• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

New Escapist Column! On How “Ant-Man and the Wasp: Quantumania” Fails as an Introduction to Kang the Conqueror…

I published a new In the Frame piece at The Escapist this evening. With the release of Ant-Man and the Wasp: Quantumania this weekend, and how much of that movie is predicated on the introduction of Kang the Conqueror as the new “big bad” of the shared universe, it seemed like a good opportunity to take a look at whether the film accomplished this.

Quantumania fails to establish Kang as a credible threat, in large part because the movie is afraid of upsetting its audience. There are no stakes in Quantumania, no losses and no sense of ambiguity or compromise. The heroes survive their confrontation with Kang handily, easily overwhelming the villainous invader and even laughing at the idea of there being long-term consequences for their actions. Quantumania is so worried about potentially alienating fans of Ant-Man that it undersells its supposed big bad.

You can read the piece here, or click the picture below.

320. The Star Wars Shows: The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi and Andor (#—)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Andy Melhuish, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, a special New Year’s Treat. A discussion of the Star Wars television shows: The Mandalorian, The Book of Boba Fett, Obi-Wan Kenobi and Andor.

Continue reading

New Escapist Column! On How “Willow” Got Lost in the Wildwood…

I am doing weekly reviews of Willow at The Escapist. They’ll be dropping every Wednesday evening while the show is on, looking at the legacy sequel as it progresses from one episode to the next.

With Willow officially past the midpoint of its first season, the show hits a sizable bump in the road. Wildwood is the first episode of the show that feels purely functional rather than narratively engaging on its own terms. It’s a very mechanical piece of television, with the plot grinding to a halt so the series can run down a checklist of character and plot beats that it needs to articulate for the audience before moving any further. It does a lot of necessary place-setting, but stalls the season and the show around it.

You can read the piece here, or click the picture below.

New Escapist Column! On “Black Widow” and the MCU’s Humour Problem…

I published a new In the Frame piece at The Escapist this evening. With the release of Black Widow last weekend, it seemed like a good opportunity to take a look at one of the film’s biggest issues and one of the biggest issues with the MCU in general: the question of tone.

The Marvel Cinematic Universe is funny. It has always been funny. This is part of what distinguished it from a lot of its comic book movie contemporaries when it was released. However, as the universe has progressed and evolved, the “house style” has tended towards ironic and self-aware punchlines. Sometimes this approach works beautifully; many of the best Marvel Studios films are also the funniest. However, it can also serve as a distraction that lowers the dramatic stakes and undermines key character beats.

You can read the piece here, or click the picture below.

New Escapist Video! On Sam Raimi and What it Means to be a Good (Spider-)Man…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

With that in mind, here is last week’s episode. With the release of Spider-Man: Miles Morales, we thought it might be fun to take a look back at Sam Raimi’s Spider-Man trilogy, and the central stakes of the film: the question of what it means to be a good man, Spider- or otherwise.

Star Trek: Voyager – Tsunkatse (Review)

Tsunkatse is the crossover between Star Trek: Voyager and WWF that you didn’t know you needed. Mostly because you didn’t actually need it.

Tsunkatse is a delightfully bizarre piece of television, and perhaps the most cynical piece of Star Trek ever produced. That is saying something, considering that the franchise also includes Star Trek V: The Final Frontier, an episode that literalises William Shatner’s paranoid delusions about his fellow cast members. Separated from the episode by almost two decades, it is still hard to believe that Tsunkatse actually exists, even allowing for other “out there” premises for Voyager episodes like Threshold or Concerning Flight.

Somehow, the production team couldn’t secure Jean-Claude Van Damme as a guest star.

To be fair, Tsunkatse isn’t awful. It isn’t especially good either, but it never develops into the trainwreck suggested by the premise of making a Star Trek episode designed to cash-in on the popularity of wrestling. That might sound like damning with faint praise, but there is something to be said for the fact that Tsunkatse manages to be a truly memorable episode of Voyager based around a highly dubious premise, without ever collapsing into itself. Tsunkatse is better than it has any right to be, and that might just be enough.

Might.

Rock your world.

Continue reading

Star Trek: Deep Space Nine – The Changing Face of Evil (Review)

The arrival of the Breen in the final stretch of Star Trek: Deep Space Nine pays off one of the longest recurring gags of the Michael Piller era.

The Breen are one of the most intriguing races in the larger Star Trek canon, first established as part of the mythos during the fourth season of Star Trek: The Next Generation. The Breen very assembled from a variety of little snippets of conversation over the next few years. The Loss established that the Breen were impervious to telepathy. Elogium implied that the Breen reproduced at a young age, and confirmed that they were known as a warlike species. They were suspects in the attack on the Vico in Hero Worship and on the Amargosa Observatory in Star Trek: Generations.

Things come apart.

The Breen would pop up time and again in dialogue, sketching out a bizarre culture. Their athletes were discussed in Interface. Their privateers were a threat dealt with off-screen in To the Death. Their nursery rhymes were a source of interest in For the Uniform. Their organic technology was mentioned in Scorpion, Part I. By the time that the Breen appeared on screen in Indiscretion, during the fourth season of Deep Space Nine, their status as an in-joke was confirmed. They were covered head-to-toe, dressed like Leia in Star Wars – Episode VI: The Return of the Jedi.

As such, the Breen are a rather strange choice to play such a crucial role in this late stage of the game, stepping into the Dominion War with only ten episodes left in Deep Space Nine. When they capture Ezri and Worf in Penumbra, their connection to the larger arc is unclear. Their plans to ally with the Dominion are only confirmed at the end of ‘Til Death Do Us Part. After a lot of teasing in Strange Bedfellows, it is The Changing Face of Evil that reveals the Breen to be something of a game-changer in the larger context of the Dominion War, easily retaking Chin’toka.

Battlefield Earth.

On paper, a lot of this is a transparent attempt on the part of the writers to move the story along. The Breen serve a number of clear narrative purposes, from escalating the stakes in the conflict between the Dominion and the Federation through to providing some more motivation for Damar’s betrayal of the Dominion. Tellingly, both of these threads pay off in The Changing Face of Evil, an episode that arrives at almost the half-way point in this sprawling galactic epic.

The incorporation of the Breen into the Dominion War is not particularly elegant. The introduction of a new alien species into the mix this late in the plot, with the clear intention of increasing the severity of the threat and to motivating the supporting cast to action, is a very clumsy piece of writing. However, Deep Space Nine just about manages to get away with it because the Breen don’t feel like a new alien species. Although they were never intended to serve this particularly purpose, they have been around long enough that they are part of the texture of the Star Trek universe.

For Cardassia.

Continue reading

Star Trek: Enterprise – Fight or Flight (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Fight or Flight is reasonably solid as second episodes go. It’s very clear that Rick Berman and Brannon Braga are making a conscious effort to avoid the mistakes of Star Trek: Voyager. There’s a sense that they are trying to give Star Trek: Enterprise its own unique mood and flavour. As such, Fight or Flight feels like a story that isn’t just tailor-made for Enterprise, but is tailor-made for early in the first season of the show. It isn’t a story that could be done by another spin-off, and it’s also not a story that could be done by Enterprise even a year later.

While Fight or Flight works on a conceptual level, the execution feels a little strange. While Broken Bow was a big and bombastic Star Trek pilot with its own feel and rhythm, Fight and Flight feels almost quaint. As a piece of television, it’s constructed in a very meticulous and very precise manner, one that seems suspiciously outdated for a show broadcast in late 2001.

Slugging it out...

Slugging it out…

Continue reading

Star Trek (DC Comics, 1989) #19 – Once a Hero… (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Once a Hero… is a notable story for a number of reasons. The most obvious is that it’s Peter David’s last issue of DC’s monthly Star Trek comic, departing the comic book after a pretty bitter disagreement with Richard Arnold, who was overseeing Star Trek licensing at the time. Given that David wrote The Incredible Hulk for twelve years and remains a prolific and well-liked comic book creator among the comic community, as well as a guiding light in Star Trek tie-in fiction, that’s a pretty damning indictment of Richard Arnold right there.

However, Once a Hero… is also notable for being an in-depth exploration and reflection on the “red shirt” narrative convention that the franchise loved so dearly.

A grave adventure...

A grave adventure…

Continue reading