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Non-Review Review: Godzilla (2014)

Gareth Edwards’ Godzilla remake exhumes the classic movie monster for one more epic city-destroying brawl. Appropriately enough, the film feels like something of a relic itself – albeit a relic from an era more recent than the prime of its featured monster. Opening with the excavation of a giant skeleton in the Philippines, and with the revelation that the titular creature was first awakened in 1954, there’s a sense of coy self-awareness to Gareth Edwards’ monster movie tribute.

This wry self-awareness only extends the film so much leeway. At the heart, Godzilla feels like a nineties blockbuster created with modern technology. If the film had a sense of humour, it would look a lot more like Godzilla-by-the-way-of-Roland Emmerich than the 1998 attempt to reintroduce the character to American audiences.

Who says Godzilla is washed up?

Who says Godzilla is washed up?

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Non-Review Review: Inception

Does the dreamer dream the dream, or the dream dream the dreamer? Nolan’s Inception somehow finds a way to cram a year’s worth of philosophical questions and big ideas into a two-and-a-half-hour epic which seems fleeting even with that runtime. Indeed there’s so much on offer at this cinematic banquet that I feel I need a second helping to fully savour the flavour. I can see Inception being divisive film – between those who feel it somehow is somewhat conceited and not as clever as it would have you think (many of whom, for example, may focus on the movie’s ending – some may even have honestly claimed to call it) and those who favour a movie which intelligently poses all manner of questions for it’s audience, believing answers – like dreams – are subjective and personal, and to offer or share them is a recipe for disaster. I am firmly in the latter camp.

Mind- (and corridor-) bending...

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