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New Escapist Column! On How the MonsterVerse Has Forsaken Awe and Wonder…

I published a new In the Frame piece at The Escapist yesterday. With the release of Godzilla vs. Kong, it seemed like a good opportunity to look at the film in the context of the larger MonsterVerse – in particular, Godzilla and Godzilla: King of the Monsters.

Godzilla vs. Kong is pure spectacle. The film features a host of impressive and showstopping sequences, including two major bouts between the title characters. However, there is something missing in all of this carnage. Like King of the Monsters before it, and like a lot of other modern blockbusters, there’s a curious lack of awe and wonder to the spectacle on display.

You can read the piece here, or click the picture below.

A smashing success?

Non-Review Review: Godzilla (2014)

Gareth Edwards’ Godzilla remake exhumes the classic movie monster for one more epic city-destroying brawl. Appropriately enough, the film feels like something of a relic itself – albeit a relic from an era more recent than the prime of its featured monster. Opening with the excavation of a giant skeleton in the Philippines, and with the revelation that the titular creature was first awakened in 1954, there’s a sense of coy self-awareness to Gareth Edwards’ monster movie tribute.

This wry self-awareness only extends the film so much leeway. At the heart, Godzilla feels like a nineties blockbuster created with modern technology. If the film had a sense of humour, it would look a lot more like Godzilla-by-the-way-of-Roland Emmerich than the 1998 attempt to reintroduce the character to American audiences.

Who says Godzilla is washed up?

Who says Godzilla is washed up?

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