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Star Trek: Deep Space Nine – You Are Cordially Invited… (Review)

Posted on February 10, 2017 by Darren

You Are Cordially Invited… is very much a breather episode.

After all, that introductory six-episode arc was exhausting. It was breathtaking in its scope and ambition, a sketch of life during wartime that spanned light-years and divided the cast for half a dozen episodes. It makes sense that You Are Cordially Invited…, the first episode to feature the crew reunited on Deep Space Nine, would attempt to strike a lighter tone. Star Trek: Deep Space Nine might be crafting a long-form war story, but that does not mean that the show is abandoning its warmth and humanity.

Their first argument.

Their first argument.

Indeed, You Are Cordially Invited… makes a great of sense from a structural perspective. There is an obvious impulse to contrast the show’s darker moments with lighter touches. In the Cards was an endearing comedy about the interconnected lives on the station, airing right before the show scattered those lives in Call to Arms. More than that, Call to Arms featured the wedding of Rom and Leeta as a prelude to the Dominion invasion. Following up the occupation arc with a comedy about the wedding of Worf and Dax adds a sense of symmetry to it all.

You Are Cordially Invited… might not be the strongest comedy episode in the run of Deep Space Nine, suffering a little bit from being overly conventional and entirely predictable, but it does have an infectious sense of enthusiasm that works well in contrast to the high intergalactic stakes of the previous seven episodes.

Relight my fire...

Relight my fire…

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Star Trek: Deep Space Nine – Behind the Lines (Review)

Posted on January 30, 2017 by Darren

Behind the Lines is an exemplary demonstration of Star Trek: Deep Space Nine‘s embrace of serialisation.

More than any other episode in the opening arc of the sixth season, Behind the Lines is an episode that exists in relation to the other episodes around it more than a self-contained unit of narrative. A Time to Stand set the tone for the final two seasons of the show, but its also featured a daring raid on a Dominion facility. Rocks and Shoals was about a ground conflict between Sisko and a Jem’Hadar platoon. Sons and Daughters was about Worf’s long-neglected relationship to Alexander. Favour the Bold and Sacrifice of Angels are an ambitious two-part finale.

Meldmerising...

Meldmerising…

In contrast, Behind the Lines is very much about taking what has already been established and streamlining it in preparation for the bombastic conclusion to this story. Behind the Lines is the episode in which Kira uses her “new resistance” formed in Rocks and Shoals to actually do something, in which Damar finally figures out how to dismantle the minefield that went up in Call to Arms, and in which Odo betrays his friends and colleagues in pursuit of his own gratification. More than any of the episodes around it, Behind the Lines cannot really stand in isolation.

However, it is also a stunningly brilliant piece of storytelling and a reminder of just how skilfully the writing staff on Deep Space Nine had adapted to the demands of serialisation.

Terror cell.

Terror cell.

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Star Trek: Deep Space Nine – Children of Time (Review)

Posted on December 16, 2016 by Darren

Time is the fire in which we burn.

Children of Time comes towards the end of the franchise’s thirtieth anniversary season. By all accounts, the thirtieth anniversary season had been a resounding success. Star Trek: First Contact managed to please audiences and critics with a journey back to the beginning of the Star Trek universe. Star Trek: Deep Space Nine offered a crowd-pleasing homage to The Trouble With Tribbles in Trials and Tribble-ations. Even Star Trek: Voyager got in on the act with Flashback, Future’s End, Part I and Future’s End, Part II.

More than that, the franchise was thriving by just about any measure. Three casts were active simultaneously; two casts on television and one in cinemas. The thirtieth anniversary had garnered incredible media attention and had helped to remind audiences that the franchise was still chugging along a decade after its resurrection. To many observers, it appeared that the Star Trek had been resurrected. Against all odds, the television show that had been cancelled by NBC after only three seasons seemed to have been granted a form of immortality.

Walking into the sunset.

Walking into the sunset.

However, things were not as rosy behind the scenes. In fact, the franchise had been underperforming since the end of Star Trek: The Next Generation. The ratings would not become a real problem until the launch of Star Trek: Enterprise, but there were early signs that the franchise was in decline. Both Deep Space Nine and Voyager underwent cast revisions in their fourth seasons to try to solidify the ratings. Deep Space Nine got to keep its existing cast and add one new face, while Voyager had to fire one cast member to make room for the newest player.

Children of Time feels very much like a meditation and contemplation upon the theme of legacy, asking the characters on Deep Space Nine to wonder what they might leave behind.

Shocking.

Shocking.

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Star Trek: Deep Space Nine – A Simple Investigation (Review)

Posted on November 28, 2016 by Darren

A Simple Investigation is a quiet little episode.

This is particularly true in the context of the crowded second half to the fifth season of Star Trek: Deep Space Nine. In Purgatory’s Shadow and By Inferno’s Light radically upended the status quo and set the fifth season on a march towards A Call to Arms. The threat of war looms large over the second half of the season, following the admission of Cardassia into the Dominion. There is a creeping sense of inevitability to episodes like Blaze of Glory and Soldiers of the Empire.

Strange bedfellows...

Strange bedfellows…

At the same time, Deep Space Nine takes a little while to adjust to that dramatic shift. The Dominion and Cardassia only come back into focus with Ties of Blood and Water, the episode that reintroduces Weyoun to the series. Still, episodes like Doctor Bashir, I Presume and Business as Usual have a sense of weight to them as they offer up high-stakes family drama and arms-dealing morality plays. In contrast, A Simple Investigation feels relatively low key. It is not an episode with profound consequences or shocking revelations.

Instead, A Simple Investigation plays as a small-scale cyberpunk noir romance in which Odo falls head-over-heels in love with a guest star whom he will never see again. With all the chaos unfolding across the length and breadth of the fifth season, A Simple Investigation feels surprisingly… simple. The problems of these little people don’t amount to a hill of beans in this crazy world, but A Simple Investigation still takes the time to fixate upon them.

Star struck.

Star struck.

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Star Trek: Deep Space Nine – The Ascent (Review)

Posted on October 17, 2016 by Darren

Discussions of Star Trek: Deep Space Nine tend to focus on the big sweeping events and the epic scope.

It is easy to see why this is the case. Over the course of the show, alliances break and empires fall. Characters are elevated from the lowest rungs of the social ladder to command over entire planets. Whereas Star Trek: The Next Generation worked hard to flesh out alien cultures like the Romulans and the Klingons, it never committed to the kinds of sweeping long-form narratives that unfolded across the run of its younger sibling. The fall (and rise and fall again) of Cardassia, the broken and mended peace with the Klingons, the Dominion War.

"And to round out the thirtieth anniversary, we're going to climb the Paramount logo."

“And to round out the thirtieth anniversary, we’re going to climb the Paramount logo.”

Deep Space Nine deserves (and receives) a great deal of credit for telling these stories. Indeed, the franchise would not make another attempt at storytelling on this scale until the final two seasons of Star Trek: Enterprise. However, focusing on the bigger picture tends to gloss over the other strengths of Deep Space Nine. As much as the show crafts epic long-running stories of betrayal and redemption that span seasons of broadcast television, it interspaces these epic beats with lots of smaller character moments.

The Ascent is a wonderful example of this. The fifth season of Deep Space Nine is one of the most sweeping and epic seasons in the history of the franchise, but it still finds time for the smaller beats. The Ascent is essentially a set of low key character studies, playing to the strengths of both the cast and the characters.

An uphill struggle.

An uphill struggle.

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Star Trek: Deep Space Nine – Things Past (Review)

Posted on October 10, 2016 by Darren

At a time when Star Trek: Voyager was working very hard to disentangle itself from its own past, Star Trek: Deep Space Nine committed to exploring its own.

Things Past hits on one the big recurring themes of the series in general and fifth season in particular. Deep Space Nine has always been a show about memory and history, the relationship between past, present and future that is seldom as clear-cut as one might like it to be. Across the show’s run, characters are constantly exploring and re-evaluating their own histories. This has always been the case, dating back to Sisko working through his trauma with the Prophets in Emissary, Kira facing her past in Past Prologue and Odo doing the same in A Man Alone.

"You know, my subconscious can be pretty heavy handed."

“You know, my subconscious can be pretty heavy handed.”

At this point, Deep Space Nine has been on the air for over four years. Many other shows would already have moved on from their foundational premises. Voyager has already completely forgotten what it originally promised, and it is less than half way through its third season. However, the fifth season finds Deep Space Nine engaging repeatedly and enthusiastically with a history that stems back to before the events of the first episode. The characters on Deep Space Nine are shaped and informed by events that occurred long before fate or chance brought them together.

Some of these episodes work better than others, but the fifth season is still fascinated with the characters’ lives long before the series began. Let He Who Is Without Sin… attempted to build a story like this around Worf, playing almost as a parody of this kind of storytelling. Doctor Bashir, I Presume walks a very fine line between when it comes to exploring Bashir’s secret history. Empok Nor returns to the question of whether O’Brien is an engineer or a soldier in a much pulpier and trashier vein than earlier episodes like Hippocratic Oath.

The hole in things...

The hole in things…

Unsurprisingly, the best examples of these sorts of stories tend to focus on the characters who were actually around Terok Nor during the Occupation. The Darkness and the Light and Ties of Blood and Water, the two episodes focusing on Kira, are among the strongest of the season. They also have some pretty great titles, although neither is quite Wrongs Darker Than Death or Night. However, it is Things Past that marks the fifth season’s first trip back to the Cardassian Occupation, telling the story from Odo’s perspective.

It is an episode that really pushes Odo, to the point where it seems like the changeling might snap. “Nobody ever had to teach me the justice trick,” Odo monologued in Necessary Evil, way back in the second season. “That’s something I’ve always known.” Over the course of Things Past, Odo must eventually admit that this is not the case.

Barriers to entry.

Barriers to entry.

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Star Trek: Deep Space Nine – Apocalypse Rising (Review)

Posted on September 14, 2016 by Darren

Apocalypse Rising stands quite apart from the other Star Trek: Deep Space Nine season premieres.

Most obviously, it the only single-part season premiere across the entire seven seasons of Deep Space Nine. Emissary and Way of the Warrior were two-hour television movies. The Homecoming fed into the franchise’s first official three-part story. The Search, Part I and The Search, Part II were obviously a two-part episode, while Image in the Sand and Shadows and Symbols provided a two-part introduction to the seventh season. A Time to Stand segued directly into Rocks and Shoals while also setting up a six-episode arc.

The times, they are a-changeling...

The times, they are a-changeling…

This is not to suggest that Apocalypse Rising is a more typical Star Trek season premiere. It is not a continuation of Broken Link in the same way that The Best of Both Worlds, Part II is a direct continuation of The Best of Both Worlds, Part I or that Basics, Part II is a direct follow-on from Basics, Part I. While Apocalypse Rising does resolve a cliffhanger left dangling by Broken Link, that cliffhanger was only really set up in the final two minutes of the episode. Indeed, the cliffhanger dangling from Broken Link recalls the endings of The Jem’Hadar or The Adversary.

Apocalypse Rising is also notable for being the first season premiere that is not positioned as a jumping on point, that is not intended to either expand the scope of the show or recruit new viewers. One of the luxuries of avoiding the traditional cliffhanger structures to bridge seasons was the freedom to begin each season with a relatively clean slate and introduce new elements. The Search, Part I and The Search, Part II introduced the Defiant and retooled the show to focus on the Dominion. The Way of the Warrior brought Worf over and shifted emphasis to the Klingons.

Klingon to the status quo...

Klingon to the status quo…

While Apocalypse Rising does represent a slight shift in the tone of the show, it is not a radical new departure. More than that, it leans rather heavily on the show’s established mythology and in some ways indicates a desire to get the show back on track following an extended detour into war with the Klingons during the fourth season. Apocalypse Rising confirms what was made clear during the fourth season of the show, that Deep Space Nine has eventually evolved into its final form. Apocalypse Rising is a show so comfortable with itself that there’s no need to reinvent.

Although a little cramped and rushed in places, Apocalypse Rising represents a strong start to a stellar season. It is an efficient and effective piece of television, one that demonstrates the clarity of focus driving the season that will follow.

Drinking games...

Drinking games…

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