• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

New Escapist Column! On “Andor” and the Ideology of Late Capitalist Empire…

I am doing weekly reviews of Andor at The Escapist. They’ll be dropping every Wednesday evening while the show is on, looking at the Rogue One prequel as it progresses from one episode to the next.

Following on from the bridge episode Announcement, Narkina 5 kicks off what looks to be another three-episode arc for the show. Written by Beau Willimon, the episodes digs deep into one of the recurring fascinations of Andor. The show is fascinated by the ideology of the Empire, but that extends beyond its imperialism and fascism. Indeed, like a lot of the work of showrunner Tony Gilroy, Andor suggests that the evils of this organization are a manifestation of late capitalism, and the way in which that ideology is designed to drive competition rather than collaboration.

You can read the piece here, or click the picture below.

261. Gladiator (#44)

Hosted by Andrew Quinn and Darren Mooney, with special guests Stacy Grouden and Joe Griffin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Ridley Scott’s Gladiator.

As Rome extends its dominion over the rest of the world, General Maximus Decimus Meridius dreams only of returning home to his family. However, fate has other plans. When Maximus winds up accidentally involved in a sinister conspiracy surrounding the beloved Emperor Marcus Aurelius, his entire life is thrown into chaos. Maximus finds himself abandoned and left for dead. Recovered by a slave trader, Maximus is sold to an older entertainment manager Proximo, who sees a lot of potential in “the Spaniard.”

At time of recording, it was ranked 44th on the list of the best movies of all time on the Internet Movie Database.

Continue reading

160. Star Wars: Episode V – The Empire Strikes Back (#15)

Hosted by Andrew Quinn and Darren Mooney, and this week with special guest Luke Dunne, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released Saturdays at 6pm GMT.

So this week, Irvin Kershner’s The Empire Strikes Back.

It is a time of galactic strife. Following the Empire’s defeat at the Battle of Yavin, the Rebel Alliance finds itself on the run. A surprise attack on the ice planet of Hoth scatters the rebel fighters to the wind, with Luke embarking on training with a mysterious figure named Yoda while Han Solo attempts to ferry Princess Leia to safety. However, things are not as they appear.

At time of recording, it was ranked 15th on the list of the best movie of all time on the Internet Movie Database.

Continue reading

Star Trek: Enterprise – Affliction (Review)

This May, we’re taking a look at the fourth (and final) season of Star Trek: Enterprise. Check back daily for the latest review.

The shift from episodic storytelling to a more serialised format poses all manner of challenges for the Star Trek production team.

By the time that Star Trek: Enterprise embraced long-form storytelling with The Expanse at the end of its second season, the franchise was dangerous behind the curve. During the nineties, genre shows like The X-Files, Buffy: The Vampire Slayer and Babylon 5 had demonstrated the potential of serialisation as a narrative tool. Even within this particular franchise, Star Trek: Deep Space Nine had managed to strike a reasonable balance between standalone stories and the larger narrative framework.

Nothin' but Trip...

Nothin’ but Trip…

This is say nothing of the revolution taking place on a wider scale. HBO had allowed its production team to embrace the potential of long-form storytelling on late nineties shows like Oz or The Sopranos. Within a few years, the cable broadcaster had attracted considerable mainstream attention by embracing serialisation on shows like The Wire, Deadwood and Rome. In the meantime, Star Trek: Voyager had steadfastly refused to move beyond the episodic model. When Ronald D. Moore left the franchise, any experience with serialisation left with him.

As such, it is no surprise that the franchise struggled with some of the challenges posed by a serialised storytelling model. In particular, Enterprise struggled a little bit with integrating its entire ensemble into its new serialised storytelling model. Affliction and Divergence feel like an attempt to rectify this issue, with mixed results.

It's all coming together...

It’s all coming together…

Continue reading

Star Trek: Enterprise – Shadows of P’Jem (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Shadows of P’Jem is a wonderful episode. It is, in many respects, the first true post-9/11 episode of Star Trek: Enterprise, and it is a surprisingly thoughtful one at that.

In many respects, Enterprise has already established itself as Star Trek for the George W. Bush era. Archer is the franchise’s first white American male lead character since Kirk, and his contempt for politics and thirst for action mirrors the popular image of George W. Bush – a dynamic man with no time for questions or hesitation. Even little touches – like the fact that officers drink beer rather than champagne, or the anti-intellectual contempt that Archer and Trip feel towards Vulcans – suggest a Star Trek show that is very much in line with Bush’s America.

Shadows on Coridan...

Shadows on Coridan…

However, Shadows of P’Jem was among the first episodes written after the events of 9/11, and it’s an episode that seems quite thoughtful and introspective. The franchise has often used the Federation as a stand-in for American values and ideals. Shadows of P’Jem twists this idea on its head, offering the future Federation members as stand-ins for various facets of American foreign policy.

Shadows of P’Jem is a considerate and reflective look at what Walter Nugent termed “the habits of empire”, a look at the cost and consequences of imperialism in a post-colonial age, and how those issues tend to fester.

A night in sickbay...

A night in sickbay…

Continue reading

Star Trek – Mirror, Mirror (Review)

The first Star Trek pilot, The Cage, was produced in 1964. To celebrate its fiftieth anniversary, this December we are reviewing the second season of the original Star Trek show. You can check out our first season reviews here. Check back daily for the latest review.

Mirror, Mirror is rightfully iconic.

It is a Star Trek episode that spawned sequels on Star Trek: Deep Space Nine and a prequel on Star Trek: Enterprise. It codified the whole idea of a “mirror universe” in popular culture, to the point where audiences readily accept the idea of an entire world populated with evil (and possibly sexy) counterparts to our characters. Shows as diverse as Doctor Who and South Park have played with the concept. Indeed, “evil alternate universe doppelganger has a goatee” is a recognisable trope.

... And that was the last time Koenig tried to upstage Shatner...

… And that was the last time Koenig tried to upstage Shatner…

There is a strange irony to all this. The mirror universe is an absurd concept for a number of reasons, and that absurdity is only heightened when it becomes more and more iconic. Turning the idea into a recognisable television cliché inevitably simplifies it. Although Mirror, Mirror is very camp – in the same way that a lot of classic Star Trek is camp – it is a story that has a lot of interesting and clever things to say. These tend to get sanded off through imitation and repetition. (For example, despite wearing the “evil goatee”, mirror!Spock is “a man of integrity.”)

And yet, behind the striking iconic production design and the admittedly absurd premise, Mirror, Mirror ranks as one of the best and most insightful scripts of classic Star Trek. It represents a cautionary tale and critical examination of some of the show’s core tendencies.

Bringing the pain...

Bringing the pain…

Continue reading

Non-Review Review: 300 – Rise of an Empire

It is almost immediately apparent that 300: Rise of an Empire was not directed by Zack Snyder. Snyder is credited on the inter-quel’s screenplay, but Rise of an Empire is directed by Noam Murro. Murro’s only other feature-length directorial credit is the forgotten indie movie Smart People, which would hardly make a case for Murro as an obvious choice to succeed Snyder in the director’s chair.

300 was a lavish and rich (and surprisingly shrewd) visual feast – packed with iconic imagery and memorable mosaics, treating it’s muscle-bound stars as props for epic spectacle while casting a knowing look out at the audience. Rise of an Empire feels like an attempt at imitation rather than innovation – with a sense that Murro isn’t bold enough to put his own stamp on the film, instead trying to channel one of the most unique voices currently working in action movies.

Slice o' life...

Slice o’ life…

Continue reading

Happy New Year…

… okay, it isn’t New Year yet, but what better way to ring it in movie-wise than a bit of nostalgia. Last year, Empire celebrated their twentieth anniversary in style by inviting a whole bunch of famous actors to come back and relive some of their iconic movie moments. I can’t agree with all the choices (Minority Report seems a little… modern for Cruise, doesn’t it?), but it was a great little project and one which felt like a celebration of twenty-years of movie-making magic. Click the images or go to Empire for bigger versions (where I could find one – they make a nice screensaver).

Continue reading