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150. Joker – This Just In (#9)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Jenn Gannon, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This week, Todd Phillips’ Joker.

In eighties Gotham, a failed clown descends into madness as the city breaks down around him. Garbage builds up in the streets as violence lurks in the alleyways. What kind of a man can survive such a world?

At time of recording, it was ranked 9th on the Internet Movie Database’s list of the best movies of all-time.

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149. American Beauty – Summer of ’99 (#73)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Charlene Lydon, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, continuing our Summer of ’99 season, Sam Mendes’ American Beauty.

1999 was a great year for movies, with a host of massively successful (and cult) hits that would define cinema for a next generation: Being John Malkovich, Magnolia, Fight Club, The Green MileThe Insider, Run, Lola, Run. The Summer of ’99 season offers a trip through the year in film on the IMDb‘s 250.

Trapped in a loveless marriage and father to a daughter who wants him dead, Lester Burnham finds himself going through a midlife crisis. In the year leading up to his death, Lester attempts to reconnect with his youth and rediscover the man that he once was before the embers die out for good.

At time of recording, it was ranked 73rd on the Internet Movie Database‘s list of the best movies of all-time.

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New Podcast! Scannain Podcast (2018) #27!

Your podcast, should you choose to accept it…

This week, I join Jay Coyle and Luke Dunne from Film in Dublin to discussion the week in film news. There’s a host of interesting stuff here, from the James Gunn controversy over Guardians of the Galaxy, Vol. 3 to the film noir compromise of Gilda to the divisive Dublin Oldschool. Along the way, we take a side-trip into discussions of vaguely unsettling YouTube algorithms aimed at children. However, perhaps the real reason to give it a listen is to hear Luke’s “grand unified theory of Tom Cruise” as part of a broad discussion about Mission Impossible: Fallout.

Give it a listen at the link, or check it out below.

The Lone Gunmen – The “Cap’n Toby” Show (Review)

This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.

In its own way, The “Cap’n Toby” Show feels like an appropriate farewell to The Lone Gunmen.

The “Cap’n Toby” Show was not the last episode of The Lone Gunmen to be produced, but it was the last episode to air. It was broadcast three weeks after All About Yves closed out the first season of the show and more than a fortnight after news of the cancellation first broke. It aired with very little fan fare, avoiding even the modicum of publicity that FX earned as it burnt off the last six episodes of Harsh Realm only a year earlier. Just in case there had been any doubt, or any hope held out, The Lone Gunmen was definitely dead.

No need to get crabby...

No need to get crabby…

There is a melancholy to The “Cap’n Toby” Show that fits quite comfortably with The Lone Gunmen. The episode had clearly been held back in the hops of airing it during a hypothetical second season. Ideally, it would have given the production team a little lee-way at the start of the next season, perhaps even allowing the three title characters to pop over to The X-Files. The ninth season of The X-Files would be launching without Mulder, so some friendly faces would not be amiss. Airing The “Cap’n Toby” Show in mid-June puts paid to that optimism.

However, even allowing for all these issues, there is an endearing pluckiness and romance to The “Cap’n Toby” Show that feels at once entirely in keeping with the show and the characters. What better way to make a cancellation than with a forty-five minute ode to the nostalgic joys of television?

"Bye bye."

“Bye bye.”

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Star Trek: Enterprise – Anomaly (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This August, we’re doing the third season. Check back daily for the latest review.

Anomaly continues the sense that the third season of Star Trek: Enterprise is essentially a new first season of the show.

That is most obvious in the way that the script works hard to establish the ground rules of the Expanse. There is a sense that the episode is very clearly establishing rules and plot points that will come into play later in the run. Anomaly not only explains why mining for trellium-D is such a profitable enterprise; explaining that ships without it are susceptible to all sorts of strange distortions to the laws of physics. Anomaly also introduces the spheres, strange structures that will become a key part of the third season’s mythology.

A good man goes to war...

A good man goes to war…

The show is also marking out ground for later exploration. Anomaly becomes a lot more potent in hindsight, with various decisions here reversed in later episodes. In Anomaly, Archer is a victim of piracy; in Damage, he is forced to commit piracy. In Anomaly, Archer tortures a prisoner in order to procure information that he needs; in Countdown, Hoshi is tortured by Dolim in order to procure information that he needs. It is not entirely clear whether these plot beats were figured out ahead of time, but – like the destroyed Xindi home world in The Xindi – they lend the third season a nice sense of moral symmetry.

Most interestingly – and, perhaps, most pointedly – Anomaly represents a clear return to two very early episodes of the first season. The script of Anomaly touches quite overtly on plot points from Fight or Flight and Strange New World. In some ways, it could be seen as a belated do-over.

Sparks fly...

Sparks fly…

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Tintin: Tintin in the Congo (Review)

In the lead-up to the release of The Adventures of Tintin: The Secret of the Unicorn, I’m going to be taking a look at Hergé’s celebrated comic book character, from his humble beginnings through to the incomplete post-modern finale. I hope you enjoy the ride.

“Unfortunate,” is probably a word that gets tossed around quite frequently about Tintin in the Congo. The second adventure in the series, it was omitted from the list of books on the back of my old Tintin collection, for reasons that aren’t too hard to fathom. Apparently, like Tintin in the Land of the Soviets, the book was driven by editorial edict – to encourage Belgians to move to the colonies in the Congo, rather than to drum up fear and mistrust of communist Russia – though, to be frank, I really can’t see much here stirring a desire to emigrate. Tintin in the Congo is very mush a product of its time, filled with casual racism and awkward portrayals. That doesn’t make it any better, and it’s genuinely quite difficult to look past that fact.

Fur and loathing in the Belgian Congo...

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The Absolute Authority, Vol. 2 (Review)

With Wildstorm being officially folded into the relaunched DCU (the “DCnU”), I thought I might take a look at some of the more successful and popular Wildstorm titles that the company produced. In particular, The Authority, the superhero saga that spun out of Stormwatch – a series that is getting its own post-relaunch book written by Paul Cornell, easily one of my more anticipated titles.

In many ways, it was The Authority that established Mark Millar and Frank Quitely as talents to watch in their own rights, rather than through their associations with Grant Morrison. As a concept, the series was launched by Warren Ellis and Bryan Hitch, but the duo picked their own replacements. I have to say, I think they chose rather wisely, even if the series has lost a rather considerable amount of its bite nearly a decade after its initial publication. That said, it’s still a highly entertaining superhero book, and one which had more than its fair share of influence on the mainstream titles over the last ten or so years.

There's a new Authority in town...

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