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157. Ford v. Ferrari (Le Mans ’66) – This Just In (#156)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, James Mangold’s Ford v. Ferrari.

In response to the worst sales slump in American history, the Ford Motor Company embraces a radical idea: it will build a car to beat Ferrari at the 24 Hours of Le Mans. However, in order to do that, it needs to recruit and work with two radicals who have their own unique approach to engineering and racing, Carroll Shelby and Ken Miles. These two mavericks soon discover that their allies in Ford might be as dangerous as their enemies at Ferrari.

At time of recording, it was ranked 156th on the Internet Movie Database’s list of the best movies of all-time.

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Elizabeth Taylor, RIP

I’m still not sure what to write about the passing of Elizabeth Taylor. Obviously I know who she is, and obviously I’m familiar with her incredible collection of work. She was an icon, one of the stars which defined the period of Hollywood which ran from the forties into the seventies. I’ve seen Cleopatra. I’ve seen Who’s Afraid of Virginia Wolf? I have yet to see Cat on a Hot Tin Roof, but it comes recommended. And yet, as I write this, I feel quite uncertain. Unlike most of the people who will discuss Taylor’s contributions to cinema, I am too young to remember all the classics. I have never seen any of them in a cinema. Elizabeth Taylor was never really a movie-star to me, she was an icon.

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Twilight of the Stars?

I’ve been thinking a bit of late about movie stars. Are we reaching the end of the star-driven era of Hollywood stars? What got me thinking about it was the news of Tony Scott’s upcoming Unstoppable – a movie about a runaway train starring Denzel Washington, who has been one of Scott’s most consistent collaborators in the past. I loved Denzel Washington – and I loved Crimson Tide and, to a lesser extent, Man on Fire. And yet, I have absolutely no urge to see the film. It isn’t a “must see” simply because of the talent or skill involved. And, being honest, I don’t think I’m alone. There would have been a time years ago when a name on a marque would have marked a film as “must see”. I am beginning to suspect that the era of “star power” might be slowly passing.

Am I Cloo(ney)ed into something?

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