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New Escapist Column! On “WandaVision” and the Death of Ambiguity…

I published a new In the Frame piece at The Escapist this evening. With WandaVision ending just over a week ago, I had some thoughts about art, ambiguity and meaning. You know, small things.

One of the more interesting aspects of WandaVision was the way in which it presented itself, and was received as, a “mystery box” show. It was framed and treated as a puzzle to be solved. What’s interesting about this is the care that the finale took to carefully explain and confront each possible fan theory and speculation, to communicate very simply and very straightforwardly not only what its audience was supposed to take from this story, but also how they were supposed to feel in response to certain key plot beats.

This is arguably a reflection of a larger trend in pop culture, in which there’s a strong rejection of the idea of ambiguity and an embrace of the idea that everything has a fixed meaning that can be clearly determined and objectively derived. This ignores the reality that art exists in ambiguity, that there’s no simple, single decoder ring and that meaning is often something derived from conversation between the art and the audience consuming it.

You can read the piece here, or click the picture below.

The X-Files – Badlaa (Review)

This October/November, we’re taking a trip back in time to review the eighth season of The X-Files and the first (and only) season of The Lone Gunmen.

Badlaa is a disturbing and unsettling piece of television.

Perhaps the most unsettling thing about it might be the fact that this is the last truly memorable monster of the week.

"Well, this sure beats the way I got in."

“Well, this sure beats the way I got in.”

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