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Star Trek: The Next Generation – Code of Honour (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Remember how yesterday I said was hesitant to throw around adjectives like “worst” or “mind-numbingly” or any other similar sounding pejorative term? I was doing that so that when I did string them together to form a sentence or a description, it would carry a bit more weight. After all, Star Trek: The Next Generation didn’t have the strongest first season, as I keep noting apologetically in these opening paragraphs. However, Code of Honour is pretty dire by any measure, and it remains one of the low watermarks of the troubled first season.

Yes, I did type “one of”, but that doesn’t make Code of Honour any easier to manage.

Not quite steps to greatness…

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Non-Review Review: Jaws

Jaws is a pretty impressive film. Not only did the film serve to launch Steven Spielberg’s career and subgenre of monster creature features, it also effectively kick-started the summer blockbuster. However, watching it again all these years later, it’s amazing how well Jaws holds up – far better than the vast majority of films that it ultimately inspired. There’s a lot of reasons that Jaws works, and a lot of them come down to Spielberg working as director, but also in the scripting and the acting. It’s rare for a movie to produce one character that we truly care about. Jaws manages to produce four compelling leading characters – the three men who ultimately end up on the boat, and the shark itself.

Finally copping on…

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Pay No Attention to the Man Behind the Curtain: Ignorance, Bliss and Entertainment…

Occasionally, I like to do a bit of research. That might shock some of my more regular readers. If I’m covering a particularly topic, I like to have a bit of background knowledge that will allow me to offer some nuanced or informed commentary. Hopefully, I might be able to tell you something you didn’t know – after all, hopefully the time spent reading my review isn’t wasted if I can tell you something you didn’t already know, regardless of whether our opinions agree or disagree. Also, it’s just nice to know these things because they can help my understanding of a particular film.

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Berry Your Head in Shame: Watching The White Dwarf Stars In Slow Motion…

Speedman is a dying star. A white dwarf headed for a black hole. That’s physics. It’s inevitable.

– Les Grossman, Tropic Thunder

Fame is like anything else. It’s like money or luck. It comes and it goes. Still, as the poster for Halle Berry’s latest film, Dark Tide, arrive, it’s hard not to feel a little bit sorry for those performers who have watched their fame and popularity slip out from underneath them.

Halle Berry won an Oscar for Monster’s Ball. She played one of the few James Bond characters to be considered for a spin-off, appearing in Die Another Day. She got a considerable pay increase for showing her breasts in Swordfish. She headlined one of the very few female-centric superhero films, the dire Catwoman. Not all of those were good films. In fact, being harsh, I’d argue that one of them was a good film, and the rest were significantly flawed, if not outright terrible. Still, it’s quite sad to see the former Oscar-winner relegated to appearing in the latest film from the director of Blue Crush and Into the Blue.

She did make some Berry questionable choices...

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Film Studies in the Leaving Certificate…

I sat the Leaving Certificate over five years ago, so the memory of the examine is still fresh in my mind. For those international readers, that’s the exam we do at the end of secondary school before we go to college (it determines whether we get a place as we don’t really have college fees… yet). Anyway, no subject perplexed me as much as English did. here was a subject that could be interesting and compelling, but mostly ended up boring the pants off anyone sitting it. The subject is taught over two years with students choosing one core text (taken for a set list by the Department) and then three ‘comparative texts’ (also from a list, albeit a larger one). There were also poets and composition and all the stuff we would expect. I remember being excited when I heard that films were on this comparative list. But that soon changed when I learned which films. With all the kids going back to school, I wonder if film studies should be made a larger part of English studies, or if we simply need to revise which films we use and how we use them in the class room.

Looking for the reel deal...

Looking for the reel deal...

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