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New Escapist Video! On How “Black Widow” Demonstrates the MCU’s Humour Problem…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

With the release of Black Widow earlier in the month, it seemed like a good opportunity to take a look at the film. In particular, the use of humour in the Marvel Cinematic Universe in general and in Black Widow in particular. In its best moments, the Marvel Cinematic Universe uses humour to enrich and deepen its themes. However, in Black Widow, it undermines them.

New Escapist Column! On “Black Widow” and the MCU’s Humour Problem…

I published a new In the Frame piece at The Escapist this evening. With the release of Black Widow last weekend, it seemed like a good opportunity to take a look at one of the film’s biggest issues and one of the biggest issues with the MCU in general: the question of tone.

The Marvel Cinematic Universe is funny. It has always been funny. This is part of what distinguished it from a lot of its comic book movie contemporaries when it was released. However, as the universe has progressed and evolved, the “house style” has tended towards ironic and self-aware punchlines. Sometimes this approach works beautifully; many of the best Marvel Studios films are also the funniest. However, it can also serve as a distraction that lowers the dramatic stakes and undermines key character beats.

You can read the piece here, or click the picture below.

New Escapist Video! On How “Aliens” Responds to “Alien”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This month, with Aliens celebrating its thirty-fifth anniversary, it seemed like a good opportunity to take a look at the film. In particular, how James Cameron designed one of the great sequels by refusing to simply repeat what worked about the original Alien. Instead, Aliens works in large part because it actively responds to and engages with Alien, in a way that enriches both films.

New Escapist Video! “Black Widow – Review”

I’m thrilled to be launching movie reviews on The Escapist. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute film review of Black Widow, which is releasing theatrically and on Disney+ Premier Access this weekend.

New Escapist Video! On the Theme Park Ride Appeal of “Raiders of the Lost Ark”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday’s article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, with Raiders of the Lost Ark celebrating its fortieth anniversary, it seemed like a good opportunity to take a look at the film. In particular, how Spielberg built Raiders of the Lost Ark as a cinematic spectacle. It is one of the purest blockbusters, but also a triumph of filmmaking.

New Podcast! The Escapist Movie Podcast – “Is ‘In the Heights’ a Summer Highlight? “

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and Stacy Grouden for the nineteenth episode of the year, to discuss Jon M. Chu’s In the Heights. We discuss everything from the musical maximalism to the Broadway casting to the box office autopsies taking place. It’s a fun and broad discussion.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Escapist Video! On the Appealing Meaninglessness of “Godzilla vs. Kong”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with every second Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, following the release of Godzilla vs. Kong, it seemed like a good opportunity to take a look at the film’s appealing meaninglessness, particularly in an era that seems so over-signified with meaning.

New Escapist Video! On How “Promising Young Woman” Gazes Back…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This is a video that I’m particularly proud of, and intimidated by. Promising Young Woman was one of my favourite films of last year, so I was thrilled to get the chance to properly dig into it. I take a look at the way in which the film plays with audience expectations, and its understanding of the way in which it knows the audience will look at it.

New Escapist Video! On Paralleling “The Expanse” with “Game of Thrones”…

So, as I have mentioned before, I am launching a new video series as a companion piece to In the Frame at The Escapist. The video will typically launch with the Monday article, and be released on the magazine’s YouTube channel the following week. This is kinda cool, because we’re helping relaunch the magazine’s film channel – so if you can throw a subscription our way, it would mean a lot.

This week, with the penultimate season of The Expanse winding down and with the frequent comparisons to Game of Thrones, I took a look at what the two shows have in common – and where they differ from one another.

New Escapist Column! On How “Promising Young Woman” Gazes Back…

I published a new In the Frame piece at The Escapist this evening. Because Promising Young Woman is garnering some awards attention, I figured it was worth a look.

Promising Young Woman is a remarkably well-constructed film. It’s a film that is very actively engaged with the idea of watching and looking – what characters choose to see, and what they choose to ignore. However, the film is also very much aware of how audiences will see the film. It is cleverly constructed in such a way as to play with the audience’s gaze, and to challenge the way that they look at the film – the way the viewer looks at its actors, its characters, and the kind of story that it is telling. It stares its audience right in the eye, and it never blinks.

You can read the piece here, or click the picture below.