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New Escapist Column! On “The Witcher: Blood Origin”, “The Rings of Power”, and the Limits of Fidelity…

I published a new piece at The Escapist this week. With the recent release of The Witcher: Blood Origin on Netflix and the ongoing arguments about the perceived “faithfulness” around The Rings of Power, it seemed like a good time to explore how the quality of a work relates to its alleged faithfulness.

To put it simply, quality and fidelity are completely different metrics. It is entirely possible for a fiathful adaptation of source material to be terrible, for example the shot-for-shot remake of Psycho. It’s also possible for an adaptation that has nothing to do with even the tone and genre of the original property, such as 21 Jump Street, to be brilliant. Ultimately, The Witcher: Blood Origin and The Rings of Power are adaptations that fail on their own measure.

You can read the piece here, or click the picture below.

318. The Life of Brian – Christmas 2022 (#245)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guest Richard Newby, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This time, a Christmas treat, Terry Jones’ Life of Brian.

Brian Cohen is a young Jewish man living in Jerusalum at the same time as Jesus Christ. Desperate to impress a girl and reeling from revelations about his heritage, Brian commits to join a local revolutionary paramilitary to resist Roman rule. However, nothing is quite as simple as it may initially seem, and Brian finds himself swept up in a messianic fervour well beyond his control.

At time of recording, it was ranked 245th on the list of the best movies of all time on the Internet Movie Database.

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New Podcast! Rarely Going – “Star Trek: Lower Decks 3×09 – Trusted Sources”

I was delighted to join the wonderful Kurt North for an episode of the animated Star Trek podcast, Rarely Going.

Trusted Sources is the penultimate episode of the third season of Lower Decks. It is an episode that is obviously teeing up the season finale, but it is also an episode that is engaged with the idea of continuity. Lower Decks is a show built around references to past Star Trek shows, but the third season of the show has seen Lower Decks becoming just a little more comfortable in its own skin. Trusted Sources is an episode about how these seemingly episodic adventures can build and escalate to pay off in interesting ways.

You can listen directly to the episode below or by clicking here.

New Podcast! Vampire Videos – “Shadow of the Vampire (2000)”

I was thrilled to be invited to join the great Dan Owen and Hugh McStay for an episode of their new podcast, Vampire Videos.

It was a thrill to get to talk about, and revisit, Shadow of the Vampire. It was the first time I had watched the meta horror commentary in decades, so it was fascinating to return to it with new eyes and a deeper understanding of the film’s historical context. It’s a movie that ties together the history of the vampire and origins of cinema as a medium, constructing a pitch black horror comedy about the paradox of the movie camera as an instrument that both steals life and grants immortality.

You can listen directly to the episode below or by clicking here.

306. Dumb and Dumberer: When Harry Met Lloyd (-#52)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Raymond Creamer, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Troy Miller’s Dumb and Dumberer: When Harry Met Lloyd.

Years before they embark on a cross-country roadtrip, lovable idiots Harry Dunne and Lloyd Christmas strike up an unlikely friendship in high school. However, they quickly find themselves drawn into their principal’s sinister scheme to embezzle money by exploiting the school’s students to create a privately-funded special needs class.

At time of recording, it was ranked 52nd on the list of the worst movies of all time on the Internet Movie Database.

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New Escapist Column! On Letting Daredevil be Daredevil…

I published a new In the Frame piece at The Escapist this evening. With the upcoming release of She-Hulk, and news that the show will be responsible for folding Matt Murdock into the larger Marvel Cinematic Universe, it seemed like a good opportunity to talk about what makes Daredevil unique.

The production team on She-Hulk have talked about how the series will showcase the “lighter side” of the Man Without Fear. This is somewhat worrying, given that part of what makes Daredevil relatively unique among the major Marvel superheroes is the fact that his stories are appreciably darker in terms of tone and content. Part of the appeal of Daredevil is the way in which the character allows the publisher to explore themes that it never could with more mainstream characters. It would be a shame to lose that while transitioning the hero into the Marvel Cinematic Universe.

You can read the piece here, or click the picture below.

299. Going Overboard (-#16)

Hosted by Andrew Quinn and Darren Mooney, this time with special guests Jess Dunne and Luke Dunne, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

This week, Valerie Breiman’s Going Overboard.

Shecky Moskowitz is a cruise ship waiter who dreams of being a stand-up comedian. However, he finds himself at odds with the ship’s resident comedian, Dickie Diamond. Shecky’s comedic ambitions become decidedly more complicated thanks to a series of overlapping plots involving rock band Yellow Teeth and General Noriega.

At time of recording, it was ranked 16th on the list of the worst movies of all time on the Internet Movie Database.

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289. The Princess Bride (#—)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Aoife Barry, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Rob Reiner’s The Princess Bride.

As a young kid lies sick in bed, wasting time on video games, his grandfather decides to pay a visit. Taking the opportunity to indulge in a timeworn family tradition, the grandfather decides to share a timeless tale of romance and adventure that has been passed down from one generation to another: S.W. Morganstern’s The Princess Bride.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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283. The Hangover – Andrew’s Stag 2022 (#—)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, to mark Andrew’s wedding, Todd Phillips’ The Hangover.

A bachelors’ party in Las Vegas goes horribly awry when the three groomsmen wake up in their lavish suite only discover that they have misplaced the groom. With only hours to go until the wedding, the trio find themselves racing against time to remember one unforgettable night. However, the more that they discover, the higher the stakes become.

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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New Escapist Column! On “Peacemaker” and “MacGruber” as Reckonings with Reagan Era Action Heroes…

I published a new In the Frame piece at The Escapist this evening. With the recent release of MacGruber and Peacemaker, it seemed like an interesting opportunity to reflect on two comedy streaming shows that are very firmly anchored in a very particular nostalgia for a certain kind of eighties Reagan era action hero.

MacGruber and Peacemaker are essentially extended riffs on a very archetypal form of American heroism, a very militaristic and jingoistic expression of heroism. While both shows are reasonably affectionate and surprisingly sympathetic to its subjects, they are also quite aggressive in their desconstruction of this archetype. Both MacGruber and Peacemaker are shows about characters who are deeply unpleasant and incredibly juvenile, in what feels like an interesting interrogation of the action heroes of the era. It’s an interesting angle on this nostalgia, feeling at times like a tempered reflection.

You can read the piece here, or click the picture below.