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New Escapist Column! On How “Willow” Got Lost in the Wildwood…

I am doing weekly reviews of Willow at The Escapist. They’ll be dropping every Wednesday evening while the show is on, looking at the legacy sequel as it progresses from one episode to the next.

With Willow officially past the midpoint of its first season, the show hits a sizable bump in the road. Wildwood is the first episode of the show that feels purely functional rather than narratively engaging on its own terms. It’s a very mechanical piece of television, with the plot grinding to a halt so the series can run down a checklist of character and plot beats that it needs to articulate for the audience before moving any further. It does a lot of necessary place-setting, but stalls the season and the show around it.

You can read the piece here, or click the picture below.

New Podcast! The X-Cast – Season 8, Episode 14 (“This Is Not Happening”)

The X-Cast is covering the eighth season of The X-Files. This is one of my favourite seasons of television ever, in large part because it’s a season that manages to build a convincing narrative and character arc around a very challenging production reality, and in doing so forced the show itself to evolve and change. I’m thrilled to join Kurt North for a discussion of the episode that effectively closes out the second act of the larger season.

There is a solid argument to be made, at least in the context of the original television run of The X-Files, that This is Not Happening is the last truly great episode of The X-Files. The eighth season is unique in the show’s history for having a very clear three-act structure across its twenty-one episodes. This is Not Happening is positioned at the bridge between the second and third acts of the season, marking the return of David Duchovny as Mulder. It is a very elegiac and mournful episode of television, thoughtful and introspective, moving the season confidently into its endgame.

You can listen to the episode here, or click the link below.

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New Escapist Column! On How the Third Season of “The Umbrella Academy” Captures the Pandemic Aesthetic…

I published a new piece at The Escapist this evening. With the release of the third season of The Umbrella Academy last week, it seemed like an opportunity to take a look back at the show.

The third season of The Umbrella Academy is not about the pandemic, but it stands as an interesting cultural marker of the moment. The show’s production has obviously been impacted by pandemic restrictions, with a lot of shoot on closed sets with a tight cast, and a recurring sense that the show’s world has become empty and withdrawn. While the third season of The Umbrella Academy is not explicitly about the pandemic, it is the rare genre show that manages to translate the experience of the pandemic into a more general mood or tone.

You can read the piece here, or click the picture below.

New Podcast! The Time is Now – Season 3, Episode 21 (“Via Dolorosa”)

Last year, I was thrilled to spend a lot of time on The Time is Now discussing the second season of Millennium. Since the podcast has moved on to the third season, I have taken something of a step back as a guest. That said, I have been a bit more active in the second half of the third season. I was flattered to get an invitation to discuss the show’s penultimate episode, Via Dolorosa, with host Kurt North and guest Chris Knowles.

The series finale of Millennium is an episode that I’m admittedly divided on. It’s a two-parter that attempts to a staggering amount: to tell one last serial killer of the week story, to pull back and look at the bigger picture around these monsters, to wrap up the major character arcs for both the season and the show, and to serve as a satisfying conclusion to an uneven season and to a wildly disjointed series as a whole. It’s a lot to ask of a two parter, and Millennium certainly makes a valiant – if imperfect – effort.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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Space: Above and Beyond – Toy Soldiers (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

The Never No More and The Angriest Angel two-parter represented a moment when Space: Above and Beyond seemed to gel, when the show seemed to realise what it wanted to be and how it wanted to be about it. Written by showrunners Glen Morgan and James Wong, they presented a demonstration of just how well the show could work, and why it had been an absolutely ingenious idea to do the premise of “World War II… IN SPACE!”

So, naturally, Toy Soldiers shows up to demonstrate that we have yet to reach a point where we can do this consistently.

Oh, brother...

Oh, brother…

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The X-Files – Nisei (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

The most interesting aspect of Nisei and 731 is the fact that there’s very little forward movement by the end of it.

The previous multi-part conspiracy episodes typically featured big hooks and shock revelations. Duane Barry and Ascension demonstrated that the government was officially responsible for alien abductions, to the point where they could arrange Scully’s abduction. Colony and End Game featured shape-shifting aliens and confirmation that Samantha Mulder was a big part of this. Anasazi, The Blessing Way and Paper Clip revealed that Mulder’s father was part of a conspiracy involving Second World War criminals working on American soil to create an alien-human hybrid.

The only way its getting off this planet is in a bodybag...

The only way its getting off this planet is in a bodybag…

Nisei and 731 don’t contain any truly seismic revelations. The biggest moments here – the reveal that Japanese war criminals have been experimenting on Americans with the assistance of the government, and that the bodies in the box car in Anasazi were probably originally human – all build on what Paper Clip already established. There’s nothing as significant as the reveal of the Bill Mulder’s complicity in the conspiracy from Paper Clip, or the first appearance of the Black Oil in Piper Maru.

Nisei and 731 really seem to be about taking stock of what has happened so far in the show – as close to a “breather” mythology episode as the show could manage at this point. Of course, this being The X-Files, this “breather” episode still moves a break-neck pace and climaxes with a death-defying leap on to a moving train. As you do.

The doctors are in...

The doctors are in…

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The X-Files – Fearful Symmetry (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

Fearful Symmetry is an embarrassing mess of an episode. It’s ambitious, but it’s clumsy and over-wrought. It aspires to great things, but is instead completely banal. For a show featuring an invisible elephant, that’s no small accomplishment.

Tyger, Tyger...

Tyger, Tyger…

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