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86. Mister Smith Goes to Washington – Independence Day 2018 (#147)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users.

This time, an Independence Day treat. Frank Capra’s Mister Smith Goes to Washington.

Local activist and unlikely politician Jefferson Smith finds himself appointed to represent his great state in the United States Senate. However, while trying to ensure a fair deal for his constituents, Smith soon finds his faith in democracy threatened as he figures out how the institutions actually work.

At time of recording, it was ranked the 147th best movie of all time on the Internet Movie Database.

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Potter Might Have a Point: Perhaps It’s Not Such a Wonderful Life After All…

I don’t have your money here! It’s in….Bill’s house…And…Fred’s house!
What the hell are you doing with my money in your house Fred?
The PTA Disbands, The Simpsons

I finally saw Frank Capra’s It’s a Wonderful Life. The Helix over at DCU was screening a variety of modern and classic films in a cinema setting, and they chose the Jimmy Stewart classic as their Christmas movie. And quite right, too. However, watching the film, I couldn’t help but get the sense that things weren’t quite as simplistic as the movie made them out to be and that, while George Bailey might be one heck of a nice guy, there’s absolutely no way I’d trust him to handle my finances. While the town’s old miser, Potter, might as well have a moustache to twirl, I can’t help but think that maybe he might have a point or two about George Bailey, something the movie never really addresses.

The deficit is thiiiiiiiis big...

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Remember Me: The Box Office & Pop Culture Longevity…

I was reading an interesting article on Rope of Silicon which pondered whether Scott Pilgrim vs. The World was our generation’s iteration of The Big Lebowski. Much like the comparisons between The Social Network and Citizen Kane, it doesn’t matter whether the question is downright ridiuclous or even improper, it simple serves to illustrate the type of movie that people think of when they see these modern films. That people would even utter “Scott Pilgrim” and “The Dude” in the same sentence is a huge compliment to the latter, no matter what the literal result of the comparison. Of course, this is small comfort to the studio which is no doubt disappointed by the less than stellar box office returns. However, ignoring the obvious immediate and practical impact of box office receipts, do they speak at all to a film’s longevity?

Does the box office disappointment mean "game over" for Scott Pilgrim?

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