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Tony Scott, R.I.P.

One of the downsides to running a blog the way that I run a blog is that I don’t always have the opportunity to respond to news as it breaks. As such, in writing about the passing of director Tony Scott, pretty much everything that I would say has been said by the time I can publish this, and far more eloquently than I could ever hope to say it. Obviously, I never knew Tony Scott personally, so I won’t comment on the man himself – although the tributes from those who did know him are deeply moving. I knew Tony Scott as countless film fans knew the director, through his work. And that work meant a lot to me.

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Non-Review Review: Scream II

Today, we’re reviewing the entire Scream trilogy. Sadly, I’ll have to wait to get a look at the latest instalment, but reviews of the first three will be going on-line throughout the day.

I actually like Scream 2 a great deal – perhaps as much as I enjoyed the original Scream. Which, to be honest, takes me by surprise because it’s a much weaker movie in a lot of ways, the most obvious being the fact that it sort of fizzles out in the third act. Still, there’s just something about the cheeky and energy of the sequel that grabs my attention and keeps it, as if moving the series from a stereotypical high school and into a college film class. Of course, as Randy the resident film buff points out, the only thing more stereotypical than high school slasher movies are college slasher movies, but there’s just something cool about the fact that most of the cast (rather than just Randy) are relatively genre savvy this time around.

Film Buff-y?

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Meme of the Moment: Desert Island CD’s

This blog post is part of “Desert Island CD’s”, a blogging event being hosted by those gents over at Anomalous Material as a sort of a spiritual successor to last year’s “Desert Island DVD’s”. Check out the link above for everybody else’s list.

Movie soundtracks are a strange beast. They say that memory is most strongly associated with the sense of smell, but – since I guess we can’t smell movies outside of Hans Laube’s somewhat misguided “Smell-O-Vision” – I am never less than amazed at the capacity of a piece of music to take me back to a film. Whether it’s a piece of an orchestra score, a pop song featured in the background, an original composition for the film or even a piece linked to a particular trailer, film music has a strong tie to my memory. To show you that I am not kidding, thanks to the following truly corny international trailer, I can’t hear The Sun Always Shines on TV without thinking of Slumdog Millionaire. You may think I’m bluffing, but skip to about a minute into it.

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