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90. Incredibles 2 – This Just In (#183)

Hosted by Andrew Quinn and Darren Mooney, and with special guests Graham Day and Marianne Cassidy, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Brad Bird’s Incredibles 2.

At time of recording, it was ranked the 183rd best movie of all time on the Internet Movie Database.

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68. Finding Nemo (#164)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, Andrew Stanton’s Finding Nemo.

When his young son Nemo is abducted, Marlon sets out across the ocean to rescue the boy. Along the way, he encounters a forgetful fish named Dory and embarks upon a series of rich and vivid adventures.

At time of recording, it was ranked the 164th best movie of all time on the Internet Movie Database.

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63. Coco – This Just In (#37)

Hosted by Andrew Quinn and Darren Mooney, This Just In is a subset of The 250 podcast, looking at notable new arrivals on the list of the 250 best movies of all-time, as voted for by Internet Movie Database Users.

This time, Lee Unkrich and Adrian Molina’s Coco.

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Non-Review Review: Finding Dory

Finding Dory is a demonstration of everything that Pixar does well, a bright and colourful treat for kids that offers enough depth for adults.

Pixar have one of the strongest track records in animation, even acknowledging recent missteps like Cars 2 or The Good Dinosaur. At its best, the studio is transcendent, producing films that speak as keenly to parents as they do to children, building entire worlds from pixels that feel so textured and real that audiences do not need 3D to end up lost in them. Inside Out is the most recent demonstration of the studio’s prowess in that regard, a film that deserved to be in the conversation as one of the very best movies of 2016.

I think I see her!

I think I see her!

Finding Dory is not quite at that level. The movie seems unlikely to be remembered as one of the studio’s finest efforts alongside Wall-E or Up. However, second tier Pixar is still fantastic. There is a solid argument to be made that Finding Dory is the film of the summer, a family-friendly treat that can appeal to whole audiences. Kids of all ages will react fondly to the colourful (and beautifully rendered) characters, while the movie also resonates on more profound levels for the more mature members of the family.

As with the best Pixar films, Finding Dory speaks to the idea of family and growing up. The film is held together by a beautiful metaphor about what it means to find a family, and about the idea of returning home as an emotional rather than a literal journey. It is a fascinating and powerful film, but also one with as much heart and energy as anything in the Pixar canon.

Something fishy is going on...

Something fishy is going on…

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Non-Review Review: The Good Dinosaur

It may have been too much to hope for two classic Pixar films in the space of a single calendar year.

The Good Dinosaur is generally quite solid, but it lacks the sense of narrative craft and emotional weight that marks the very best of Pixar’s output. As with Brave before it, there is a sense that The Good Dinosaur would have made for a fairly middling entry in the larger Disney canon. In terms of ranking the studio’s output, “the good Dinosaur” is perhaps a fairly apt label for the project. It is light-hearted and fun, but lacking any distinct sense of substance and identity.

Bad human! Bad!

Bad human! Bad!

The best thing about The Good Dinosaur is its core concept. At the heart of the story is a rather ingenious narrative hook. What if the asteroid that killed the dinosaurs… missed? What if that hunk of rock that came hurdling through space had come in at an angle just a couple of degrees off course? What if it were simply a shooting star passing through the sky one night rather than a full stop marking the end of the Cretaceous period or the Mesozoic era? That is a wonderful jumping-off point for an adventure, and The Good Dinosaur never quite measures up to that.

The Good Dinosaur is ultimately a buddy comedy road trip adventure about a young child who finds himself stranded far from home with an unlikely travelling companion. The result is an occasionally enjoyable, if not entirely satisfying, film.

I am dino, hear me roar!

I am dino, hear me roar!

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Non-Review Review: Inside Out

Inside Out represents a glorious return to form for Pixar.

After several years of sequels and middling films, Inside Out feels like a breath of fresh air. Films like Cars 2 and Monsters University were very much safe bets for the company, a way to leverage return from existing (and well-loved) properties. Inside Out is something altogether stranger and more high-concept. It feels like the studio is getting back in touch with its original aesthetic. It is a concept that initially seems quite complex and esoteric, but quickly reveals itself to be a simple emotional fairytale.

Memories are made of this...

Memories are made of this…

Wall-E might have been a half-silent science-fiction film, but it was also a very effective love story. Up might have been a wacky adventure about a flying house, but it was also an insightful meditation on grief and loss. Finding Nemo was populated with colourful fish, but it was also about the experience of watching a child venture into the world. Pixar established and developed a reputation as a studio that could produce films that were accessible and exciting to children, but also packed a more weighty and substantial punch for the parents in the audience.

Inside Out is perhaps the most high of Pixar’s concepts, but it ultimately boils down a very organic and instinctive story meditating on the studio’s core themes of emotional development and family metaphors.

An emotional journey...

An emotional journey…

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Non-Review Review: Epic

Epic looks stunning. While it doesn’t necessarily push the envelope in terms of 3D rendering or animation, it’s often quite beautiful to watch. Even in 3D, the vibrant greens radiate off the screen, with the characters having a pleasant elasticity to them. The action sequences are well-staged and the choreography is generally impressive. However, despite this, Epic winds up feeling rather shallow. Perhaps it’s a result of the decision to develop the world as a priority, rather than the characters inhabiting it.

The story is more a collection of familiar tropes and set-pieces than a compelling narrative, and none of the lead characters are ever developed beyond basic archetypes. There’s the plucky heroine, the roguish hero, the gruff mentor, the free-spirited wise oracle, the drôle accented bad guy, the comic relief and even the kooky dad. None feel of any real substance, which is a problem when you’re executing a plot as straight-forward as this.

It's a slug's life...

It’s a slug’s life…

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