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The X-Files – Orison (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

The X-Files has generally avoided sequels.

There are exceptions, of course. Eugene Victor Tooms appeared twice in the first season, bookending the show’s first year in Squeeze and Tooms. The character of Robert Patrick Modell resurfaced in Kitsunegari, two years after his debut in Pusher. In a way, the mythology could be read as a series of sequels and inter-related plots, with the show lacking the sort of truly overarching design that would identify it as a single story that had been serialised. Still, The X-Files has been reluctant to resurrect old monsters, perhaps acknowledging the law of diminishing returns.

Here's Donnie!

Here’s Donnie!

So Orison is something of an oddity. It marks the second and final appearance of Donnie Pfaster, the demonic Ted Bundy type who made such an impression in Irresistible. Much like Robert Patick Modell or Eugene Victor Tooms, Donnie Pfaster was popular enough the bringing him back made a certain amount of sense; if the show had to do a “sequel” episode, Donnie was as good a candidate as any. Meanwhile, Flukeman waits by the phone. However, the question remains: why?

What is the point of bringing back Donnie? What didn’t the show do last time that it would do this time? It’s a very basic, very fundamental question. Unfortunately, Orison does not have much of an answer.

Finger food...

Finger food…

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Doctor Who: The Long Game (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

The Long Game originally aired in 2005.

No, no, you stick with the Doctor. You’d rather be with him. It’s going to take a better man than me to get between you two.

– Adam outlines another reason he had to get kicked out of the TARDIS

The Long Game is a breathtakingly ambitious piece of Doctor Who, for a variety of reasons. The most obvious is the fact that it’s basically Russell T. Davies pushing through a story idea that Andrew Cartmel rejected when he pitched it to the classic show in the eighties, but there are a whole bunch of other reasons. The Long Game is trying to do so many things at once that it ends up getting a little lost. However, it does serve as an example of what Davies was really trying to do with this first season of the revived Doctor Who.

On the surface, The Long Game a clever and daring piece of science-fiction television, a piece of social commentary hidden behind funny-looking aliens and scenery-chewing villains. It’s really a spiritual successor to the science-fiction stories of the Cartmel era. However, it’s also something else entirely. It’s a conscious embrace of the new realities of television, an acknowledgement that these trappings have be blended with character-based storytelling and more modern tea-time telly conventions.

After all, for a show about the manipulation of the media to corrupt the public consciousness, the teaser doesn’t end on a monster reveal or a shocking twist, but a pithy personal comment. “He’s your boyfriend.”

Body of work...

Body of work…

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