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252. Platoon (#222)

Hosted by Andrew Quinn and Darren Mooney, with special guest Joe Griffin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, Oliver Stone’s Platoon.

In late 1967, Chris Taylor volunteers for service in Vietnam. Arriving in country, Taylor quickly discovers that the war is not what he expected. As the platoon descends into civil war, Taylor finds himself torn between the two sergeants: the monstrous Barnes and the philosophical Elias. Taylor discovers that he might not just be fighting for his life, but for his very soul.

At time of recording, it was ranked 222nd on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: Platoon

I think now, looking back, we did not fight the enemy; we fought ourselves. The enemy was in us. The war is over for me now, but it will always be there, the rest of my days. As I’m sure Elias will be, fighting with Barnes for what Rhah called “possession of my soul.” There are times since, I’ve felt like a child, born of those two fathers.

Oliver Stone Charlie Taylor meditates on Vietnam

I honestly think that Platoon might be my favourite war film ever made. It’s almost certainly my favourite Vietnam film ever made, despite my considerable respect for Apocalypse Now. However, though Stone’s classic is steeped in allegory and metaphor (see the above quote), I think that it works better as a personal account of the conflict, rather than Coppola’s attempt to capture the surreal nature of the war on celluloid. Stone actually served a tour over there, and I think that there’s a lot of his own personal perspective poured into the film, which makes it feel like quite a raw and powerful piece of cinema.

War is dirty business...

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Non-Review Review: Inception

Does the dreamer dream the dream, or the dream dream the dreamer? Nolan’s Inception somehow finds a way to cram a year’s worth of philosophical questions and big ideas into a two-and-a-half-hour epic which seems fleeting even with that runtime. Indeed there’s so much on offer at this cinematic banquet that I feel I need a second helping to fully savour the flavour. I can see Inception being divisive film – between those who feel it somehow is somewhat conceited and not as clever as it would have you think (many of whom, for example, may focus on the movie’s ending – some may even have honestly claimed to call it) and those who favour a movie which intelligently poses all manner of questions for it’s audience, believing answers – like dreams – are subjective and personal, and to offer or share them is a recipe for disaster. I am firmly in the latter camp.

Mind- (and corridor-) bending...

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