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255. The Man Who Shot Liberty Valance (#250)

Hosted by Andrew Quinn and Darren Mooney, with special guests Aoife Martin, Jason Coyle and Ronan Doyle, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, John Ford’s The Man Who Shot Liberty Valance.

In the early twenty-first century, Senator Ranse Stoddard returns to the dreary town of Shinbone. What was once a frontier outpost has become a modern town, and the locals are surprised to see such an important figure making the journey. Stoddard has come home to attend the funeral of an old friend, but the occasion brings old memories and dark secrets to the surface.

At time of recording, it was ranked 250th on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On How “Candyman” is About Art About Trauma…

I published a new In the Frame piece at The Escapist this evening. With the release of Nia DaCosta’s Candyman this weekend, it seemed like a good opportunity to take a look at the film and the larger franchise.

Much has been written in recent years about the recent explosion of African American horror, and the relationship between that horror and the very real trauma experienced by that community. What’s particularly interesting about Candyman is that the movie is very much engaged with that debate. In an era where so many movies and television shows purport to be “about trauma”, Candyman is explicitly a movie about art about horror, and the thorny questions that stem from that relationship.

You can read the piece here, or click the picture below.

247. Indiana Jones and the Temple of Doom – Indiana Summer 2021 (#—)

Hosted by Andrew Quinn, Tony Black and Darren Mooney, with special guest Alex Towers, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, continuing our Indiana Summer, Steven Spielberg’s Indiana Jones and the Temple of Doom.

Escaping a botched deal in Hong Kong, intrepid explorer Indiana Jones finds himself in India with two unlikely partners. Jones is quickly drawn into a mystery involving stolen artifacts and a village of missing children, which offers the adventurer the opportunity for “fortune and glory.” However, dark secrets are buried beneath Pankot Palace, and it may take an archeologist to unearth them.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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243. Dabangg 3 – This Just In (-#86)

Hosted by Andrew Quinn and Darren Mooney, The Bottom 100 is a subset of The 250. It is a journey through the worst 100 movies of all-time, as voted for by Internet Movie Database Users.

This time, Prabhu Deva’s Dabangg 3.

Veteran police officer Chulbul Pandey is living a seemingly idealistic existence, when a simple people trafficking case brings back a ghost from his own past. Confronting an old enemy and painful memories, Chulbul Pandey finally learns what it means to be truly fearless.

At time of recording, it was ranked the 86th worst movie of all time on the Internet Movie Database.

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New Escapist Column! On How the “Saw” Franchise Has Always Played With Its Audience…

I published a new In the Frame piece at The Escapist this evening. With the release of Spiral: From the Book of Saw this weekend, it seemed like a good excuse to take a look back at the larger Saw franchise.

For good and for ill, the Saw movies are inexorably tied to the George W. Bush era, with their meditations on torture and their emphasis on moral hypocrisy. However, discussions of the franchise tend to overlook the way in which the films intersect with another millennial trend: reality television. The Saw franchise is the rare horror movie franchise that is actively engaged with the idea of watching horror movies. In particular, in the relationship that exists between horror movies and their audiences – and whether those watching at home are observers or participants in the carnage.

You can read the piece here, or click the picture below.

Non-Review Review: Army of the Dead

Zack Snyder’s Army of the Dead arrives with relatively few expectations.

There’s something very refreshing and very appealing in this, particularly given the way that Snyder has become a cultural flashpoint due to his work on films like Man of Steel and Batman vs. Superman: Dawn of Justice, not to mention everything involving the production and release (and subsequent restoration) of Justice League. With all of that in the rear view mirror, it is exciting to sit down and watch as Zack Snyder movie that is… just a Zack Snyder movie.

Warding off evil.

Indeed, Army of the Dead is arguably something of a throwback for the director, marking a return to his earliest work. As a hyper-violent zombie action movie with a satirical edge, Army of the Dead invites comparisons to his first feature-length film, his remake of George A. Romero’s Dawn of the Dead. However, Army of the Dead is not a belated sequel or continuation. It is that rare modern big-budget genre film that stands as much on its own as it is possible for a high-concept zombie movie.

Army of the Dead is not a masterpiece by any stretch. It’s a little indulgent and overlong, suffering from the familiar pacing and tonal issues that affect many movies produced by Netflix. However, Army of the Dead is a fun and interesting genre if approached on its own terms. More than anything, freed from the constraints of established properties and shared universes and the ensuing scrutiny, Army of the Dead feels like Snyder is actually having fun. It is hard to begrudge it that.

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233. Relatos salvajes (Wild Tales) (#178)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Áine O’Connor, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Damián Szifron’s Relatos salvajes.

Six stories from modern day Argentina explore themes of violence and revenge, of anger and aggression, and of what happens when people stop behaving in the way that society expects them to and start indulging their wilder impulses.

At time of recording, it was ranked 178th on the list of the best movies of all time on the Internet Movie Database.

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New Podcast! The Time is Now – Season 3, Episode 21 (“Via Dolorosa”)

Last year, I was thrilled to spend a lot of time on The Time is Now discussing the second season of Millennium. Since the podcast has moved on to the third season, I have taken something of a step back as a guest. That said, I have been a bit more active in the second half of the third season. I was flattered to get an invitation to discuss the show’s penultimate episode, Via Dolorosa, with host Kurt North and guest Chris Knowles.

The series finale of Millennium is an episode that I’m admittedly divided on. It’s a two-parter that attempts to a staggering amount: to tell one last serial killer of the week story, to pull back and look at the bigger picture around these monsters, to wrap up the major character arcs for both the season and the show, and to serve as a satisfying conclusion to an uneven season and to a wildly disjointed series as a whole. It’s a lot to ask of a two parter, and Millennium certainly makes a valiant – if imperfect – effort.

As ever, you can listen directly to the episode here, subscribe to the podcast here, or click the link below.

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227. A Clockwork Orange (#104)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Aoife Martin, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Stanley Kubrick’s A Clockwork Orange.

Alex is a teenager growing up in a dystopian Britain with a taste for “the old ultraviolence.” However, when things go very wrong for the young delinquent, he finds himself offered an unlikely opportunity for redemption. He just has to volunteer for a highly controversial new therapy.

At time of recording, it was ranked the 104th best movie of all time on the Internet Movie Database.

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226. Zack Snyder’s Justice League (#86)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Graham Day, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Zack Snyder’s Zack Snyder’s Justice League.

Following the death of Superman, Batman sets about putting together a team of superheroes to fight a threat that is charging at Earth from across the cosmos.

At time of recording, it was ranked the 86th best movie of all time on the Internet Movie Database.

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