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Non-Review Review: Frozen II

Frozen II is solid.

In fact, it might even be a little stronger than Frozen, on the whole. Of course, Frozen was the breakout Disney animated hit of the decade, crossing the one billion mark and turning Let It Go into a genuine pop phenomenon. However, Frozen always felt a little rough around the edges when compared to Disney’s other animated princess-centric movies of the decade; The Princess and the Frog, Tangled, Moana and maybe even Brave.

Pretty cool.

Frozen II arrives with a lot of the familiar problems of sequels. The original film was populated by characters who filled a story function, whereas sequels often have to create story functions to accommodate characters who are surplus to requirement. Kristof felt largely unnecessary in Frozen, but he feels particularly unnecessary in Frozen II. Similarly, the success of the original film often encourages sequels to dive deep into a conjured mythology, to over-explain something that requires no explanation. Frozen II does this with Elsa herself, trying too hard to explain her.

As a result, Frozen II suffers from some awkward pacing. It stutters and starts. It often gets slowed down checking in on familiar characters, or delivering reams of exposition for unnecessary back story. However, the irony of all this is that Frozen II has much more interesting things to say than Frozen, and is much more confident about saying them. Frozen II retreats from the logical conclusions of its strongest arguments, but it is still a surprisingly bold film for a sequel to one of the most successful children’s films ever made.

Lighten up.

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