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New Podcast! The Pensky File – Star Trek: Deep Space Nine, Season 5, Episode 9 (“The Ascent”)

I was thrilled to be asked back to join The Pensky Podcast to discuss Star Trek: Deep Space Nine, particularly as they hit the fifth season, which may well be the best season of Star Trek ever produced. So, no pressure talking about The Ascent, then.

Wes had a family emergency to take care of, so I joined Clay to discuss this mid-season double-buddy comedy episode in which Odo and Quark find themselves stranded on a hostile alien world while Nog and Jake discover that life as roommates is less than ideal. It’s a fun, broad discussion. We cover everything from the writers’ tendency to use subplots lifted directly from sitcoms to flesh out supporting characters through to debates about stakes in modern mass media, as well as the shift away from the twenty-odd episode season that has squeezed out episodes like The Ascent. It was great fun, and I hope you enjoy listening. I’ll let you decide which one of us is Quark and which one of us is Odo.

You can find more from The Pensky Podcast here, and listen to the podcast by clicking the link or just listening below.

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Non-Review Review: One Chance

It’s very easy to dismiss reality television. Personally, I wouldn’t be the hugest fan of the genre. However, it’s worth remarking that – in the right hands – it can be elevated to an artform. While the use of the word “reality” is applied loosely, it comes with its own narrative conventions – its own strengths and limitations. Carefully micro-managed, painstakingly edited and even sometimes clumsily scripted, reality television is simply another format of televisual entertainment.

It’s not that reality lacks a central crafted narrative or story arcs or character beats. These exist in reality television, albeit in a hyper-stylised meta-textual form. Just as some might advise you to read A Song of Ice and Fire to fully appreciate Game of Thrones, the meta-narrative from reality television spills out the side of the television set, unfolding in tabloids or gossip website. Characters are defined as rigidly, arcs are plotted just as carefully, it’s just that the narrative is crafted differently than it would be in an hour-long scripted drama or a half-hour sit-com.

One Chance, then, feels like the feature length adaptation of one such narrative. The story of Britain’s Got Talent winner Paul Potts (“like the Cambodian dictator?” a nurse inquires in the opening scene), One Chance often feels more like the adaptation of a much-loved novel than an attempt to tell a true story.

Sing when you're winning...

Sing when you’re winning…

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