With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.
There’s been a lot written about how fiendishly clever Peter Milligan and Mike Allred’s X-Statix was when it was published by Marvel in the early part of the last decade. Spanning two titles (beginning in X-Force and then spinning into its own title in X-Statix), it offered a forty-issue re-examination of the core X-Men thesis. Published at approximately the same time, it actually serves as something of a spiritual companion to Grant Morrison’s equally controversial, challenging and provocative New X-Men run. Both series dared to consider that Chris Claremont’s once revolutionary idea, casting mutants as a feared minority because they were inherently “different” might need revision in the early years of the twenty-first century. Both series have been attacked by critics for not conforming to the model that Claremont designed for the franchise three decades earlier. However, I’m going to be controversial, and I’m going to state that both Morrison and Milligan were more faithful spiritual successors to Claremont than any X-Men writers since the nineties.
Nobody’s Doop…
Note: You can read my review of Milligan and Allred’s initial X-Force run, collected in the hardcover “Famous, Mutant & Mortal” here. This is a review of the recently-published omnibus, which collects all their work on the characters, so I won’t go into too much depth on that initial run.
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Filed under: Comics | Tagged: avengers, back from the dead, chris claremont, darwyn cooke, dead girl, di another day, doop, franchises, grant morrison, irony, marvel comics, Mike Allred, Milligan, Peter Milligan, post-modern, princess diana, the anarchist, tyke alacar, uncanny x-men, wolverine, wolverine/doop, x-force, x-statix | 2 Comments »
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