• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

252. Platoon (#222)

Hosted by Andrew Quinn and Darren Mooney, with special guest Joe Griffin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Oliver Stone’s Platoon.

In late 1967, Chris Taylor volunteers for service in Vietnam. Arriving in country, Taylor quickly discovers that the war is not what he expected. As the platoon descends into civil war, Taylor finds himself torn between the two sergeants: the monstrous Barnes and the philosophical Elias. Taylor discovers that he might not just be fighting for his life, but for his very soul.

At time of recording, it was ranked 222nd on the list of the best movies of all time on the Internet Movie Database.

Continue reading

New Podcast! The Escapist Movie Podcast – “Is Mortal Kombat a Knock-Out?”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and Jesse Galena for the thirteenth episode of the year, for a jam-packed discussion that covered Mank, the Oscars and Mortal Kombat.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Podcast! The Escapist Movie Podcast – “Sound of Metal and the Oscars”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the tenth episode of the year, with a special guest Stacy Grouden, to talk about Sound of Metal and The Empty Man.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Podcast! The Escapist Movie Podcast – “Stop the Oscar, I Wanna Get Out”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the tenth episode of the year, with a special guest Raymond Creamer, to talk about the Oscar nominees.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

208. The Departed – Summer of Scorsese (#44)

Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, with special guest Aoife Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, continuing our Summer of Scorsese season, Martin Scorsese’s The Departed.

Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Taxi Driver, The Last Temptation of Christ, Age of Innocence, KundunThe Aviator, Shutter Island, Hugo. The Summer of Scorsese season offers a trip through his filmography via the IMDb‘s 250.

Boston gangster Frank Costello believes that boundaries are fungible: sinner/saint, hero/villain, cop/criminal. Sending one of his young followers to infiltrate the local police department, Costello quickly discovers that something similar is happening to him. As the stakes escalate, the boundaries between policemen and gangsters blur, as Colin Sullivan and Billy Costigan straddle the gulf.

At time of recording, it was ranked 44th on the Internet Movie Database‘s list of the best movies of all-time.

Continue reading

New Escapist Column! On the Potential of the Pandemic Awards Season…

I published a new piece at The Escapist today. There’s been a lot of interesting debate recently about the Academy Awards, and what what they might look like this year, so I thought it was worth taking a closer look.

With cinemas closed around the world – and most obviously in the familiar movie markets of Los Angeles and New York – it would be impossible for this awards season to work in the same way as previous years. The Academy has made changes to its rules to compensate, but some observers argue that the Oscar simply cannot go ahead in the current climate. However, there’s a solid argument to be made for pressing ahead under these conditions – for an awards season that looks as bizarre as the year that led into it.

You can read the piece here, or click the picture below.

New Escapist Column! On How “The Dark Knight” Changed the Oscars…

I published an In the Frame piece at Escapist Magazine on Friday, to mark the occasion of the Oscars.

The Dark Knight was famously locked out of the Best Picture race. However, it still had a tremendous impact on the field. Eleven years later, the snub of The Dark Knight has profoundly reshaped what the Oscars actually looks like, causing the Academy to dramatically alter a couple of its core underlying assumptions. Most of these changes are for the better, sparking an expansion of the Best Picture field that looks to have broken its long-standing anchor to the Best Director category, encouraging the recruitment of a younger voting base, and even paving the way for populist films like Black Panther and Joker at the awards.

You can read the piece here, or click the picture below.

169. 1917 – This Just In (#49)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Sam Mendes’ 1917.

It’s April 1917. Lance Corporal Blake and Lance Corporal Schofeld are tasked with a dangerous assignment. They must cross no man’s land and deliver orders to stop a doomed advance against the retreating German forces. As time runs out, Blake and Schofeld venture further and further into the insanity of war.

At time of recording, it was ranked 49th on the list of the best movies of all time on the Internet Movie Database.

Continue reading

Hindsight is 2020: In Defense of the Best Picture Nominations…

It’s a strange position to be in, to mount a radical argument that the Best Picture race is actually fairly solid this year.

To be fair, there are legitimate grievances to be had. The Academy went with old favourites in several of the acting categories, overlooking amazing work. The Best Actress category would be stronger if the voters opted for Lupita Nyong’o for Us over than Charlize Theron for Bombshell. The Best Supporting Actress race would have been more interesting had Kathy Bates for Richard Jewell been replaced by Jennifer Lopez in Hustlers. The all-male Best Director category is also frustrating, considering the fine work done by directors like Olivia Wilde, Lulu Wang, Céline Sciamma, Lorene Scafaria, and more over the past year.

However, there is also something inevitable about the tone of the debate over the Best Picture race. The Academy Awards is never going to actually please everybody. There are several hundred films released every year that meet the criteria for eligibility. Taste is inherently subjective. Everybody likes different things. More than that, the Academy is a large body comprised of a variety of different voices, especially after recent diversity pushes to modernise the membership. Even if there was a list of (up to) ten films that would satisfy everybody, the Academy would never be the body to produce it. And that is okay.

Instead, the Best Picture nominees this year offer a snapshot of cinema as it was in 2019. They offer a glimpse of the breadth and the depth of mainstream movie-watching, a list of nine very distinct films that offer nine very distinct perspectives on where the medium is and where it might be going. The beauty of the Best Picture nominees this year is that there’s something for everyone, but nobody gets everything. This seems fair, even if the impulse is to want an entire slate that reflects personal taste.

Continue reading

167. Marriage Story – This Just In (#225)

Hosted by Andrew Quinn and Darren Mooney, and this week with guests Tara Brady and Donald Clarke, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Noah Baumbach’s Marriage Story.

Charlie and Nicole had an ideal marriage, until they didn’t. Unsatisfied with her marriage, Nicole decides to separate from her husband Charlie. The couple agree to keep things amicable, but the situation quickly escalates as Charlie finds him completely unprepared for the process that will follow.

At time of recording, it was ranked the 225th best movie of all time on the Internet Movie Database.

Continue reading