed on it.

So this week, Billy Wilder’s Double Indemnity.

Regarded as one of the earliest codifiers of film noir and one of the strongest examples of the form, Double Indemnity is the tale of door-to-door insurance salesman Walter Neff. Through chance, Neff wanders into the life of a young wife by the name of Phyllis Dietrichson. When they get together, it’s murder.

At time of recording, it was ranked the 88th best movie of all time on the Internet Movie Database.

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89. The Intouchables (#38)

Hosted by Andrew Quinn and Darren Mooney and this week with special guest Kieran Gillen, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturday at 6pm GMT.

This time, Olivier Nakache and Éric Toledano’s Intouchables.

Sparks fly and worlds collide when a wealthy quadriplegic hires an unemployed former felon to serve as his personal care nurse. Philippe and Driss forge an unlikely and heartwarming bond, coming to a deeper understanding of on another and the world around them.

At time of recording, it was ranked the 38th best movie of all time on the Internet Movie Database.

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Bottom’s Up: The IMDb Bottom 100 and the Art of Identifying “Worst” Movies…

Readers of the site might be aware that I co-host a weekly podcast called The 250 with my good friend Andrew Quinn, in which we pick a movie ranked on the Internet Movie Database as one of the best movies of all-time. It’s a dynamic and public list, which means that it covers a wide variety of films and tastes. In the part couple of months alone, we’ve covered everything from Mission: Impossible – Fallout to Battle of Algiers to Paper Moon to The Secret in Their Eyes to The Prestige. I’m very proud of the podcast, and a lot of the discussions that we’ve had on it.

Part of this podcast has also involved looking at the list that the Internet Movie Database maintains of the worst movies ever made. We originally planned to rotate through both lists in an even-handed manner; five episodes of the top two-hundred-and-fifty for two episodes of the bottom one hundred. Indeed, we cover a number of the bottom one hundred as part of the show; episodes like Crimea and United Passions. However, we moved away from covering the bottom one hundred because we found that the movies populating the list weren’t so much awful as just mind-numbingly dull; Lawnmower Man 2, Crossover.

However, something vaguely interesting happened in the middle of July. The Internet Movie Database made a change to their list of the one hundred worst movies of all time that radically revised the nature and composition of the list. Suddenly, a lot of the smaller and stranger titles disappeared. Fringe films like Space Mutiny, Die Hard Dracula, Invasion of the Neptune Men and Santa With Muscles were all wiped out in an instant, replaced by more familiar and recognisable films like Jaws 3D, S. Darko, Blair Witch II: Book of Shadows, The Wicker ManBatman and Robin and Fifty Shades of Grey.

The result was a list that was suddenly a lot more fun to talk about, composed of films that people had actually seen instead of disastrously bad cult curiosities. Indeed, one very small consequence of this change is that we’re actually going to try to get back into talking about these terrible movies on a semi-regular basis on the podcast, because the list is now populated with films that will engender more interesting discussions both about the films themselves and their larger cultural context.

At the same time, it raises larger questions about what we consider to be the “worst” films, how we rank and access bad cinema and what that actually means in the grander scheme of popular culture. The change implemented to the IMDb’s bottom one hundred list is a conscious attempt on the part of the organisation to answer these questions, to create a broad consensus about what it means to be the “worst” films ever made. It’s an intriguing effort, and arguably something very different from trying to pick the “best” films ever made.

After all, it’s broadly possible to forge something resembling a consensus on the best movies. Trying to identify the worst is a much more difficult proposition.

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