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Doctor Who: Praxeus (Review)

Praxeus is business as usual for Chris Chibnall’s era of Doctor Who.

It’s always slightly fun when a showrunner takes a co-writing credit on an episode, because it implies heavy involvement in a particular aspect of the story. It’s always fun to speculate what that aspect might be. When Russell T. Davies took a rare co-writing credit on Waters of Mars, it seemed reasonable to suggest that he was (at least) heavily involved in the “Time Lord Victorious” stuff. When Steven Moffat took a co-writing credit on The Girl Who Died, it seemed likely that he worked on the Twelfth Doctor’s explanation of his choice of face.

Beach’s own.

Normally, it’s fairly easy to see what hand a showrunner took in a given script. Fugitive of the Judoon brought back Vinay Patel, who wrote one of the best-received episodes of the previous season in Demons of the Punjab, but paired him with Chris Chibnall. There were any number of elements in Fugitive of the Judoon that might have merited the heavy hand of the showrunner. The most obvious stuff is the subplot involving Jack Harkness, which is both isolated from the story and heavy on foreshadowing. That said, the Ruth!Doctor stuff was also a big deal.

This makes Chibnall’s credit on Praxeus seem very strange. On the surface, and even with the direct cliffhanger feeding in from Fugitive of the Judoon,there is nothing in the story that would seem to merit or necessitate the showrunner stepping in to work with writer Peter McTighe on the episode.

Net loss.

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