This Saturday, to mark the release of Captain Marvel, I will be discussing Guardians of the Galaxy on The 250, the weekly podcast that I co-host discussing the IMDb’s Top 250 Movies of All-Time. However, I had some thoughts on the film that I wanted to jot down first. You can listen to the podcast here.
Twenty-one films in, there is a solid argument to be made that Guardians of the Galaxy ranks among the very best of the Marvel Cinematic Universe.
Variety has consistently ranked Guardians of the Galaxy the best film in the shared universe on its own frequently updated list. According to Rotten Tomatoes, the film is ranked joint sixth (but on the fourth tier) of Marvel movies in terms of review aggregation. On a list that included non-Marvel-Studios-properties, MetaCritic ranked the film as the fifth best of the top fifty Marvel films released in the twenty-first century. It landed in the same position on a similar list compiled by Peter Bradshaw for The Guardian. It ranked second on the list compiled by The Independent. Although such a metric is hardly absolute and academic, it is also one of the longest-enduring Marvel films on the Internet Movie Database‘s top 250 movies of all-time.
Similarly, the film endures in popular culture. It is arguably one of the most influential blockbusters of the past decade. It was notably the first film to have its soundtrack top the Billboard album charts without an original song on it. Although directors like Martin Scorsese and Richard Linklater had defined the “jukebox soundtrack”, Guardians of the Galaxy turned it into a standard for blockbuster films. Somewhat ironically, given how James Gunn’s career has since developed, Guardians of the Galaxy is a film that seems like the template for the modern wave of blockbusters like Suicide Squad or even Kong: Skull Island. These are massive tentpole films that consciously wear their weirdness on their sleeve.
At the time, this seemed strange. Guardians of the Galaxy was a fringe property before the film was released, largely unknown to audiences outside of comics. The film does not even adapt the “classic” team line-up, relegating them to a cameo in Guardians of the Galaxy, Vol. 2. Instead, the team depicted in Guardians of the Galaxy was drawn from Dan Abnett and Andy Lanning’s well-loved but under-appreciated twenty-first century run. More than that, the film was to be helmed by a director who had developed his trade working at Troma and whose career included oddities like Slither or Super. The star was a supporting actor on a well-liked-but-not-breakout sitcom. The biggest names were voicing a talking raccoon and “his personal houseplant-slash-muscle.”
As such, the film’s status as a breakout hit and cultural phenomenon seems strange. What is it about Guardians of the Galaxy that endures, that elevates it in the popular memory ahead of other superhero films (and other Marvel Studios films) like Captain America: The First Avenger or Ant Man or Doctor Strange? It’s in interesting question to contemplate, particularly when Guardians of the Galaxy comes with so much of the baggage of those middle Marvel Cinematic Universe. Rewatching the film in hindsight, there is a lot of clunky exposition and unnecessary detail, a host of elements that exist to set up other movies (like Avengers: Infinity War) rather than serving this individual film. This is the film that properly introduced Thanos and the Infinity Stones, after all.
It is perhaps to the credit of Guardians of the Galaxy that it works well enough in spite of the demands of the Marvel Cinematic Universe, that it is the rare Marvel Studios film that feels entirely sure of itself and its own identity. Despite all this continuity and all of these connections, Guardians of the Galaxy is structured by Gunn and credited co-writer Nicole Perlman as a very simple allegory beneath all the talk of “Celestials” and “the Nova Corps”, between trips to “Xandar” and “Morag.” At its core, Guardians of the Galaxy never loses sight of what it’s actually “about” beneath the trappings of comic book lore and the spectacle of a twenty-first century blockbuster. It is the story of a young boy who responds to a massive trauma by retreating into a world of fantasy.
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Filed under: On Second Thought | Tagged: allegory, GUARDIANS OF THE GALAXY, James Gunn, metaphor, trauma | 4 Comments »
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