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234. Mononoke-hime (Princess Mononoke) – Ani-May 2021 (#69)

Hosted by Andrew Quinn and Darren Mooney and with special guests Deirdre Molumby, Graham Day and Bríd Martin, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT.

This year, we are proud to continue the tradition of Anime May, a fortnight looking at two of the animated Japanese films on the list. This year, we watched a double feature of the last two anime movies on the list, Hayao Miyazaki’s Mononoke-hime and Sen to Chihiro no Kamikakushi.

This week, the first part of the double bill, Mononoke-hime, the last film before Miyazaki’s first announced retirement.

A freak demon attack disturbs the peace of a remote village, and places a curse on a young prince. The hero must venture into the larger world in search of a cure, and quickly finds himself embroiled in a struggle between industrialisation and nature, between city and forest, between man and god.

At time of recording, it was ranked 69th on the list of the best movies of all time on the Internet Movie Database.

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Doctor Who: Forest of the Dead (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Forest of the Dead originally aired in 2008.

Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call, everybody lives.

– River brings Moffat’s contributions to the Davies era a full circle

There’s actually quite a lot to like about Forest of the Dead. Like Silence in the Library, it doesn’t really push Moffat’s work on Doctor Who that much further. A lot of its big ideas can be found in Moffat’s earlier Doctor Who work. Still, it is quite clever and quite well-written, and a pretty well-constructed episode. This is, after all, the last episode of the Davies era that is not credited to Davies himself. Given it’s written by the showrunner elect, that celebratory feel is justified.

At the same time, however, there are some very uncomfortable gender roles at work in Forest of the Dead for female characters like Donna or River. Moffat would come under a lot of fire during his tenure producing Doctor Who for the way that he wrote female characters, but I’d actually argue that the problems with Forest of the Dead are more in keeping with wider Davies-era trends towards the way that female characters are written.

It just clicked...

It just clicked…

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