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255. The Man Who Shot Liberty Valance (#250)

Hosted by Andrew Quinn and Darren Mooney, with special guests Aoife Martin, Jason Coyle and Ronan Doyle, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This time, John Ford’s The Man Who Shot Liberty Valance.

In the early twenty-first century, Senator Ranse Stoddard returns to the dreary town of Shinbone. What was once a frontier outpost has become a modern town, and the locals are surprised to see such an important figure making the journey. Stoddard has come home to attend the funeral of an old friend, but the occasion brings old memories and dark secrets to the surface.

At time of recording, it was ranked 250th on the list of the best movies of all time on the Internet Movie Database.

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Non-Review Review: Rope

Rope occupies an interesting place in Alfred Hitchcock’s filmography. The director himself was less than fond of it, allegedly quite happy that it remained out of circulation for some time after its initial release. Jimmy Stewart has apparently been critical of his own performance in the film, although I think it’s a wonderful example of a beloved actor playing against type. In the years since, however, it has been somewhat re-evaluated. While most film fans would be hesitant to describe it as an unqualified success, it’s certainly a technically ambitious little film, and the tight script and set-up allow Hitchcock to indulge his knack for creating suspense.

I hope nobody choked with all those ten-minute takes…

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Potter Might Have a Point: Perhaps It’s Not Such a Wonderful Life After All…

I don’t have your money here! It’s in….Bill’s house…And…Fred’s house!
What the hell are you doing with my money in your house Fred?
The PTA Disbands, The Simpsons

I finally saw Frank Capra’s It’s a Wonderful Life. The Helix over at DCU was screening a variety of modern and classic films in a cinema setting, and they chose the Jimmy Stewart classic as their Christmas movie. And quite right, too. However, watching the film, I couldn’t help but get the sense that things weren’t quite as simplistic as the movie made them out to be and that, while George Bailey might be one heck of a nice guy, there’s absolutely no way I’d trust him to handle my finances. While the town’s old miser, Potter, might as well have a moustache to twirl, I can’t help but think that maybe he might have a point or two about George Bailey, something the movie never really addresses.

The deficit is thiiiiiiiis big...

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