What is remarkable about Marc Webb’s The Amazing Spider-Man II is how much it resembles a comic book. Not a particular comic book – although there are numerous shout-outs to iconic Spider-Man moments, right down to the choice of costuming – but in general terms. It isn’t that Marc Webb tries to construct his film to evoke the look and feel of a comic book – this isn’t Ang Lee’s Hulk; in fact, Webb seems much more comfortable here than he was with The Amazing Spider-Man, making a movie that feels more playful and relaxed within its medium.
Instead, The Amazing Spider-Man II borrows the structure of a comic book. It offers its own story, but that story isn’t constructed particularly tightly. Instead, the story seems to have been fashioned as part of a greater – as if part of a larger serialised narrative that has yet to take form. It’s quite distinct from the approach taken with Marvel’s Cinematic Universe, where the films feel more like blocks that fit together. Instead, this feels more like the second chapter in a larger story, without being dissolved completely into the larger narrative.
The Amazing Spider-Man II has its own themes and motifs, and it documents a pretty epic selection of events, but the emphasis isn’t so much on this one encounter as what this encounter says about its hero. It’s much more interested in what these events tell us about our hero than it is in documenting a single self-contained story. It’s a novel (and somewhat bold) attempt at a serialised superhero narrative, and the results are absolutely fascinating.

Electro-fying!
Note: The Amazing Spider-Man II is probably best seen absolutely blind, with no real information about its themes or the story beats that it might hit. I do try to keep the reviews as spoiler-light as possible (and we do have a spoiler-laden review available for your perusal), but if you are interested in seeing the film – I would recommend avoiding any discussion or review. It is good, if flawed; endearingly ambitious and engagingly bold; it does a lot of great things that excuse some cliché plotting, sacrificing novelty in some areas for storytelling efficiency.
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Filed under: Non-Review Reviews | Tagged: Andrew Garfield, Comics, electro, Emma Stone, green goblin, Gwen Stacy, peter parker, spider man, spider-man 2, the amazing spider-man, the rhino | 18 Comments »