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299. Going Overboard (-#16)

Hosted by Andrew Quinn and Darren Mooney, this time with special guests Jess Dunne and Luke Dunne, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, Valerie Breiman’s Going Overboard.

Shecky Moskowitz is a cruise ship waiter who dreams of being a stand-up comedian. However, he finds himself at odds with the ship’s resident comedian, Dickie Diamond. Shecky’s comedic ambitions become decidedly more complicated thanks to a series of overlapping plots involving rock band Yellow Teeth and General Noriega.

At time of recording, it was ranked 16th on the list of the worst movies of all time on the Internet Movie Database.

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New Escapist Video! On How Streaming and the Algorithm are Shaping Modern Franchises…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will be completely separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, we took a look at a broader cultural trend: the way in which streaming services and the algorithms that drive them are reshaping modern franchise media in a way that makes them more aesthetically conservative. When the algorithm drives studios to push towards recycling familiar ideas and iconography, it discourages any attempt to do something new or interesting with these long-lasting properties. As a result, many of the larger franchises have become hollowed versions of their past glories.

New Escapist Video! “Lightyear is a Solid Sub-Orbital Adventure”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Lightyear, which is in theatres on Friday.

New Escapist Video! On How “Star Wars” Learned the Wrong Lessons from Solo…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will be completely separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

With the arrival of Obi-Wan Kenobi on streaming, it seems like a good time to take a look back over Disney’s ownership and management of the Star Wars brand. In particular, Solo: A Star Wars Story, which was the moment where everything seemed to go wrong for the company’s vision of the larger franchise. It should be possible to learn from past mistakes, and Solo certainly provides an ample amount of education material, but can Disney learn the right lessons?

New Escapist Video! On How “Star Trek” Gave Up on the Future…

We’re thrilled to be launching a fortnightly video companion piece to In the Frame at The Escapist. The video will typically launch every second Monday, and be released on the magazine’s YouTube channel. And the video will be completely separate from the written content. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

With the end of the second season of Star Trek: Picard and the launch of Star Trek: Strange New Worlds, it seemed like a good opportunity to take a look at the larger Star Trek franchise, which has become increasingly backwards-looking in recent decades. While a lot of fans will place the blame on the franchise’s more recent output, the truth is that this nostalgic impulse took root much earlier than many fas will acknowledge.

New Escapist Video! On the Reverence for the Irreverent “Ghostbusters”…

So, it’s been a fun road for the video companion series to In the Frame at The Escapist, but all good things must come to an end. It looks like this will be the last episode of the series, at least for a little while. It’s been a pleasure.

That said, it’s a hell of a topic to go out on, as we discuss the strange reverential cult that has developed around Ghostbusters, with the wry and ironic eighties comedy increasingly treated as something of a holy text for a certain generation of fans. It’s a very strange illustration of how nostalgia warps and distorts the very things that it claims to remember.

New Escapist Video! On What Makes “The Suicide Squad” the Year’s Best Blockbuster…

So, as I have mentioned before, I am doing some film critic work at The Escapist. Part of that includes long-form video criticism, such as this piece which is now available to watch at YouTube, editted by the wonderful Matt Laughlin, looking at what makes The Suicide Squad the best blockbuster of the year to date.

New Escapist Video! On How “The Suicide Squad” Uses Idris Elba…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

With the release of The Suicide Squad last week, it seemed like a good opportunity to take a look at one of the things that the film did very well. In particular, the movie used its lead actor to great effect. The Suicide Squad is a movie that understands Idris Elba’s movie star persona and understands how it enhances the general mood of the film around it.

New Escapist Video! On How “Black Widow” Demonstrates the MCU’s Humour Problem…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

With the release of Black Widow earlier in the month, it seemed like a good opportunity to take a look at the film. In particular, the use of humour in the Marvel Cinematic Universe in general and in Black Widow in particular. In its best moments, the Marvel Cinematic Universe uses humour to enrich and deepen its themes. However, in Black Widow, it undermines them.

New Escapist Column! On “Black Widow” and the MCU’s Humour Problem…

I published a new In the Frame piece at The Escapist this evening. With the release of Black Widow last weekend, it seemed like a good opportunity to take a look at one of the film’s biggest issues and one of the biggest issues with the MCU in general: the question of tone.

The Marvel Cinematic Universe is funny. It has always been funny. This is part of what distinguished it from a lot of its comic book movie contemporaries when it was released. However, as the universe has progressed and evolved, the “house style” has tended towards ironic and self-aware punchlines. Sometimes this approach works beautifully; many of the best Marvel Studios films are also the funniest. However, it can also serve as a distraction that lowers the dramatic stakes and undermines key character beats.

You can read the piece here, or click the picture below.