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The X-Files – Orison (Review)

This November, we’re taking a trip back in time to review the seventh season of The X-Files and the first (and only) season of Harsh Realm.

The X-Files has generally avoided sequels.

There are exceptions, of course. Eugene Victor Tooms appeared twice in the first season, bookending the show’s first year in Squeeze and Tooms. The character of Robert Patrick Modell resurfaced in Kitsunegari, two years after his debut in Pusher. In a way, the mythology could be read as a series of sequels and inter-related plots, with the show lacking the sort of truly overarching design that would identify it as a single story that had been serialised. Still, The X-Files has been reluctant to resurrect old monsters, perhaps acknowledging the law of diminishing returns.

Here's Donnie!

Here’s Donnie!

So Orison is something of an oddity. It marks the second and final appearance of Donnie Pfaster, the demonic Ted Bundy type who made such an impression in Irresistible. Much like Robert Patick Modell or Eugene Victor Tooms, Donnie Pfaster was popular enough the bringing him back made a certain amount of sense; if the show had to do a “sequel” episode, Donnie was as good a candidate as any. Meanwhile, Flukeman waits by the phone. However, the question remains: why?

What is the point of bringing back Donnie? What didn’t the show do last time that it would do this time? It’s a very basic, very fundamental question. Unfortunately, Orison does not have much of an answer.

Finger food...

Finger food…

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The X-Files (Topps) #7 – Trepanning Opera (Review)

This August (and a little of September), we’re taking a trip back in time to review the second season of The X-Files. In November, we’ll be looking at the third season. And maybe more.

Trepanning Opera is something of a one-shot story, albeit the story where Stefan Petrucha begins to concede that his first year writing The X-Files tie-in comic is really one single long-form story. Initially, Trepanning Opera looks like a standard monster-of-the-week (or perhaps that should be “monster-of-the-month”) story, only to eventually reveal that the connections to the rest of Petrucha’s run are more than simply thematic in nature. “Everything is connected, Mulder,” his contact assures him. “Everything.”

Head's up...

Head’s up…

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