Crimson Tide | the m0vie blog

Tony Scott, R.I.P.

Posted on August 21, 2012 by Darren

One of the downsides to running a blog the way that I run a blog is that I don’t always have the opportunity to respond to news as it breaks. As such, in writing about the passing of director Tony Scott, pretty much everything that I would say has been said by the time I can publish this, and far more eloquently than I could ever hope to say it. Obviously, I never knew Tony Scott personally, so I won’t comment on the man himself – although the tributes from those who did know him are deeply moving. I knew Tony Scott as countless film fans knew the director, through his work. And that work meant a lot to me.

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Filed under: Movies | Tagged: Beverly Hills Cop II, brad pitt, Crimson Tide, denzel washington, michael bay, quentin tarantino, ridley scott, San Pedro Los Angeles, Scott, tony scott, top gun, true romance | 6 Comments »

Non-Review Review: Enemy of the State

Posted on August 2, 2011 by Darren

I have a soft spot for Enemy of the State, I must confess. Perhaps it’s the opportunity to see Will Smith in a great leading role, perhaps it’s the fact that this is one of those movies that actually became far more relevant after its release, or perhaps it’s the superb ensemble assembled by Tony Scott. I don’t know, I think it’s a lot of those things together, but – along with Scott’s superb Crimson Tide – I think that Enemy of the State can easily be considered one of the best things that Jerry Bruckheimer ever put his name too.

Brill dishes the dirt...

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Filed under: Non-Review Reviews | Tagged: Crimson Tide, enemy of the state, enemy of the state (film), film, Jake Busey, Jerry Bruckheimer, jon voight, Movie, non-review review, patriot act, political, politics, review, Scott Caan, tony scott, Wild Wild West, will smith | 9 Comments »

Non-Review Review: Crimson Tide

Posted on April 11, 2011 by Darren

I love Crimson Tide. It comes from a time when, through my nostalgic eyes, Tony Scott could do no wrong. This was the nineties, when Scott was after directing the under-rated True Romance and on his way to helming the solidly entertaining Enemy of the State. Sure, there was also The Fan in there, but we really don’t talk about that. Part of the appeal of Crimson tide, beyond it’s wonderfully powerful basic premise, is the fact that concept could work as either a powerful Aaron Sorkin stage play, or as a bombastic Michael Bay production – the set-up is such that either approach is possible with the material. Scott manages to straddle the middle, offering a tense action thriller which isn’t afraid to ask a few probing questions about the nature of the chain of command and the morality of blinding following orders.