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273. It Happened One Night – Valentine’s Day 2022 (#241)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Ciara Moloney, The 250 is a weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Frank Capra’s It Happened One Night.

Wealthy heiress Ellie Andrews has married playboy “King” Westley agaisnt her father’s wishes. Hoping to reunite with her lost love, she absconds and finds herself on a night bus with recently-fired reported Peter Warne. Even drunk and unemployed, Warne can smell a story. He decides to join Andrews on this unlikely adventure, and sparks begin to fly.

At time of recording, it was ranked 241st on the list of the best movies of all time on the Internet Movie Database.

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261. Gladiator (#44)

Hosted by Andrew Quinn and Darren Mooney, with special guests Stacy Grouden and Joe Griffin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Ridley Scott’s Gladiator.

As Rome extends its dominion over the rest of the world, General Maximus Decimus Meridius dreams only of returning home to his family. However, fate has other plans. When Maximus winds up accidentally involved in a sinister conspiracy surrounding the beloved Emperor Marcus Aurelius, his entire life is thrown into chaos. Maximus finds himself abandoned and left for dead. Recovered by a slave trader, Maximus is sold to an older entertainment manager Proximo, who sees a lot of potential in “the Spaniard.”

At time of recording, it was ranked 44th on the list of the best movies of all time on the Internet Movie Database.

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252. Platoon (#222)

Hosted by Andrew Quinn and Darren Mooney, with special guest Joe Griffin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Oliver Stone’s Platoon.

In late 1967, Chris Taylor volunteers for service in Vietnam. Arriving in country, Taylor quickly discovers that the war is not what he expected. As the platoon descends into civil war, Taylor finds himself torn between the two sergeants: the monstrous Barnes and the philosophical Elias. Taylor discovers that he might not just be fighting for his life, but for his very soul.

At time of recording, it was ranked 222nd on the list of the best movies of all time on the Internet Movie Database.

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New Podcast! The Escapist Movie Podcast – “Is Mortal Kombat a Knock-Out?”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard and Jesse Galena for the thirteenth episode of the year, for a jam-packed discussion that covered Mank, the Oscars and Mortal Kombat.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Podcast! The Escapist Movie Podcast – “Sound of Metal and the Oscars”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the tenth episode of the year, with a special guest Stacy Grouden, to talk about Sound of Metal and The Empty Man.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

New Podcast! The Escapist Movie Podcast – “Stop the Oscar, I Wanna Get Out”

The Escapist have launched a movie podcast, and I was thrilled to join Jack Packard for the tenth episode of the year, with a special guest Raymond Creamer, to talk about the Oscar nominees.

You can listen to back episodes of the podcast here, click the link below or even listen directly.

208. The Departed – Summer of Scorsese (#44)

Hosted by Andrew Quinn, Jay Coyle and Darren Mooney, with special guest Aoife Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, continuing our Summer of Scorsese season, Martin Scorsese’s The Departed.

Martin Scorsese is one of the defining directors in American cinema, with a host of massively successful (and cult) hits that have shaped and defined cinema across generations: Taxi Driver, The Last Temptation of Christ, Age of Innocence, KundunThe Aviator, Shutter Island, Hugo. The Summer of Scorsese season offers a trip through his filmography via the IMDb‘s 250.

Boston gangster Frank Costello believes that boundaries are fungible: sinner/saint, hero/villain, cop/criminal. Sending one of his young followers to infiltrate the local police department, Costello quickly discovers that something similar is happening to him. As the stakes escalate, the boundaries between policemen and gangsters blur, as Colin Sullivan and Billy Costigan straddle the gulf.

At time of recording, it was ranked 44th on the Internet Movie Database‘s list of the best movies of all-time.

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New Escapist Column! On the Potential of the Pandemic Awards Season…

I published a new piece at The Escapist today. There’s been a lot of interesting debate recently about the Academy Awards, and what what they might look like this year, so I thought it was worth taking a closer look.

With cinemas closed around the world – and most obviously in the familiar movie markets of Los Angeles and New York – it would be impossible for this awards season to work in the same way as previous years. The Academy has made changes to its rules to compensate, but some observers argue that the Oscar simply cannot go ahead in the current climate. However, there’s a solid argument to be made for pressing ahead under these conditions – for an awards season that looks as bizarre as the year that led into it.

You can read the piece here, or click the picture below.

New Escapist Column! On How “The Dark Knight” Changed the Oscars…

I published an In the Frame piece at Escapist Magazine on Friday, to mark the occasion of the Oscars.

The Dark Knight was famously locked out of the Best Picture race. However, it still had a tremendous impact on the field. Eleven years later, the snub of The Dark Knight has profoundly reshaped what the Oscars actually looks like, causing the Academy to dramatically alter a couple of its core underlying assumptions. Most of these changes are for the better, sparking an expansion of the Best Picture field that looks to have broken its long-standing anchor to the Best Director category, encouraging the recruitment of a younger voting base, and even paving the way for populist films like Black Panther and Joker at the awards.

You can read the piece here, or click the picture below.

169. 1917 – This Just In (#49)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, Sam Mendes’ 1917.

It’s April 1917. Lance Corporal Blake and Lance Corporal Schofeld are tasked with a dangerous assignment. They must cross no man’s land and deliver orders to stop a doomed advance against the retreating German forces. As time runs out, Blake and Schofeld venture further and further into the insanity of war.

At time of recording, it was ranked 49th on the list of the best movies of all time on the Internet Movie Database.

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